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Over the past decade or so, bleacher stairs have become a ubiquitous marker of contemporary public architecture. It’s time for the trend to stop.
Its subsequent proliferation serves as a good example of how avant-garde design, or at least a consumerist version of it, filters down to the mainstream.
The broader point is that architects need to be more inventive as they plan new public spaces, and their patrons need to demand that those spaces are accessible for the entire population.
— The Dallas Morning News
The ubiquitous “bleacher stair” feature can be seen in designs for the Studio Museum of Harlem, Perez Art Museum Miami, and the new Gilder Center at the American Museum of Natural History (just by my count) and can be traced to Rem Koolhaas’ design for Prada’s NYC flagship in 2001, says... View full entry
In a recent column for The Dallas Morning News, architecture critic Mark Lamster proposes a new pedestrian-oriented vision for the district surrounding Dealey Plaza, where President John F. Kennedy was murdered, and where the Dallas authorities are currently planning a new municipal... View full entry
In “The Man in the Glass House,” Mark Lamster’s brisk, clear-eyed new biography of Johnson, we are asked to contemplate why the impresario of twentieth-century architecture descended into such a morass of far-right politics—and how, given the depths to which he fell, he managed to clamber his way not just out of it, but to the top. [...] Johnson managed to abjure his past and, on the march toward an exceptionally successful career, leave it behind. — The New Yorker
The New Yorker reviews the new Philip Johnson biography, The Man in the Glass House by architecture critic and professor Mark Lamster, and examines how Johnson eagerly embraced Fascism before WWII and still rose to great fame as America's iconic 20th-century architect. "Indeed, it is... View full entry
These conjoined entities are the Legacy Museum and the National Memorial for Peace and Justice, the latter more commonly identified as a memorial to the victims of lynching. They are both extraordinary, though it is the second that behooves a pilgrimage. To my mind, it is the single greatest work of American architecture of the 21st century, and the most successful memorial design since the 1982 debut of Maya Lin's Vietnam Veterans Memorial in Washington, D.C. — Dallas News
The National Memorial for Peace and Justice, which opened to the public this past April, is the first memorial dedicated to the victims of lynching and racial prejudice in the US. The design, a collaborative effort between MASS Design Group and the Equal Justice Initiative (EJI), was recently... View full entry
[T]hough in practice CVS is context agnostic: A CVS looks like a CVS no matter where it is. It is a structure without character or distinction, and to walk along such a building is an unpleasant experience that degrades pedestrian life, the civic space and all the other properties around it. — Mark Lamster, Dallas News
Architecture critic Mark Lamster of The Dallas Morning News gives his two cents on why CVS Pharmacy, America's largest pharmacy chain, should rethink the “manipulative designs” of their retail stores, describing it as a case of “urban malpractice by chain retailers”. “As a CVS customer... View full entry
