Lian (Harvard GSD M.Arch.I)

I graduated in 2013, but still live-blog here once in a while.

  • Live Blog - Robert Wilson, Sensory Media Platform

    Hi Archinect!

    Full-ish house in Piper tonight. From the GSD's website:

    Robert Wilson is among the world's foremost theater and visual artists, acclaimed for stage works that integrate dance, movement, lighting, sculpture, music, and text in striking, emotionally charged images. His productions include Einstein on the Beach (1976), co-written with Philip Glass, Beckett's Krapp's Last Tape, Puccini's Madama Butterfly, Debussy's Pelléas et Melisande, Brecht/Weill's Threepenny Opera, Fontaine's Fables, Homer's Odyssey, and many others. His collaborators have included Tom Waits, Susan Sontag, Laurie Anderson, William Burroughs, and Jessye Norman. A member of the American Academy of Arts and Letters, and a Commandeur des Arts et des Lettres, he has received numerous awards, including the Golden Lion of the Venice Biennale. Wilson is the founder of The Watermill Center, a laboratory for performing arts in Watermill, New York. Supported by by the Rouse Visiting Artist in Residence Fund.

    5:45 pm: Sílvia Benedito makes introductions. Robert Wilson's talk is part of an initiative on the body. SB quotes Wilson:

    "I'm not afraid to repeat things over, and over, and over. I think the more mechanical we are, the more we do it, the more we understand about it. Many people think it loses life, but I don't think so--we become becomes free to think about other things."

    SB: His images are aesthetically striking and emotionally charged...and have earned a...[worldwide following]. ...Wilson has been honored with the Pulitzer Prize and numerous other awards. 

    5:49 pm: RW takes the podium. He stands silent, looking down, for about a minute. He slowly looks up, then down again. This image of shoes is projected at the front of the room.

    5:51 pm: silence. RW looks up again, and looks around the room. The interpreter (for deaf students) sits quietly. 

    5:52 pm: "Good afternoon."

    RW talks a bit, makes gagging noises, quotes Hamlet.

    "It's Hamlet. I learned it when I was 12, and each time I say it, I can [think a different thing]."

    RW: I grew up in Texas, and couldn't go to art museums.

    ...then I saw George Ballachine's ballet, and loved it. [The space he created.] It was formally constructed, abstract. 

    ...And I was thinking, this kind of work did not exist in theater. 

    ..."In 1967 I was walking down the street and saw a policeman about to hit an african american boy with a club.

    I grabbed the policeman's arm and said--why do you hit this boy? He said, it's none of your business. And I said, yes it is, I am an honest citizen. I left with the policeman and the boy to the station and on the way noticed that the sounds the boy was making were those of a deaf boy. And I went to the place where he lived with thirteen others and learned more about his situation. His [caretakers] thought he was a dullard. They said they had tested him; I asked to see the test and as far as I could tell, he knew no words. He also had no guardian.

    He thought, perhaps, in terms of visual signs and symbols. I said, I don't think this test applies to this boy. The same psychologist gave him another test [something about a diagonal line in the corner of each of 200 pages] and again determined he was uneducable. 

    I was 27 and got a lawyer and went to court to adopt the boy. The judge asked why I thought he has intelligence--I said, because he has a sense of humor. At the end of the proceedings, I said, if you don't give me the boy, it'll cost the state of New Jersey a hell of a lot of money to lock him up, and the judge said, you've got a point. And they gave me the boy.

    6:04pm: Example of films made of mothers and their babies, slowed down frame by frame. Every couple of frames, totally different expressions for mother and child. The mother lunging at the child for two frames as if attacking the baby, the child recoiling, then responding in a happier way, the mother's expression and the baby's expression changing every few frames. 

    6:06 pm: ...I never thought to have a career in the theater.

    6:07 pm: Some things Raymond taught me. I was in an old pencil factory (?) and Raymond was on the other side, and I screamed "Raymond." and he didn't hear me. I knew if I stomped my feet he'd turn around. I screamed "Raymond" (in very low, hoarse tones), and he turned, like "hey man, you're speaking my language." His body was more attuned to those frequencies than the frequencies that hearing people are used to.

    6:09 pm: Raymond was doing a performance, where he walked forwards and back and moved his arms (RW mimes it several times, silently). I encouraged him to add sound, and this is what he did. (RW mimes the same thing again several times, silently, then spreads his arms and screams, like a deranged eagle, with a high pitched sound).

    It wasn't the sound that a deaf person makes, trapped inside the body.

    6:11 pm: I start every rehearsal with silence.

    6:14 pm: I can say, I WANT TO KILL YOU (screaming, rushing towards the school photographer in the second row).  ...Or I can say, I want to kill you. (Softly, smiling). The smiling version may be more scary.

    6:16 pm: The best way to hear something is to close your eyes. If you turn the TV sound off you start noticing more visual things (facial tics). I'm interested in what I can put on the stage that would help people to see (notice) better, in this say. 

    6:18 pm: In my work with deaf performers, I start with movement, and let the sound come from that movement. Meeting Raymond, a deaf boy who knew no words, was [very influential for me].

    6:20 pm: RW performs cassette tape given to him by a professor:

    Beep Beep Beep Beep Beep Beep Beep Beep Beep Beep Beep Beep Mwablahesersere Beep Beep Beep Beep Beep Sltheresalsdfjere Beep Beep Beep Emily likes the TV Because, A: she likes Mickey Mouse.

    Because B: she likes Minnie Mouse.

    Because A: because she watches it.

    He asked the professor what the tape was, and it was a tape created by a boy living in a home for brain damaged children. RW was working on a 12 hour silent opera about Stalin at the time. My plays are very precise and I had been rehearsing 18 months. Invited the boy. 

    6:23 pm: I'm a prima donna when I perform and don't want to be disturbed. Half an hour before the performance was a knock "Hello this is [mother] and I brought Christopher to say hi." Opens the door and the boy stands there silently. Decides to invite the boy to be in the play. The mother asks "but what will he do?" "I don't know." 

    They go on stage and RW starts performing the boy's tape. Beep Beep Beep Beep Beep Beep Beep Beep Beep Beep Beep Beep Mwablahesersere Beep Beep Beep Beep Beep Sltheresalsdfjere Beep Beep Beep Emily likes the TV Because, A:

    And Christopher said, she likes Mickey Mouse. 

    Because B: 

    And Christopher said, she likes Minnie Mouse.

    Because A:

    Because she watches it. 

    Christopher also performed in the next act, with a rhythmic repetition that had order in it, even though it sounded random. 

    Later his father called and said, Christopher never initiates conversation, but he was so thrilled about being in the play and can he be in it again? He was in the next four. Eventually Christopher came to stay with RW.

    Christopher could see patterns--in no time he put together a puzzle of a Jackson Pollock painting. 

    6:35 pm: I studied architecture at Pratt and my best teacher was Sibyl Moholy-Nagy, who would stand at a podium, in a room too dark to take notes, and the projected images would go by fast, with no relation to her stories, which were things that historians don't tell: Frank Lloyd Wright had a flat tire and didn't know how to change it. 

    She said, "students, you have three minutes to design a city. Ready, go. Get out your papers."  I drew an apple, and in the middle I put a crystal cube. 

    What impressed me about Christopher is how he coded his thoughts in math so he could readily see the whole picture.

    6:40 pm: slides. 

    1969, with Gordon Matta Clark. Later he did his cuts through buildings. 

    These were all non-professionals; this was an old Russian woman who made a kind of dance.

    The Life and Times of Sigmund Freud. A turtle that took 35 minutes to cross the stage, these people took seconds, this other person sat immobile. LIke in this room, people have different energies and mental states.

    Since they beginning of my plays, I've often made furniture as part of it. This (left) is the chair itself and this (right) is the shadow of the chair.

    ...Now many people said this work had nothing to do with Freud, and in some ways they were right. But I was thinking all the time about Freud and in another way it had everything to do with Freud. [RW explains this. The passage of time, and events in Freud's life; three phases of his life and three acts in the play.] 

    6:49 pm: Describes another play, 50 [55?] minutes long, in which a figure in a black Victorian gown starts facing away from the audience, then pours a glass of milk, takes it to a child sitting, gives hit to the child, the child drinks, the figure takes back the empty glass to the table, puts it down, picks up a knife, wipes it, takes it to the child, stabs the child in the chest, withdraws the knife, puts it back on the table, pours another glass of milk, takes it back to the child, the child drinks, etc. 

    Who is that figure? But I love my child! We're all capable of (killing a child)--it's like the slow motion film of mothers and their babies, but with a second lasting [50 minutes].

    6:58 pm: How do you write a play that's 7 hours long? How do you design a city? How do you make a building? 

    A play that is 7 days long. Dino dino dino dino saur saur soar soaring...and then we blew up the mountain. 

    We divided it into 7 days, 24 hours. Let's take the first day, and this group of people, you're from 8 to 9 am and you do something about a flood. This group of people, you're 9 to 10 and you also do the flood. And the next day a different theme; you continue your play on the new theme. 

    It's like building a city. The architect makes the megastructure. This person lives here in this apartment, that person lives in that apartment. The structure isn't what's important, it's how you fill it in. But I can't do it without at structure, so I start with that.

    The performers were non-professionals. 

    "A Letter for Queen Victoria" with Christopher Knowles. Christopher made the letters on the backdrop--there's a pattern that he saw.

    On the last day of the play, the queen of Iran was coming, and RW said to Christopher, why don't you do something special? He said, Okay, how long? However long you like. Ten minutes. Okay. So at the end of the play Christopher stands up and says "tape recorder tape recorder tape recorder tape recorder tape recorder" for ten minutes. After three minutes I started to cry, it was so beautiful, the modulation of his voice. The audience was crying too, but in the other way--when are we going to get out of here? At the end of the play, it was quiet, awkward, people just left.

    Christopher said, without anger, just matter of fact:

    Who cares to have your mind be so smooth.

    He understood what had happened. 

    7:14 pm: RW's 90 year old grandmother performed in a play of his in Paris. She shows up at the airport and says, "I have to take 9 pills a day to stay alive. I take this pill, and that small pill, and that pill (etc. etc.)...Do I have to say anything in your play?" RW had her say that bit about the pills in the play.

    Another play. Einstein on the Beach. Painters measure space: portraits, to still lives, to landscapes. And the play was organized in the same way. 

    Time is a vertical line and space is a horizontal line; that's the architecture of everything. 

    How do you stand on a stage? If you move around it's easier to hold an audience, but can you do it just standing?

    Jessye Norman was set to sing in a RW opera a few days after 9/11. She said she couldn't sing as she had been crying too much. RW said, we need to hear your voice now more than ever. She said she'd try. She sang, then began to cry. Then stood silently, a Nubian queen, and the audience was weeping. How many opera singers can do that?

    7:28 pm: There's always movement, the body is never still.

    RW criticizes TV, how every moment they're making sure you understand each thing. In Einstein on the Beach, there's nothing to understand. It's something you experience. 


    7:35 pm: Burn the schools of theater decoration! We do not need them! This is architectural.


    7:39 pm: A bar of light on the stage for 16 minutes, with no actors or dialogue. My sister said, I don't know how you get way with it! I said, I don't know either.

    Arthur Miller sat next to me once at a performance and he didn't know who I was but I knew who he was. After 10 minutes he said, what do you think of this? I said, I don't know, what do you think? He said, I don't get it. I said, I don't either. Miller left a while after that. 

    In an interview Jessye Norman was asked what her favorite recording is. Without hesitation she said, "Martin Luther King's 'I have a Dream.'"

    Thank you.


    Questions. In response to one question, RW says, to me the great opera houses of the 20th century are not la Scala, it's Madison Square Gardens, and Bruce Springsteen.  

    Another question about how to get over fear when trying to create something--writer's block. RW says, he feels like a six year old every time he starts a project; he's always afraid, but you do something, then react to it, and do something else. 

    Thanks for reading!


    P.S. Saw this at the GSD:

  • Live Blog - Craig Edward Dykers, The Psychology of Space and the Moving Body

    Hi Archinect! I'm at the Boston Society of Architect's BSA Space for a lecture from Craig Edward Dykers, Founding Partner at Snøhetta. It's the opening event for the Association of Architecture Organizations' conference "Making and Measuring IMPACT: The Value of Architecture and...

  • Live Blog - Panel Discussion: Frontiers of Design Criticism

    Hi Archinect! I'm back at the GSD for a panel moderated by Shantel Blakely of Harvard GSD Public Programs called "Frontiers of Design Criticism." From the GSD website:  Today the feedback, spin, and other acts of interpretation that were once the preserve of historians and other experts are...

  • Live Blog - Dorie Clark, "Reinventing You: Define Your Brand, Imagine Your Future"

    Hi Archinect, Fair warning: this one isn't architecture. I'm at a Harvard Alumni event--author and marketing, branding, and business strategy expert Dorie Clark is talking about "reinventing yourself." Clark is an alumnus of Harvard's Divinity School. Clark opens with an anecdote about Joanne...

  • Useless Architectures: Interview with 2013 SOM Prize Winner James Leng

    The SOM Prize is an annual $50 000 fellowship allowing a recent graduate of an accredited American undergraduate or graduate program in architecture, urban design, or related fields to conduct research and travel for a project of their choice. The SOM Foundation recently announced James Leng, who...

  • Live Blog - Sylvia Lavin and Eric Owen Moss

    Hi Archinect! I'm in Los Angeles (yeah!) for an ACSA board meeting and we thought we'd take in Sylvia Lavin and Eric Owen Moss at SCI-Arc. SL: ...There are all of the different things that architects make and that we recognize as architecture in some way.  And then, what are the different...

  • Graduation: final post as a Harvard GSD M.Arch.I school blogger

    Hi Archinect! We graduated! Although I'll continue to blog and live blog when I can, this is my last post as a GSD M.Arch.I student.  Graduation was hot and sweaty, with lots of waiting--but also incredibly exciting and gratifying to enjoy this final day with classmates, friends, and family...

  • New Haven/Yale School of Architecture

    Hi Archinect! I was in New Haven today, to interview Michelle Addington. I haven't been here since I was a prospective student, so it is somehow fitting to be back now that my M.Arch.I degree is done. It was also great to spend some time with Michelle, as her work is so interesting and her move...

  • Live Blog - John David Todd, "Sometimes alone. Mostly with others" (M.Arch.I thesis)

    Hi Archinect, Last session of the day. John Todd, advised by Toshiko Mori. 4:30: JT: "We live in a post-utopian world...Meaning is not created from a transcendent source but emerges from around us [through an immanence]... The idea of individual vs. collective is a false dialectic. We are not...

  • Live Blog - M.Arch.I thesis

    Hi Archinect, Just a few scenes from the GSD this afternoon, our last day as M.Arch.I students...   Thanks for looking! Lian

  • Live Blog - Ceri Edmunds, "Consolidation: The suburban shopping mall as a paradigm of public space."

    Hi Archinect,   1:10: Ceri Edmunds is presenting. "This project places the shopping mall into anatagonism with the suburban residential. This project seeks consolidation..." At the bottom level are loading docks and parking; the loading docks service the three voids. Above this are the...

  • Live Blog - Trey Kirk, "Seattle Public Library and Courthouse"

    Hi Archinect,Okay, we're only an hour behind schedule.12:00: Trey Kirk begins, describing Mies' seminal courtroom design, with a cell off of each courtroom; and a typology of courtrooms since then. In the internal programming for courtrooms, double-height courtrooms and single height judges'...

  • Live Blog - Drew Cowdrey, "Contemporary Asylum" (M.Arch.I Thesis Review)

    Hi Archinect, 10:44: Drew begins. The focus here moves from the adaptation of self to the adjustment of nature...For centuries, architects have attempted to [cure] the self through what I'll term 'environmental modification.' In contrast there is biological modification, as in the film...

  • Live Blog - Fareez Giga, "Nonsense" (M.Arch.I thesis review)

    Hi Archinect! Second day of M.Arch.I thesis reviews at the GSD. 9:30 am: Fareez Giga begins presenting "Nonsense." Advisor: P. Scott Cohen. "This all began with Lewis Carroll's Alice's Adventures in Wonderland." ...Reality is a construct, a fiction. To confront the real is to...understand this...

  • Live Blog - Cathleen McGuigan, "Women and the Changing World of Architecture"

    Hi Archinect! Studio reviews are over at the GSD. I'm finishing up a few papers--my last school assignments ever--and helping some friends with thesis. I'm also excited for tonight's lecture, from the editor-in-chief at Architectural Record, Cathleen McGuigan. From the GSD website: "Cathleen...

  • Iñaki Ábalos appointed Chair of Architecture at Harvard GSD

    Hi Archinect, At long last, Jose Ignacio Ábalos Vazquez has been announced as the incoming chair of architecture at the GSD. This has been widely rumored for over a year around school, but only now has been made official and public. The announcement was low-key and almost content-free...

  • Live Blog - Preston Scott Cohen, "Successive Architecture"

    Hi Archinect, We're in full Piper tonight for a historic event, the Walter Gropius Lecture, delivered by our Chair of Architecture, Preston Scott Cohen. [I'll add a link to the video when it's posted; this blog post is just the low-budget teaser for a must-watch blockbuster film.] [Photo op with...

    [Scott's roast - Fareez Giga, James Martin, and others.]

  • Live Blog - Techniques: James Carpenter and TriPyramid, "Extending Collaboration"

    Hi Archinect, I'm in Stubbins (a small room at the GSD) for James Carpenter and Michael Mulhern, a founding partner at TriPyramid Structures. Martin Bechthold made the introductions. JC: "Michael just informed me that we've completed over 60 projects together." MM: We build widgets, at the end of...

  • Live Blog - Rahul Mehrotra, KUMBH MELA: Mapping the Ephemeral City

    Hi Archinect! Tonight's event is one that I've been (peripherally) involved in, as this project is one that we've been discussing in the context of an urban planning and design seminar that I'm taking led by Rahul Mehrotra, called "Kinetic City." (Full video available at here.) From the website...

  • PETITION: Recognize Denise Scott Brown for her work in Robert Venturi's 1991 Prize

    Hi Archinect, You might have seen that Denise Scott Brown has asked to be recognized by the Pritzker committee. As Dezeen reports, "At the time the prize was awarded, Scott Brown had been a partner at the couple's practice Venturi Scott Brown and Associates for 22 years and had co-authored with...

  • an online photobooth and gallery to share your emoji (emoticon) faces!

    Hi Archinect, I love emoji faces. I love to send them, I love to receive them, and I love to make little scenes with them. So does my boyfriend, Drew Harry. So much so that we've been working on a little side project called It's a website where you can browse people's attempts at...

  • Co-Host 'ARCHITECT Live' with Stephen Chung, AIA

    Hi Archinect, Did you see this? Until March 29, you can submit a 2-minute video audition for a chance to be a co-host of "ARCHITECT Live" at the 2013 AIA National Convention in Denver at the end of June. The AIA flies you to Denver, puts you up, and pays you $75 a day (hey, it's still...

  • Live Blog - Zaha Hadid

    Hi Archinect, You can watch the full video of this event at the GSD's YouTube Channel. 6:29: Zaha's in the house tonight. There was a huge line in the lobby--she's obviously one of the few architects who attracts such large non-architect audiences. The lecture is apparently untitled. It's already...

  • Live Blog - GSD Alternative Careers Panel

    Hi Archinect! 6:35 pm. Judy Sue Fulton and Lauren Kim, two M.Arch.I students in my class, are hosting a panel on alternative design careers. There will be short introductions and then some conversation with individual panelists around tables. Bryan Boyer: says he's a "confused" professional. "I'm...

  • Defending Your Life--and other stuff

    Hello Archinect! So...I finished my thesis but still have a few classes to wrap up this semester. I'm taking a statistics class with Michael Hooper, an independent study research project with Jay Wickersham (as a professional practice elective), and a seminar with Rahul Mehrotra on the "Kinetic...

  • Thesis FINISHED! (Drawn out: performances of mundane inhabitation)

    Hi Archinect,Well, I'm very happy to say that I presented my thesis just over a week ago, and it went well. I gave the following very short preamble:There’s a termite in the southern hemisphere that lives in a colony, that builds a mound, that acts as an external lung. The mound—which, after...

    Drawn out: performances of mundane inhabitation

  • Thesis: Drawn out: performances of mundane inhabitation

    Hi Archinect, My thesis project has been keeping me from live blogging lately, but I wanted to share some clips of my thesis work in progress. I'm calling the project "Drawn out: performances of mundane inhabitation." It's not a design project, but an essay in the form of a video, exploring the...

    Wake up - attention and the senses

    Cooking - habits and memory

    Going outdoors - environmental stimuli

    Library - movement, activity, quiet, and immersion

  • Comment: I know that Steve Jobs wasn’t God: That’s the whole point

    Hi Archinect,A year ago, after Steve Jobs died and a public debate played out over whether or not he deserved to be mourned--"a fine designer and astute businessman, but surely no saint"--I wrote this essay. It argues that there are different ways to give back to the world, and that most of them...

  • Video - GSD Conference on Design I: Liminal Objects - Design and the Museum

    Hi Archinect, If you're in areas affected by the storm, or have loved ones who are, all the best to you. To everyone else: back to work! Storm day is over. It has been said within our school that furniture, interiors, and design thinking--and dealing with these issues in a serious intellectual...

    GSD: Liminal Objects - Introduction, Design - in - Practice

    GSD: Liminal Objects - Design and the Museum

    GSD: Liminal Objects - Round Table

  • Live Blog - Iñaki Ábalos, 'Thermodynamism and Architecture'

    Hi Archinect! I'm in Stubbins (a smaller room) tonight for a lecture by GSD Professor in Residence Iñaki Ábalos, widely rumored among students to be our next chair of Architecture. The lecture, entitled "Thermodynamics of mixed use high rise prototypes: theory and practice" will be...

  • ×Search in:

About this Blog

Lectures and exhibitions, news and events, now primarily from the Bay Area! Please note that all live blogs are abridged and approximate. If you want to see exactly what happened, in many cases a video of the event is posted online by the event's hosts.

Affiliated with:

Authored by:

  • Lian Chikako Chang

Other blogs affiliated with Harvard University:

Recent Entries

Please wait... loading