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The United States Department of State has selected a team from the University of Illinois at Chicago to curate the United States Pavilion at the 2020 Venice Architecture Biennale. The team, led by architects Paul Andersen and Paul Preissner, will create an installation in the pavilion... View full entry
How will we live together? That’s the question on the minds of Paolo Baratta, president of La Biennale di Venezia, and Hashim Sarkis, curator of the 17th International Architecture Exhibition, as they unveil a guiding vision for the 2020 Venice Biennale. Baratta and Sarkis announced the... View full entry
The Venice Art Biennale is regarded as the most significant art exhibitions in the world. With artists and designers from across the globe showcasing their work, co-founders of the Carpenters Workshop Gallery were moved to wonder "What defines an artwork?" "Why can artworks not be functional?"... View full entry
Works by artists such as John Akomfrah, El Anatsui and Lynette Yiadom-Boakye will go on show in Ghana’s first national pavilion at the 58th Venice Biennale this spring (11 May-24 November). The Ghanaian pavilion, located in the Artiglierie of the historic Arsenale, will be designed by the prominent UK-Ghanaian architect David Adjaye, who is working on a number of cultural initiatives aimed at boosting the profile of the west African country. — The Art Newspaper
"Titled ‘Ghana Freedom’, after the song composed by E.T. Mensah on the eve of the birth of the new nation in 1957, the pavilion curated by Nana Oforiatta Ayim examines the legacies and trajectories of that freedom by six artists, across three generations, rooted both in Ghana and its... View full entry
Architect and educator Hashim Sarkis has been appointed as Director of La Biennale di Venezia's Architecture Sector, tasking him to curate the 7th International Architecture Exhibition in 2020. Sarkis started his firm Hashim Sarkis Studios, with offices in Cambridge and Beirut, in 1998 and has... View full entry
Lower Manhattan could be the first to test out an innovative system that is being proposed as a way to protect cities from rising sea levels and future storms. Called “Humanhattan 2050,” a visionary idea from Bjarke Ingels Group (BIG) that’s on view in the 2018 Venice Architecture Biennale, the project not only proposes new infrastructure to safeguard the waterfront for the next hundred years, it will also make these spaces more accessible and enjoyable. — Observer
Image via @BIGstertweets/Twitter.Avid Archinect readers will remember the "Humanhattan 2050" scheme from its initial iteration, BIG's 2014 Rebuild by Design competition-winning proposal "The BIG U" in response to the most devastating storm ever to hit New York, Hurricane Sandy, and the need for... View full entry
For the 2018 Venice Biennale, Croatia's “Cloud Pergola / The Architecture of Hospitality” Pavilion reflects on spaces of hospitality, the environment, automated design, and architecture's role in the 21st century. Designed by a team curated by Croatian architect Bruno Juričić, Cloud Pergola... View full entry
Atelier Bow-Wow co-founder Momoyo Kaijima teamed up with Laurent Stalder (ETH Zurich Professor of Theory of Architecture, Director of the Institute for the History and Theory of Architecture) and Yu Iseki (Curator at Contemporary Art Center, Art Tower Mito) to curate the Japan Pavilion for the... View full entry
During a time of heated debates on national borders, “Unbuilding Walls” — the German Pavilion now open at the 2018 Venice Biennale — revisits the era of the Berlin Wall, 28 years after it was dismantled. “Since February 5, 2018, the Wall that divided Germany for 28 years has been... View full entry
While some were delighted that at least a small part of the architectural heritage of Robin Hood Gardens was being preserved for posterity, others were furious that the V&A – a so-called ‘arms-length’ body, governed by a Board of Trustees appointed by the Prime Minister – considered the estate valuable enough to collect, but not valuable enough to help save from demolition in the first instance. — frieze.com
The story behind London's brutalist Robin Hood Gardens reveals issues pertinent to our current housing crisis. Crystal Bennes unpacks the V&A's decision to preserve and display a section of demolished housing in this year's Venice Architecture Biennale, revealing condemnation of the building... View full entry
For the 2018 Venice Biennale, Estonia's pavilion, “Weak Monument”, explores the explicit representation of the monument and the implicit politics of everyday architectural forms. Curated by Laura Linsi, Roland Reemaa and Tadeáš Říha, the exhibition takes over the former Santa Maria... View full entry
Despite limited physical space in Singapore's dense urban landscape — with a population of 5.6 million squeezed into about 278 square-miles of land, the country's architects and urban planners are coming up with unique solutions to create delightful spaces that help enhance everyday life. So is... View full entry
As one of the collateral events to the 2018 Venice Biennale, the Young Talent Architecture Award exhibition will feature the graduation projects of the competition's four winners (who will be announced in June) and 12 finalists. Organized by the Fundació Mies van der Rohe with the support of... View full entry
Farrell and McNamara’s theme is “Freespace”, which they say describes “a generosity of spirit and a sense of humanity at the core of architecture’s agenda”. It can also mean the “free and additional spatial gifts” that architecture can offer and “its ability to address the unspoken wishes of strangers”. They have invited a selection of like-minded architects to demonstrate these qualities with three-dimensional installations of “scale and quality”. — The Guardian
Rowan Moore, architecture critic of the Observer, finds admiring words in his Guardian piece for Grafton Architects principals Yvonne Farrell and Shelley McNamara, who are wearing the curator hats this year at architecture's biggest biennial spectacle: "McNamara and Farrell are neither celebrities... View full entry
In response to the 2018 Venice Biennale's “Freespace” theme, the Korean Pavilion exhibition, “Spectres of the State Avant-garde”, sheds light on a hidden narrative of Korea's paradoxical pursuit of a utopian society through oppressive government policy. Choon Choi, Paradise Lost... View full entry
