All of us, including myself have been engaged in catering to the 0.1 per cent through our work. Our training has always been in material and designing architecture for that one per cent.
The kind of world we live in today, we need to democratise architecture. I know that it may give an impression that I am saying this only because I am retired now, but I have become deeply involved in how architecture can provide social justice and (grounds) for an equitable society. — TheNews on Sunday
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At the 1974 national convention of the American Institute of Architects in San Francisco, Judith Edelman presented data showing that 1.2 percent of registered architects in the United States were women....These survey results, she said, “clearly demonstrate that the alleged grievances are not all in the heads of some paranoid chicks.” She then agreed to lead a task force to tackle the issue, out of fear that someone “insufficiently stubborn” would get the job. — NY Times
For the latest edition of the Student Works: series Archinect featured the Singapore University of Technology and Design (SUTD) library pavilion, located on a sloping lawn on the temporary Dover Campus. The gridshell structure designed by City Form Lab had to accommodate three mature trees...
The Beverly Willis Architecture Foundation received a grant from the National Endowment for the Arts to pursue the project recording the accomplishments of 50 women architects practicing before 1980. — bwaf.org
The Beverly Willis Architecture Foundation (BWAF) has selected a national advisory council of esteemed architectural scholars to oversee the selection of women architects for the foundation’s new special collection, “Making a Place for Women in 20th-Century American...
When Anne Griswold Tyng entered Radcliffe College in 1938, she had already found her calling: her faith was in architecture. “I was intensely drawn to the combination of science and art, of the pragmatic and aesthetic, of rigorous facts and intuitive leaps,” she wrote, looking back nearly 60 years later... In 1942, she enrolled in the first class to admit women at the Harvard Graduate School of Design, where she studied with Walter Gropius and Marcel Breuer... — nytimes.com
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