Adolf Loos, the enigmatic Moravian-born architect, is better known for his writings than his buildings. A century after the publication of his polemical essay “Ornament and Crime,” a Columbia University exhibition called “Adolf Loos: Our Contemporary” examines his enduring relevance. — nytimes.com
The latest edition of Showcase; featured a complete redesign of the Law Faculties and Central Administration Buildings at the Vienna University of Economics and Business (WU), by CRAB Studio. NewsWith Architecture for Humanity's experience helping communities beyond the relief phase of disaster...
In landscape, legible intent is different for forms we perceive to be buildings than for forms we perceive to be sculptures, since in most cases (Gehry is the exception) before we ask, what is the architect’s purpose, we ask, what is the building’s purpose? This may be the single most profound difference between architectural and sculptural presence in landscape. — Places Journal
David Heymann analyzes the very different ways in which works of sculpture and works of architecture occupy the landscape. And he looks closely at a grain elevator, and shows how a form which we usually experience as a familiar and even neighborly presence can come to seem evil. The final...
“Architects,” wrote Adolf Loos, “are there to get to the bottom of life, to think through people’s needs to the very end, to help the disadvantaged in our society and to equip as large an amount of households as possible with perfect objects of everyday use. Architects are not there to invent new forms. But you can count the number of people in Europe today who will understand these views on the fingers of one hand.” — ft.com
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