Architect Michael Maltzan has designed prestigious museums, luxurious private residences and social housing in Downtown LA. Music has been a factor in his life since he first started to discover architecture and he ruminates on the connection between the two art forms while sharing songs from Big Star, Talking Heads and more. — kcrw.com
Hopes rose when the Norman Foster firm was hired to overhaul the 2,700-seat hall on the north side of New York’s Lincoln Center. That was in 2005, and nothing came of it.
Is there a future for the jinxed hall? Perhaps. The success of Lincoln Center’s $1.2 billion remodeling -- from the jauntily tilting lawn and the space-age fountain, to the electronic come- ons that zip across the outside stairs -- can only be inspirational. — bloomberg.com
The budding industrial designer also gave his top picks from the fair, which unsurprisingly all feature bright swaths of primary colors: a Charlotte Perriand bookshelf from Galerie Downtown accented with yellow squares; a Pierre Guariche chair from Demisch Danant, a Riteveld chair from Galerie Vivid; and a desk from Galleria Rossella Colombari by Gio Ponti, whom he was so delighted to have discovered: “He tried to make the office fun!” — blogs.artinfo.com
Fifty years later, Westminster has brought the boys back home, awarding drummer Nick Mason an Honorary Doctor of Letters for his contributions to music, officially completing his architecture degree.
Mason said of the honor, “Not only did studying architecture teach us some useful stuff, but it also gave us an opportunity to develop and put us in touch with some fantastic mentors and industry contacts that have helped us along the way.” All in all, we’re just bricks in the wall. — blog.archpaper.com
A quiet, meditative biography of Dr Dre incorporating thoughts on utopian architecture, Le Corbusier and the evolution of rap. Kind of amazing. — thedocumentarian.tumblr.com
Architecture related to hip-hop is about built ideas inspired of music and dance, drawing in part from artistic ideas like sampling and rapping. Even more to the point, it’s mainly an urban form, one meant to be highly inventive while also addressing issues like poverty and blight — but also the material desires we associate with aspiring DJs and emcees. — smartplanet.com
Given the hip-hop elite's affiliation with prestige brands – from Cristal to Courvoisier, from Louis Vuitton to Lamborghini – you'd think they'd be similarly discerning when it comes to architecture. But that's not always the case, especially when it comes to the biggest stars of all. — guardian.co.uk
The Music Box is a New Orleans art installation that makes regular artist’s colonies look like Camazotz. In this tiny shantytown, every building is also a musical instrument, and the entire town can be played in a beautiful, spooky symphony that looks and sounds like something out of Coraline. — grist.org
Musicians look at the bridge differently. Mickey Hart, the former Grateful Dead drummer, sees the Golden Gate Bridge as a "giant wind harp." He plans to be at Crissy Field on Sunday evening, the bridge's 75th birthday, to perform an original composition.
The bridge will be the star. "The most famous bridge in America," Hart said, "is actually a musical instrument." — sfgate.com
Chances are, you know Moby best for his electronic dance music. But it turns out the eclectic-minded musician has another life, as an architecture buff who recently moved to LA and now writes a blog about buildings here he loves. The blog is called, simply, Moby Los Angeles Architecture Blog, and features his photos of local architecture. Frances Anderton talks to Moby about his love of architecture.
In a way, my influences are eclectic. Music doesn’t make me want to go and design a house, in a way it’s a more physical pleasure. It’s maybe a break for me or a tunnel to something else. I’ve never had a lot of music in the office. To me music is to be listened to and art is to be looked at. I never understood that thing of using art as decoration. It has to mean something to me otherwise I wouldn’t have it. And I can’t work with music. I find it too stimulating in a way. — John Pawson, phaidon.com
Ruth Price, president and artistic director of the Jazz Bakery since it debuted in 1992, said Tuesday that she didn’t know Gehry, or even ask for his help, before he called about six months ago to volunteer his services.
“He said, 'I’m doing this for two people: Sydney Pollack, and my wife, Berta.’ ” Film director Pollack, a close friend of the architect, died in 2008..." — latimesblogs.latimes.com
The Recording Academy has announced its selection of world-famous architect and multitalented artist Frank Gehry to create the official artwork for the 54th Annual GRAMMY Awards. The work integrates traditional GRAMMY iconography with Gehry's unique architectural style in a piece that mirrors The Recording Academy's commitment to celebrating excellence and diversity in art and culture year-round. — grammy.com
It will be used as the official artwork for the world's premier music event and will grace the cover of the GRAMMY Awards program book, telecast tickets and promotional poster. "We are thrilled to announce our collaboration with world-renowned architect Frank Gehry on our official artwork for the...
UT students and Austin residents gathered to explore the relationship between music and architecture through artistic performances Wednesday afternoon.
Participants in the Music in Architecture competition created performances to explore how music can be inspired by architecture. — dailytexanonline.com
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