Mike Ford, a lead architect for the Universal Hip Hop Museum, has studied and written about the relationship between disastrous urban planning/architecture and the rise of hip hop. Essentially, Ford's argument is that the ghettoization of African Americans in the 20th century via ill-conceived...
Still, when Mayor Bill de Blasio today unveiled his plan for New York’s troubled housing authority, NYCHA, dismantling these aging towers was not a piece of it. The plan calls for charging more for parking, redeploying staff to other agencies to save costs and leasing land within the housing complexes to private developers to save money. [...]
So why does New York City still have so many high-rise housing projects? — theatlantic.com
"In the late 1920s, Le Corbusier created a plan for Paris," Ford says. "Its most celebrated portion was called 'Towers in the Park.' [...]
Think unremarkable, high-rise apartment buildings. Think low-income housing projects. [...]
"Many of hip-hop's most prominent artists were born, raised, and perfected their crafts in those very same housing projects. Hip-hop was a result of the economical, political, and sociological deprivations instituted by the housing projects across America." — metrotimes.com
Little remains of Chicago's Cabrini-Green, a mid-century public housing complex once home to as many as 15,000 people. The poorly maintained high rises, rife with gang violence, were eventually demolished (the final one came down in 2011). [...]
The Chicago Housing Authority hopes to see it all redeveloped soon. [...]
CHA says half the new residential units to be market rate, another 30 percent public housing, and the remaining 20 percent affordable housing. — The Atlantic Cities
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