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What struck me when I went back to reread the book is how deliberately it works to collapse the distance, and therefore the distinction, between enthusiasm and skepticism, and ultimately between documentation and critique. Above all, “Learning from Las Vegas” argues for a curious and open-minded anti-utopianism, for understanding cities as they are rather than how planners wish they might be—and then using that knowledge, systematically and patiently won, as the basis for new architecture. — The New Yorker
Yale’s new visiting critic Christopher Hawthorne considers the lasting inspirational qualities and history of Steven Izenour, Denise Scott Brown, and Robert Venturi's seminal 1972 text, whose origins can be traced to a studio the young newlyweds taught in New Haven in the fall of 1968. Hawthrone... View full entry
The idea of the “both-and” suggested a new pluralism, and maybe a new tolerance, in architecture. But the phrase turned out to have its limits. To the extent that Venturi was making an argument in favor of a kind of big-tent populism in architecture, it was a space for new styles instead of new voices, new forms rather than new people. In fact, tucked inside Complexity and Contradiction is an argument for a renewed insularity in the profession [...]. — The Atlantic
Christoper Hawthorne, former LA Times architecture critic and now Design Officer for the City of Los Angeles, dissects Robert Venturi's 1966 book, Complexity and Contradiction in Architecture (which famously scoffs at the Miessian classical Modernism with the "less is a bore" tagline), and argues... View full entry
There is a good case for listing Thomas Hardy amongst the greatest of all conceptual architects — the prophet, well before the fact, of a particular type of speculative, imaginary architectural project which would boom a century later. — Places Journal
The 19th-century author Thomas Hardy has never been considered much of an architect. Yet as Kester Rattenbury shows, his creation of Wessex was an architectural project - one that drew on the ideas of his time, but also predicted some of the most inventive architectural work of our own age. Hardy... View full entry
Now, decades after the original hardcover edition sold out, the MIT Press is publishing a facsimile edition of the original large-format Cooper-designed edition of Learning from Las Vegas, complete with translucent glassine wrap. This edition also features a spirited preface by Denise Scott Brown, looking back on the creation of the book and explaining her and Robert Venturi’s reservations about the original design. — MIT Press
45 years after its first publication, the groundbreaking book, Learning from Las Vegas, is still read, purchased and studied by architecture and urban planning students, thinkers and practitioners around the world. Last year Archinect spoke with Denise Scott Brown about the Learning from Las... View full entry
Al describes CityCenter as the product of “the Bilbao effect: the notion that buildings designed by celebrity architects bring in tourists, and in particular a higher-end type of visitor”. MGM’s version was to bring in name-brand architects such as Daniel Libeskind, Helmut Jahn and Norman Foster [...].
“It goes against the casino design convention,” Al says, “by having towers that let in natural light and meet the street the way buildings do in other cities” – with retail spaces, not gaming.
— theguardian.com
Richard Florida...thinks it needs a “robust community process,” in which an outside group could help build consensus with the surrounding community and create a plan that takes their wishes into account. “You can have serendipity,” he said. “But when you’re building a community, you also need a strategy.” — NYT
Timothy Pratt profiled Tony Hsieh and his Downtown Project for the Sunday NYT Magazine. The project began when the chief executive of Zappos decided to lease the former City Hall, instead of buying land and building the typical Silicon Valley corporate campus. In order to provide an... View full entry
