But overall the Broad is a disappointment, and the ways in which it fails are more than a little concerning. Its incoherence, its poor urbanism and its unoriginality suggest that the transition from critics to makers may have DS + R stumped...The Broad’s failures of urban design are its biggest and most disappointing surprise. — Art in America
The elements of the Broad that have been most closely scrutinized or most often reworked, in fact, are the most uneven. It is only in the relative shadows — in the peripheral or easily overlooked spaces, or in the rooms added or enlarged late in the design process — that the architecture of the museum really comes to life. — latimes.com
There's a thin line (or radius, in this case) between what enhances a design and what simply makes it look like it's trying too hard. In the case of buildings with circular openings on their exterior facades, the effect is often visually arresting, but is it good architecture? The COR building in...
Architect Elizabeth Diller [...] stood on the Grand Avenue sidewalk Friday morning in front of the Broad museum, which she designed with her New York firm, Diller Scofidio + Renfro, and is set to open Sept. 20.
Was she giving an architectural preview? Doing damage control? Trying to regain some influence over the narrative of the museum’s construction, which has been beset by delays, fabrication problems and legal wrangling?
The answer seemed to be some combination of the three. — latimes.com
The opening art display in September will offer an array of greatest hits from the more than 2,000 pieces the Broads have amassed. The show will range through some 60 years of post-World War II art, arranged in "predominantly chronological" order from the 1950s to a recently acquired massive video installation created in 2012. — Los Angeles Times
From the opening of the Fondation Louis Vuitton in Paris in October to the construction of The Broad in Los Angeles now set to open this autumn, the model of the single-donor museum is thriving. [...] what will happen to these new institutions on the death of the founder or the decline in their collecting activity. [...]
To what extent have these museum founders made plans to ensure the vitality and flexibility of their prized institutions beyond their own lifetimes? — theartnewspaper.com
The facade of Bunker Hill's The Broad museum was officially unveiled this morning as workers removed the last of the exterior scaffolding, and things are not looking quite as originally envisioned. The design, by starchitects Diller Scofidio + Renfro, was originally advertised as an "innovative veil" that will activate "two-way views that connect the museum and the street"; today it's been updated to be, well, a bit less innovative. — la.curbed.com
When we last checked in with Eli Broad’s eponymous downtown museum, its fall 2014 debut had been pushed back to some time in 2015. Today it was announced that the institution will open in fall 2015, although no precise date was given. [...]
The multi-story building, designed Diller Scofidio + Renfro, is still in the midst of construction. When it opens it will join two MOCA facilities and the Japanese American National Museum, making the northern end of downtown something of a museum hub. — lamag.com
“People used to complain that people went to New York to buy what they could buy in LA,” said Kathy Halbreich, the associate director of the Museum of Modern Art in New York. “I don’t think that happens anymore. I think there’s a recognition that the city matters, that the people aren’t just there for the weather. You see a level of ambition that’s been ratcheted up.” — theguardian.com
The flagship museum of the billionaire financier and art collector Eli Broad, still under construction, has filed a $19.8 million lawsuit against a German company for what it describes as delays in fabricating the building blocks for its unusual latticed facade. — nytimes.com
“It has long been our goal to ensure that the contemporary artworks in the Broad collections are seen by the broadest possible public,” said Eli Broad. “We believe that free general admission to The Broad will help draw visitors to all of the cultural institutions along Grand Avenue.”
"All of our subcontracts are based on a fixed price and, because (the manufacturer) had difficulties supplying the proper glass, there is no cost impact to the university," Bollman said.
He couldn't give a new date for the building's completion. University officials will be talking with the glassmaker over the next two weeks, he said. After that, he'll know more. — lansingstatejournal.com
SUBMIT NEWS: submit in 60 seconds!