School buses are so much fun. The springy seats, the awkward-to-open windows [..]—it all hearkens back to a time in your life when you were younger, happier and worry-free. But did you ever imagine living in one? Hank Butitta did.
By his last semester at architecture school, Butitta had grown weary of doing projects that only existed on paper, ones that were destined to be filed away and forgotten. He got sick of making things that nobody cared about. So what did he do? He bought a school bus. — gizmodo.com
In addition to last year’s unveil of an augmented reality-capable catalog, Ikea now boasts a new app feature that can turn that little book into a virtual piece of furniture. The new AR can now help shoppers envision what the furniture might look like in their apartment by adding the illusion of the product on top of the live view through a smartphone camera. — digitaltrends.com
NL Architects recently completed the project NS Station, a major office interior revamp over 9 stories right on top of Central Station in Utrecht, the Netherlands. The project resulted from a 2011 competition win where NL Architects made the Thick Walls™ system the conceptual core: big shelves absorb the clutter that normally spreads trough the office - wardrobes, bookshelves, flip boards, archive, bulletin boards. And sometimes even the stairs. — bustler.net
Can we start by exploring your process of developing an initial idea for a project? You all have very different backgrounds, specialising in metalwork, industrial design and architecture. How do these backgrounds integrate? Can this culmination of different abilities become challenging?
It is extremely challenging integrating our different perspectives – based on our specialties, you can encounter all phases and scales of project development simultaneously — Modern Matter
Now is the time stop starting with "in the future" in relationship to digital technology. This show will tell, "in the past digital technology did this." It is time to write its history. — CCA
Greg Lynn aims to pull the curtain on the digital positioning of sci-fi and other camps and record the history of the subject for what it really is or was. This could help the recent debates of what is what, and, depending on the curation, place certain legacies in place.
SDR complained "The Saratoga Community Center is ‘traditional’ ? Really ? Brickwork with masonry or ceramic trim is no longer a viable architectural material ? What'll be declared dead, next -- the rectangle ?...I don't defend the example above as a work of architecture. I know nothing about it. But it's a surprising contender for 'traditional'--- isn't it ?)".
NewsChristopher Gray reviewed John Hill’s book A Guide to Contemporary New York City Architecture, reflected on the current revival of traditional architecture in the United States, and asked Mr. Hill if he has "a bias against the neo-traditional movement?”. SDR complained "The...
...even for a big gun like Koolhaas, the global depression has had an impact. Thus his new furniture line for Knoll called “Tools for Life.” It’s a pretty standard track for any architect when the commissions start to dry up; have some interns fart out designs for a furniture line, ship it off to China for production, then slap a price tag on it with no less that 4 zeros and BOOM! you’re back makin’ Bentley payments and wearing Prada suits in no time. — The World's Best Ever
Back in January, we had published the shortlisted nominees in the Architecture category of the sixth annual Designs of the Year Awards, hosted by London's Design Museum. Today now the final winners across the seven categories—Architecture, Digital, Fashion, Furniture, Graphics, Product, Transport—were announced, too. — bustler.net
“brave new color, for a brave new world.” — The LACMA Blog
"It’s 1980s Los Angeles. Nighttime. (Freshly graduated Michael Asher students from Cal Arts,) Stephen Prina and fellow artist Christopher Williams walk along La Brea Avenue and a pink shape in a glowing storefront display catches their attention. Unable to identify the object, they approach...
Swedish architect Gert Wingårdh and Finnish illustrator Kustaa Saksi have joined creative forces to design the installation that will set the stage for talks on design and architecture at the fair. They have each started out from their own perspective while adhering to a shared vision...
The staging was called the Ideal House, and it was a fully furnished modern home, but one with an audience, a runway wrapped around it, and “windows” projected on the walls with scenes of the outside world. It was the latest in many intricate and avant-garde pairings between Prada and OMA...
The 12-piece furniture collection, designed by OMA for Knoll, will debut at the Salon Internazionale del Mobile in Milan in April. — blogs.artinfo.com
Cahier d’Exercices is located at the entrance level of the historic Ross warehouse-store. The stone façade, its cast iron columns, and an expansive brick wall (punctuated with pieces of wood and metal) that runs the length of the store recall the 19th Century...
The budding industrial designer also gave his top picks from the fair, which unsurprisingly all feature bright swaths of primary colors: a Charlotte Perriand bookshelf from Galerie Downtown accented with yellow squares; a Pierre Guariche chair from Demisch Danant, a Riteveld chair from Galerie Vivid; and a desk from Galleria Rossella Colombari by Gio Ponti, whom he was so delighted to have discovered: “He tried to make the office fun!” — blogs.artinfo.com
The Rotterdam-based Bureau of Architecture, Research, and Design (BOARD) won the Second Prize with its entry entitled “Het hergebruikte appartement” (“The Recycled Apartment”) in the open competition for “Sustainable Krajicek Playgrounds”. — http://b-o-a-r-d.nl
We took the wish of the competition’s organizers, the Richard Krajicek Foundation (RKF) – to involve the surrounding buildings as closely as possible in the design of the playground - literally and picked a typical apartment from a building in the neighborhood, enlarged it five times...
With a growing understanding between the correlation between space and productivity, designers and major companies are now working together to maximise the potential of office spaces and make the daily grind a little more palatable to workers. — DesignBuild Source
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