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Over the past decade or so, bleacher stairs have become a ubiquitous marker of contemporary public architecture. It’s time for the trend to stop.
Its subsequent proliferation serves as a good example of how avant-garde design, or at least a consumerist version of it, filters down to the mainstream.
The broader point is that architects need to be more inventive as they plan new public spaces, and their patrons need to demand that those spaces are accessible for the entire population.
— The Dallas Morning News
The ubiquitous “bleacher stair” feature can be seen in designs for the Studio Museum of Harlem, Perez Art Museum Miami, and the new Gilder Center at the American Museum of Natural History (just by my count) and can be traced to Rem Koolhaas’ design for Prada’s NYC flagship in 2001, says... View full entry
Today's featured virtual event happenings, from Archinect's Virtual Event Guide, address issues from the climate crisis, resilience, health and wellness, and diversity and inclusion to equity, economy and environment and much more. Are you hosting a virtual lecture? Presentation? Tour?... View full entry
Situating The Mound of Vendôme, the current exhibition on view at the Canadian Centre for Architecture, requires looking back into Paris' history after the French Revolution. For a tumultuous two months in 1871, the city was under the control of the Commune de Paris, a socialist revolutionary... View full entry
