To celebrate Disney Hall’s tenth anniversary, architect Frank Gehry and Conductor Laureate for the Los Angeles Philharmonic Esa-Pekka Salonen reminisced on the building’s inspiration last night, at a discussion held at the Hammer Museum. Co-hosted by the LA Phil, far from the actual...
Times Culture Editor Jonathan Landman: In this case, Michael had some things to say about the approach he will take to this beat that I and my bosses thought were worth amplifying. The old-writer-new-mantle thing played a part, but there’s certainly no guarantee that a writer gets a Page 1 story when he or she switches beats. — New York Observer
And then there’s something about the building’s appearance that seems to unsettle people. Just when things got back on track after the fire, a Chinese critic published an article saying that the building’s contorted form, which frames an enormous void at its center, was modeled on a pornographic image of a naked woman on her hands and knees. The piece ignited a storm of negative press, forcing Mr. Koolhaas to issue a denial. — nytimes.com
According to an in-house memo, New York Times architecture critic Nicolai Ouroussoff is “moving on” at the end of this month.
The sweet but short memo about the critic—who this year submitted his own Pulitzer nomination package—was sent around this morning from culture editor Jonathan Landman. — Archpaper
But like other architects of his generation, especially those who formed many of their ideas working in Los Angeles’s sprawling suburban maze, Mr. Denari is less interested in perpetuating the myth of the open road than in mining it for new ideas. His work has more to do with exploring adolescent fantasies than with celebrating personal freedom. It suggests a longing for a world — free, open, upwardly mobile — that began to break down more than 30 years ago. — nytimes.com
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