With the 2014 FIFA World Cup just coming to a spectacular finale in Brazil, it's a perfect moment for Architecture for Humanity to announce the completion of 20 centers for 2010, a Football For Hope program and partnership legacy of the 2010 World Cup in South Africa.Launched in 2007 by FIFA and...
Magnets might hold mysterious appeal for some, but for Jolan Van der Wiel, they’re just another tool. For the past few years, the Dutch designer has been experimenting with magnetism to shape and create objects like violent looking stools and futuristic couture dresses [...] He envisions that someday—with a big enough magnet, of course—we could use this same principle to shape larger architectural pieces. — Wired
The challenge requires sophisticated understanding of the resources — human, physical, digital, spatial, and civic — that libraries offer to their users. In the conversation below, Shannon Mattern, a scholar who works on libraries, archives, and media infrastructures, and Nate Hill, Deputy Director of the Chattanooga Public Library, talk about what these resources are, how they are evolving, and what design can contribute to how they are deployed. — urbanomnibus.net
The trademark effort was reportedly spurred by copycat competitors seeking to emulate the Steve Jobs-inspired minimalism (and massive business success) of Apple’s retail store. Alleged store copycat Microsoft, by the way, has its own trademark on its not-at-all-inspired-by-Apple retail stores... — qz.com
Microsoft's trademark layoutOf course, it isn’t just dueling technology giants trademarking their retail layouts. The term of art for this kind of intellectual property protection is “trade dress,” and it has long been a staple of the retail world.
Artist Julien F. Thomas and architecture office Hughes Condon Marler have designed a coffee bar in Vancouver that disconnects you from all wireless networks once you’re inside.
The Faraday Café in Vancouver got its name from the Faraday Cage, a material shield around the bar’s interior that was built by the designers to block all electromagnetic signals. By creating a place without any digital connections the owners [...] hope to restore non-digital, social interaction between people. — popupcity.net
“Words like ‘holocaust’ have been used in reference to the idea that our house could inspire a rash of tear-downs which could then be replaced with modern homes. I designed my house specifically within the design guidelines of this historic district and to be compatible, a good neighbor. But the term ‘modernism’ just clicks a switch in people’s brain and they can’t see the house for what it is.” — nytimes.com
Some have already joked about the city's future three million square foot "wellness district,” saying it is being designed for those who shop not only for new outfits, but also for new bodies.
According to the project's press release, the domed wellness area "will offer a holistic experience to medical tourists and their families, ensuring access to quality healthcare, specialized surgical procedures and cosmetic treatments." — RT
"I love the metaphor of Twister," he says. "When you begin the game, it's simple – put your left hand there, right foot here. But as you start piling on demands, you force architecture out of its box, and the building ends up bending over backwards in its efforts to please every single criteria and it ends up looking different. Maybe it's being from a Danish background, with the ultimate culture of consensus, but I always see the potential for synergy or harmony..." — Bjarke Ingels, independent.co.uk
The exploration of new ways of thinking about the built environment is at the heart of a new exhibition at St. Louis', MO Bruno David Gallery which opened June 27.Key piece of the show is M-velope by artist Michael Jantzen (read Archinect's 2009 interview with Jantzen here), an art retreat...
Billboards are commanding territory all over the world, offering just a blaring message in their occupation. Some designers have been looking at how to better use this advertising infrastructure, with Slovakia’s Designdevelop proposing a use for the space as small-scale residences for the homeless. — Hyperallergic
Street furniture is mostly used during the day and not used during the night, except by some homeless, who spend the night on the public benches in parks and on squares. RainCity Housing, a non-profit that provides specialized housing for people living with mental illness and addiction, has launched multi-functional street furniture that can be used as seating during the day and ‘comfortable’ sleeping places for the homeless at night time. — popupcity.net
Architects are the highest paid group of designers, and they are also generally the most highly educated. Architects employed in firms earned median hourly wages of $35.30, while their self-employed counterparts earned $22.90. But, when looking in terms of concentration, the nation’s leading clusters for architects may not be what you think. — citylab.com
Kite Bricks has developed "Smart Bricks" (S-Bricks) made out of high-strength concrete that can be used to make buildings rapidly, cheaply and energy efficiently.
The bricks -- which are patent pending -- are much like Lego in that they come in a variety of forms for different purposes and can easily connect together, with rows of knobs along the top of bricks that slot into voids along the bottom of other bricks. — wired.co.uk
Scientists have discovered that scorpions design their burrows to include both hot and cold spots. A long platform provides a sunny place to warm up before they hunt, whilst a humid chamber acts as a cool refuge during the heat of the day. — Science Daily
This recent discovery of scorpion architecture adds to a sizeable list of impressive non-human architecture.Anthills consist of a complex network of paths. Comparative to the size of an individual ant, these structures are mega-skyscrapers.Likewise, termites build huge structures that have been...
The museum teamed up with international architecture firm BIG-Bjarke Ingels Group to construct a maze right in the Great Hall. [...]
The museum’s “ubergoal is that people walk out of here looking at their built world differently,” Frankel says. “We think this is sort of on the microlevel of that — forcing people to look up [as they navigate the maze] will make them look at our building differently.” — washingtonpost.com
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