Their ongoing series -- titled "The City" -- imagines a parallel universe where humankind is extinct and nature has already started to reclaim the concrete jungle. Think of it as a journey through apocalyptic architecture. — CNN
Commercial diorama makers Kathleen Gerber and Lori Nix's dystopian art project, "The City," is a miniature labor of love. Each diorama takes about 7 to 15 months to build, primarily because of the intricate level of detail contained within each scene. Check out this post-apocalyptic casino...
graphic artists Michael Eaton and Felicity Hickson designed a wide range of props, from books and cigarette packs to the entire contents of a supermarket ... to help cement the look and feel of 1970s apartment living [...]
the film follows Dr Robert Laing ... as he adjusts to his new life as a tenant on the 25th floor and explores the relationships between the building’s various social groups and the tribal mentalities that emerge as the tower gradually descends into chaos. — creativereview.co.uk
In any discussion of poor doors, newly urbanized class structures, or gentrification, there's a spot for J.G. Ballard's "High-Rise" (1975). Check out the trailer for the film adaptation, directed by Ben Wheatley, below.
Aldo Rossi’s addition to the San Cataldo Cemetery is a paragon of postmodern architecture, seeing the cemetery up close exposes some of the style’s major shortcomings.
[...] all you’ve got left is a half-empty, unfinished cemetery with assorted maintenance equipment left lying around. Perhaps you can keep drawing meaning from this decay. But lord knows it’s difficult to sustain a deep engagement with life and death after you’ve tripped over a garden hose. — failedarchitecture.com
Related on Archinect:How a postmodernist department store is trying to become the youngest monument in PolandPostmodern No 1 Poultry divides architects in debate over recent heritageThey died as they designed: famous architects' self-styled gravestones
Extraordinary as it is, Big Bambú is not unique. The Starns’ project is part of an increasingly popular trend of installations emerging at the intersection of art, architecture, and activism. Hand-built and naturally sourced, these works employ aspects of sculpture, design, and performance to address a wide range of social, spiritual, and environmental deficiencies. They have been loosely gathered under the somewhat paradoxical term “natural architecture,” [...] — bostonglobe.com
Rod Serling, creator of the 1950s television series "The Twilight Zone", defined science fiction as "the improbable made possible." The same might be said for the practice of architecture. After all, architects by trade conceive of spaces, places, and worlds that do not (yet) exist. Furthermore, the ability to make the improbable possible is held in especially high regard today and is oftentimes what defines an architectural practice as “innovative” in the first place. — CLOG
Contemporary architecture publication CLOG has released its seventh issue, SCI-FI. In the digital glow of the internet age, architectural discourse has become both bountiful and ephemeral, oftentimes muddling the lay of the land. In response, “CLOG slows things down. Each issue explores...
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