On behalf of the shareholders of Battersea Power Station, Battersea Power Station Development Company announces that Gehry Partners and Foster + Partners, two of the world’s most innovative and renowned architectural practices have been chosen to design Phase 3 at Battersea Power Station. This will be architect Frank Gehry’s first building in London. — batterseapowerstation.co.uk
Phase 3 will be one of the most exciting areas of the Battersea Power Station development, otherwise known as the High Street. Being a retail pedestrian street it is the gateway to the entire development and the new Northern Line extension. Phase 3 will comprise two residential development zones...
Apple's proposed new spaceship-shaped headquarters got a super-charged blast-off Tuesday night when the Cupertino City Council voted unanimously to approve the 2.8-million-square-foot behemoth beside Interstate 280, fulfilling a dream of co-founder Steve Jobs, hatching an iconic landmark for Silicon Valley, and promising more congestion in an already traffic-challenged region for decades to come. — mercurynews.com
"The concept of the building,'' said Oppenheimer, "is collaboration and fluidity. It'll provide a very open-spaced system, so that at one point in the day you may be in offices on one side of the circle and find yourself on the other side later that day.'' — mercurynews.com
This sponsored post is brought to you by OpenAsset: OpenAsset has enabled Foster + Partners to create a world class, easy to use architectural image library. Image resources used in projects and for reference are now available to all staff at the click of a mouse, no matter where in world they...
The Planning Commission in Cupertino, where Apple has its current headquarters, endorsed the project this week. It now goes to the City Council, which is expected to vote on it on Oct. 15. — sfgate.com
As news spreads that Apple's new Cupertino headquarters moves closer to approval, Foster + Partners pushes forward with recruiting architects for the high-profile California project. See their current job openings here.
A yellow-roofed warehouse that featured in a James Bond film has been given listed status.
The Spectrum building, formally the Renault Distribution Centre, in Swindon, was designed by Sir Norman Foster and features yellow steel 'umbrella masts' and a yellow roof around the single-storey glass-walled warehouse.
Built in 1980, the building featured as the backdrop to scenes in the 1984 James Bond film, A View to a Kill. It has been given Grade II* listing. — dailymail.co.uk
Renowned British architect Norman Foster has resigned from a proposed expansion to the Pushkin Museum of Fine Arts in Moscow.
In a statement released on Thursday, Foster + Partners claimed it had formally resigned from the project more than two months ago.
In 2009, the Russian government approved Foster's plans and agreed a sum of $650m (£415m) to modernise and expand the museum.
But the project subsequently stalled. — bbc.co.uk
Five London-based architecture firms—including Foster + Partners—have been shortlisted in the RIBA-organized design competition to create the new central London Metropolitan Police HQ. The facility will replace the existing New Scotland Yard building. — bustler.net
The shortlist was announced by the Royal Institute of British Architects, the Mayor’s Office for Policing and Crime, and the Metropolitan Police Service today and includes these five teams: Allford Hall Monaghan Morris Allies and Morrison Foster + Partners Keith Williams Architects...
London's Architectural Association School of Architecture and Foster + Partners have announced the winner of the 2013 Foster + Partners Prize, presented annually to the AA diploma student whose portfolio best addresses the themes of sustainability and infrastructure. The recipient is selected jointly by the AA and Foster + Partners at the end of each academic year.
This year’s prize has been awarded to John Naylor, of Diploma Unit 16, for his project ‘Bamboo Lakou’. — bustler.net
Sources close to the project said Foster + Partners... is helping Apple on the retail store design brief. — marketingmagazine.co.uk
Bohlin Cywinski Jackson has reached out to us about an error in the cited article at Marketing Magazine... The Regent Street and Fifth Avenue Apple Store were not designed by Eight Inc., but by Bohlin Cywinski Jackson. We also continue to have a very collaborative relationship with Apple...
Foster + Partners recently added another international airport to its portfolio, the just-opened Queen Alia International Airport in Amman, Jordan. According to a press release, the flight hub boasts a “highly effective passive design, which has been inspired by local traditions,” namely a canopy of shallow concrete domes that mitigate Amman’s hot climate and mimic forms in Islamic art. — blogs.artinfo.com
Archinect released the final and third part of a multi-part interview Orhan Ayyüce conducted with George Brugmans, Executive Director of the International Architecture Biennale Rotterdam (IABR). The topics included: São Paulo, Rotterdam and Beyond. At one point Mr. Brugmans summed up...
Lord Norman Foster, the hyper-modern British Pritzker Prize winner, is having a moment in New York, with numerous projects underway across Manhattan. But his latest hews away from the slick techno-futurism for which Lord Foster is best known, instead embracing a city landmark at one of our most famous intersections. — New York Observer
Foster + Partners has picked up yet another project in New York, an 18,000-square-foot showroom for one of Spain's largest tile and ceramics makers. Located at one of Manhattan's most popular intersections, it is a strikingly understated building for the Pritzker Prize winner.
Richard Meier & Partners’ mixed-use building was selected in an international competition topping submissions by Foster + Partners and Zaha Hadid Architects. The challenge, Bernhard Karpf, associate partner-in-charge, said was to create a hybrid building that was “like a city in itself,” which creates “property lines” that carves out distinct areas for rentals, offices, and shops, but still comes together in a unified and coherent design. — The Architect's Newspaper
The Park Avenue tower rises from a monumental covered plaza to two setbacks, where the 42-foot-high garden levels expose those massive, dramatic building supports. The top two floors of the tower, tentatively planned to rise 49 stories, form a glass- roofed garden. Elevator shafts morph into glowing blades that slice the sky above the roof. — bloomberg.com
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