vado retro is moved to wonder "with the rash of notable building demolition that has and continues to occur, is there a checklist of what makes a building valuable enough not to demolish?...is it because buildings are more about image and visuals than spatial experience that we are willing to rid ourselves of award winning pieces of architecture/art?...maybe buildings don't really matter that much"
The latest edition of ShowCase: features Pocinho Rowing High Performance Center by Alvaro Andrade. Mohammad Hadi Ataei really liked it commenting "Great minimalist work". Additionally, - Mike "The Poet" Sonksen, @mikethepoetLA published Take a Walk: on L.A.'s Grand...
Under his tutelage, designers learn to privilege approach over style. Rather than work with drawings, like most traditional architecture firms, OMA employees first "Diagram" a building—identify the structure's basic components and how they fit together—and then proceed to build it. It's an analytical method that results in buildings that are sometimes ungainly but never unexciting and reject the signature styles associated with many other renowned architects. — online.wsj.com
While collaborations between architects and skaters aren't too rare, the symbiosis typically happens in the realm of ramp/rail/ledge/obstacle design. To have an architectural heavyweight like Rem Koolhaas come out and give his blessings to a skateboard deck design, which pays homage to OMA's...
Curated by architect and historian Joseph Abram, in collaboration with Rem Koolhaas’ OMA/AMO, the exhibition celebrates the work of Perret, in particular his extended use of reinforced concrete.
The exhibition analyzes, through more than 400 original documents such as sketches, pictures, scale models and personal letters, eight buildings conceived by Perret. These include the Théâtre des Champs-Elysées in Paris, along with the Hôtel de Ville and the Eglise Saint Joseph in Le Havre. — wwd.com
Like one skyline perched on another, the latest mega-building by Rem Koolhaas towers over the starchitect playground of Rotterdam. But why was it even built? — theguardian.com
Architectural follies impose on our assumptions of what architecture is and what it should be -- what is function, what is beauty, where do private and public space meet. Gwangju Folly II, part of the Gwangju Biennale Foundation, highlights the politicization of public space through multiple...
Cornell University’s new architecture building designed by Rem Koolhaas’ Office of Metropolitan Architecture is a “disaster” says Cornell University architecture professor Jonathan Oschorn. “The code violations are egregious”, states Ochshorn. — businessofarchitecture.com
Almost a dozen major architecture contests are underway. By calling in the pros, city and federal officials are casting a wide net for fixes.
“We don’t have all the good ideas, and I don’t care who does have them,” Mayor Bloomberg said recently. — New York Daily News
New York City and the feds are turning to design luminaries from the city and around the globe to help the five boroughs rebuild. But are the designers up to the task of saving the city from the next disaster? And will anyone actually follow their advice?
The [Marina Abramovic Institute] was launched last year, and designed by none other than OMA, under the direction of partners Shohei Shigematsu and Rem Koolhaas. The architects are poised to explore programming for the center and produce mock-ups--depending on Kickstarter results. The funding Abramovic is after is to cover this "first phase" work on the project. — Co.Design
Performance artist Marina Abramovic is the latest established artist seeking funding for large-scale projects using Kickstarter, the democratic fundraising platform. The Marina Abramovic Institute, to be located in Hudson, New York, will use the funds from Kickstarter backers...
Rem Koolhaas has been announced as this year's recipient of the Dutch state prize for the arts, the Johannes Vermeer Award. The jury made a unanimous decision, citing Koolhaas’ critical contributions to architecture and urbanism since his career began with the publication of Delirious New York in 1975. — bustler.net
...even for a big gun like Koolhaas, the global depression has had an impact. Thus his new furniture line for Knoll called “Tools for Life.” It’s a pretty standard track for any architect when the commissions start to dry up; have some interns fart out designs for a furniture line, ship it off to China for production, then slap a price tag on it with no less that 4 zeros and BOOM! you’re back makin’ Bentley payments and wearing Prada suits in no time. — The World's Best Ever
For the latest entry in the ShowCase series Archinect published the Shrine of the Virgin of "La Antigua" by Otxotorena Arquitectos. The project is located in Alberite, La Rioja, Spain and the architects main constraint was the need to "incorporate a preexisting stone archway in the design. This...
"Irrational exuberance" seems to me an apt introduction to an understanding of Rem Koolhaas in the '90s and beyond; it foregrounds his great success in navigating the intersection of the pragmatic corporate sector, on the one hand, and the “delirious” and volatile realm of desire and possibility, on the other. ... Koolhaas has encouraged his followers to shed the crippling shackles of critical theory and pick up a surfboard upon which to ride the shock waves of the new economy. — Places Journal
For decades Rem Koolhaas has been not only a leading global architect but also a restless provocateur. On Places, in a chapter from the forthcoming book Architecture and Capitalism, Ellen Dunham-Jones explores Koolhaas's protean career, from the early fantastical projects to the big books...
Architecture’s favorite black humorist Rem Koolhaas is at it again, off planning a Venice Biennale that stresses the dangers of globalization while battling conservationists for rights to transform a 16th-century Venetian palazzo — which currently serves as a post office — into a retail hotspot. Koolhaas’s firm OMA and its client Benetton recently secured permission to redesign the palazzo into a department store/cultural venue after five years of facing resistance from preservationists. — blogs.artinfo.com
Yet another treatise on Steve Jobs? As an “architect” — really? And with Apple seemingly waning, aren't we behind the curve on this? Suffice it to say that my interest is not solely in Jobs himself, but rather in the challenge he poses to the methods and purpose of an architectural historian.... But since architectural stories are surprising rare here on the edge of the continent, I need a shtick; no matter my connoisseur-ish personal tastes and leftist political dispositions. — Places Journal
What is revealed when we contemplate the late Steve Jobs not only as a technologist extraordinaire but also as a sort of architect? And if we then compare Jobs with another complicated virtuoso, Rem Koolhaas? On Places, architectural historian Simon Sadler argues "Jobs and Koolhaas both seem to...
SUBMIT NEWS: submit in 60 seconds!