We live in the anthropogenic age, where humans don’t adapt to life, but life adapts to human needs, Ingels explains, which makes his advice to young architects designing tomorrow’s world simple and clear. The key for young architects is to acquire the tools and language to comprehend the human needs outside of the architectural bubble, and understand that they are here to accommodate - and not to be accommodated. — vimeo.com
For the latest Student Works: Amelia featured Cellular Tessellation, a pavilion done as a "collaborative research effort among students from Bond University, University of Technology Sydney, University of South Wales, and University of Sydney" for the Sydney Vivid Light festival of 2014. Plus...
Ricardo Porro, an architect who gave lyrical expression to a hopeful young Cuban revolution in the early 1960s before he himself fell victim to its ideological hardening, died on Thursday in Paris, where he had spent nearly half a century in exile. He was 89.
His death was confirmed by friends and associates, including John Loomis, the author of “Revolution of Forms: Cuba’s Forgotten Art Schools.” — nytimes.com
Technofuturism:Aftershock #4: How I Learned to Stop Worrying and Love Neuroscientific Architecture Research: Bringing the brain into evidence-based design, one EEG-measured dérive at a time. Reporting from the Academy of Neuroscience for Architecture's conference in San Diego, California.Working...
Let's admit it, we architects much too often get lost in narcissistic own-horn-tooting, passionate ego-inflating, disillusioned navel-gazing, vile shit-flinging or simply in the mundane day-to-day operations for the paying clientele. But all is not completely lost thanks to the tireless work and...
But church architects and experts say modern churches rely more on video and photo slideshows, which they say connect with attendees more than the static imagery of stained glass. — Wall Street Journal
The true enablers of participation turn out to be nothing more exciting than cheap commodity devices, reliable access to sufficiently high- bandwidth connectivity, and generic cloud services. — Guardian
Adam Greenfield argues that instead of committing to futuristic visions of 'smart cities', governments should seek to replicate the efforts of groups like Occupy Sandy or the architectural collective who improved El Campo de Cebada, which relied on unglamorous, mature technologies.
David Rockwell has got the art of theatrics down pat. His world is a stage complete with cuts, scene changes, sequences and transitions, where he is the director presiding over the action between performer, audience and space. [...] “The emphasis on arrival, procession, lighting and the all-encompassing power of a live theatrical experience have really impacted how I think about my designs.” He counts on his audiences buying in emotionally to his designs [...]. — forbes.com
This fall, the French cultural season opened with the private Vuitton Foundation museum in Paris, a rarefied environment for a select collection of contemporary art, by Frank Gehry. At the other end of the cultural spectrum, France’s second largest metropolitan area, Lyon — arguably Paris’s historic rival, the Chicago to New York — just inaugurated the equally large and prepossessing Confluence Museum (the Musée des Confluences). — nytimes.com
Aleksandra Wasilkowska, the vice-president of the Polish Architectural Association in Warsaw, doesn’t care much for skyscrapers... Street stalls, collapsible tables, carts, and makeshift homeless shelters are but a few typologies of what [she] calls “shadow architecture” — the urban phenomena that follow the rise of an informal shadow economy. Its key figures include street peddlers and traders...not urban planners or corporate designers — Blouin Art Info
Alexandre Gady, conservationist, historian of French architecture and professor of modern architecture at the Sorbonne, argues that changing or “renewing” Paris diverts from its real need to look outwards. Paris, he says, is a “finished” city that does not need improving or anything more doing to it. “It’s not that we should be doing this or that – we should not be doing anything in central Paris ... any plan is a diversion from the need of the city to grow outwards,” [...] — theguardian.com
"The latest proposal for the aging Astrodome calls for converting the structure into an indoor park and civic space, including an indoor grassy lawn and an outdoor promenade lined with oak trees. An Urban Land Institute panel, comprised of urban planners, economists and designers from around the country, released its preliminary recommendations Friday at the NRG Center." — Houston Chronicle
For the latest Working out of the Box: Archinect talked with artist and architecture theorist, Santiago Borja. He relates that one thing he learned from architecture school is "a sense of structural logic that most artists lack. They imagine things they have no clue how to build. Having said...
Archiculture takes a thoughtful, yet critical look at the architectural studio. The 25-minute film offers a unique glimpse into the world of studio-based, design education through the eyes of a group of students finishing their final design projects. Interviews with leading professionals, historians and educators help create crucial dialog around the key issues faced by this unique teaching methodology and the built environment these future architects will create.
The Provocations: The Architecture and Design of Heatherwick Studio exhibition presents the design concepts behind the span of projects that British designer Thomas Heatherwick and his London-based studio have created worldwide. Currently at the Nasher Sculpture Center in Dallas until January...
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