It is a thoroughly cynical piece of work, a building that uses a frenzy of architectural forms to endorse the idea that architecture, in the end, is mere decoration. Mayne's design appears to put innovative architecture on a literal pedestal — or a plinth, to be exact — while actually allowing it to become peripheral, noticeably separate from the heart of the museum and its galleries. — latimes.com
Thom Mayne of the Los Angeles firm Morphosis Architects wants to inspire curiosity about science, the natural world and technology. And he succeeds. The Perot’s architecture evokes wonder, the way ancient ruins, animal skeletons or petroglyphs do.
A lot of people wish wilfully spectacular architecture like the Perot’s would die off. Mayne, who recently received the American Institute of Architects’ Gold Medal, shows us what it can do at its best. — bloomberg.com
b3tadine[sutures] concurred "i love it. that work of this complexity and beauty is being built in Dallas, let alone the US, is testament to Mayne and Morphosis being one of the premiere firms in the world”. However, some like accesskb argued "beautiful forms and spaces... ugly and cold choice of materials and colours".
The building is alluring but unsettling. Is the museum’s 10-story concrete cube splitting apart or being pieced together? Is it being held intact by an enormous brace — a transparent protrusion on the cube’s side containing a 54-foot-long escalator — or is that a destabilizing gash that pierces the building’s body? — NYT
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