Thieves broke into a Rotterdam museum on Tuesday and walked off with works from the likes of Picasso, Monet, Gauguin and Matisse potentially worth hundreds of millions. "Those thieves got one hell of a haul," said Chris Marinello, who directs the Art Loss Register. — NYT
thieves broke into rem koolhaas' iconic Kunsthal building in Rotterdam early Tuesday, making off with a number of paintings. while details of the break-in have not been disclosed yet, the collection that the paintings were a part of were being displayed in public for the first time. i wonder what...
Building upon a short Wednesday evening presentation he gave at Rice, Koolhaas opened with discussion of historical preservation, a topic that elicited mixed emotions for the architect while, at the same time, offered a window into his approach to the built environment.
"Preservation is a highly artificial term," he explained. "History happens and leaves its traces . . . I have to say, I prefer history without preservation." — houston.culturemap.com
Scriptwriting also taught him something about architecture. "If you write a script, you try to stitch episodes together so that, at the end, you have a sort of suspense to a conclusion or a climax," he says.
"Architecture is very similar: You create a series of spatial moments and find a way to relate them to each other with the same purpose. An architect writes scripts also, but for people, not for actors." — cnn.com
“We are grateful to each of the firms for the thoughtfulness and creativity they demonstrated throughout the process. There is no doubt that each group was fully capable of helping us realize our vision of a 425 Park Avenue tower that redefines the modern office environment while also respecting and enhancing the timeless allure of the Plaza district.” — New York Observer
In one of the most unusual assignments around, Foster, Rogers, Koolhaas and Hadid were asked to tackle a New York City office building on Park Avenue. A famous address with two famous towers, but really, the rest of them stink. The catch for 425 Park, one of those middcentury stinkers, is that...
Rem Koolhaas is to receive the 2012 Jencks Award, announced the Royal Institute of British Architects. The Jencks Award is given annually to an individual (or practice) that has recently made a major contribution internationally to both the theory and practice of architecture. — bustler.net
It’s hard to know whether you regard this as nightmare or opportunity, I tell him. “That has been my entire life story,” Koolhaas said, “Running against the current and running with the current. Sometimes running with the current is underestimated. The acceptance of certain realities doesn’t preclude idealism. It can lead to certain breakthroughs. — Smithsonian magazine, September 2012
Some classic Nicolai Ouroussoff-piece - so expect an up-and-too-close-personal portrait, explicit hints of retro-active admiration, generic and gullible phrasing, all-over-the-place platitudes and creepy catchphrases - on Rem Koolhaas. Worth a read, but only for the quotes. For those that do not...
News broke about a collaboration between OMA and American luxury retailer Coach. With OMA partner-in-charge Shohei Shigematsu leading the design work, two new Coach flagship stores are scheduled to open in New York and Tokyo in the next few months and unveil the new concept. Coach Omotesando...
The building has two colossal, uneven leaning towers (the highest rises 768 feet) that are conjoined at the top by an enormous angular bridge. Conservative estimates put the cost at nearly $900 million; Koolhaas, for his part, says he has “no idea” of the price. What is certain is that the CCTV building now dominates the skyline of Beijing, just as it dominates the airwaves of the country. — thedailybeast.com
The developer David W. Levinson could have set for himself the simple task of commissioning a better-designed tower for 425 Park Avenue than the one that’s been there since 1957.
But that would have been a very low bar.
He has engaged four of the world’s leading architects to compete for the job: Norman Foster of Foster & Partners, Zaha Hadid of Zaha Hadid Architects, Rem Koolhaas of OMA, and Richard Rogers of Rogers Stirk Harbour & Partners. — cityroom.blogs.nytimes.com
CLIPS OF SEATTLE LIBRARY: INTERVIEW WITH HOMELESS MAN AND SHOTS OF STRUCTURE.
This footage is part of a feature length Documentary film that I am making about my father Rem Koolhaas. — vimeo.com
Low resolution rough cut of footage I shot at the CCTV building in Beijing in Feb 2012. This footage is part of a documentary I am making about my father Rem Koolhaas. — Tomas Koolhaas, via vimeo.com
It is a very big day for Rem Koolhaas and the entire OMA team, as their iconic CCTV building in Beijing—OMA's largest project so far—is being officially completed today. ↑ CCTV/OMA, photographed by Iwan Baan Here is the official release we just received from OMA: Today OMA...
How to confirm one's role as a starchitect? Appear in the Simpsons. In its last episode the Simpsons featured a split-second of Rem Koolhaas/CCTV. The architect, not seen sporting any Prada though, is instructing, eyes closed, a group of nine pupils. Next to him, a vegan buffet and 'Junior TED...
The site of 425 Park Avenue now awaits its fate as a star-studded line-up of prospective architects compete for the chance to helm the $750 million project. L&L Holding Co. has tapped Jean Nouvel, Herzog & de Meuron, Foster & Partners, Zaha Hadid, Rem Koolhaas, Richard Meier, Renzo Piano and others with high hopes to create a "bespoke skyscraper that will both complement Park Avenue's existing architectural treasures and make its own indelible mark in the world's most timeless office corridor".. — artinfo.com
Things are changing enormously in almost every sense. The effects of globalization have been positive and negative. My generation of architects is the first that could work almost anywhere in the world. We had the option to repeat the same building everywhere or to push ourselves forward, to create an encounter between ourselves and the local culture. — americancity.org
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