“People used to complain that people went to New York to buy what they could buy in LA,” said Kathy Halbreich, the associate director of the Museum of Modern Art in New York. “I don’t think that happens anymore. I think there’s a recognition that the city matters, that the people aren’t just there for the weather. You see a level of ambition that’s been ratcheted up.” — theguardian.com
A few minutes after sitting down to talk with Renzo Piano in his large, airy Paris studio Tuesday, I asked the architect about the progress of the film museum he is designing for the Academy of Motion Picture Arts and Sciences on Wilshire Boulevard.
"The academy?" he asked. "Ha. The academy is a good story.
"Look, I know you don't like that scheme," referring to my recent coverage of the design.
"I don't think it will be that bad. Actually, I'm struggling to do something good." — latimes.com
"And so, you know, having named my son after him, what was I going to do? Of course I said yes." — The Architect's Newspaper
The Architect's Newspaper has an insightful interview with Zoltan Pali about his firm's decision to "consciously uncouple" with Renzo Piano's firm on the design for the Academy of Motion Picture Arts museum project. It's not always easy when you get matched up with someone, even if you've named...
I really like it. I don't get the hate for the sphere. I think it will be a cool space to enjoy in person, vs. just looking at drawings. - reader comment (NeutraFilmmaker67) — Curbed
Not that LA is so pristine with its architecture, mainly disliked and condemned by the form gendarmerie, the Academy Museum of Motion Pictures is looking better. It might be the ever so missing link which will tie-in all the disparate parts of LACMA from Fairfax eastward, even Zumthor's blot if...
Though Piano has taken several passes at the sphere, it hasn't coalesced into a convincing set of architectural ideas. The theater design remains gimmicky, alienated rather than emerging confidently from its site, as Piano's best museum projects do.
By refusing to budge on its construction timeline, the academy is doubling down on the least-promising elements of the design. Sure, some refinements might smooth out some of its more obvious wrinkles. What they won't do is salvage the design... — latimes.com
If Brougher and other academy leaders can compel the architects to reconcile the clear potential of the new wing's interior spaces with its unconvincing, unwieldy exterior, they may be able to salvage the design before construction begins.
If not, they may well have an architectural flop on their hands when the museum opens in 2017 — not to mention the third disappointing Piano building within a quarter-mile radius. — latimes.com
Italian architect Renzo Piano, Los Angeles architect Zoltan Pali and officials from the Academy of Motion Picture Arts and Sciences unveiled preliminary designs Thursday for a $300-million film museum at Wilshire Boulevard and Fairfax Avenue.
The architectural centerpiece of the 290,000-square-foot complex, just west of the campus of the Los Angeles County Museum of Art, would be a giant glass-enclosed dome, which Piano refers to as the "sphere" and the "soap bubble." — latimes.com
In 2016, if all goes according to plan, Los Angeles will have a new architectural showpiece and yet another place of pilgrimage for movie buffs—the Academy Museum of Motion Pictures. Created by the organization thanked in Oscar acceptance speeches, and designed by Genoa-based architect Renzo Piano and Los Angeles–based architect Zoltan Pali, the museum is envisioned as a place to celebrate both the history and future of film, with galleries, screening rooms, and an interactive education center. — architecturaldigest.com
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