A quiet, meditative biography of Dr Dre incorporating thoughts on utopian architecture, Le Corbusier and the evolution of rap. Kind of amazing. — thedocumentarian.tumblr.com
Architecture related to hip-hop is about built ideas inspired of music and dance, drawing in part from artistic ideas like sampling and rapping. Even more to the point, it’s mainly an urban form, one meant to be highly inventive while also addressing issues like poverty and blight — but also the material desires we associate with aspiring DJs and emcees. — smartplanet.com
Given the hip-hop elite's affiliation with prestige brands – from Cristal to Courvoisier, from Louis Vuitton to Lamborghini – you'd think they'd be similarly discerning when it comes to architecture. But that's not always the case, especially when it comes to the biggest stars of all. — guardian.co.uk
The Music Box is a New Orleans art installation that makes regular artist’s colonies look like Camazotz. In this tiny shantytown, every building is also a musical instrument, and the entire town can be played in a beautiful, spooky symphony that looks and sounds like something out of Coraline. — grist.org
Musicians look at the bridge differently. Mickey Hart, the former Grateful Dead drummer, sees the Golden Gate Bridge as a "giant wind harp." He plans to be at Crissy Field on Sunday evening, the bridge's 75th birthday, to perform an original composition.
The bridge will be the star. "The most famous bridge in America," Hart said, "is actually a musical instrument." — sfgate.com
Chances are, you know Moby best for his electronic dance music. But it turns out the eclectic-minded musician has another life, as an architecture buff who recently moved to LA and now writes a blog about buildings here he loves. The blog is called, simply, Moby Los Angeles Architecture Blog, and features his photos of local architecture. Frances Anderton talks to Moby about his love of architecture.
In a way, my influences are eclectic. Music doesn’t make me want to go and design a house, in a way it’s a more physical pleasure. It’s maybe a break for me or a tunnel to something else. I’ve never had a lot of music in the office. To me music is to be listened to and art is to be looked at. I never understood that thing of using art as decoration. It has to mean something to me otherwise I wouldn’t have it. And I can’t work with music. I find it too stimulating in a way. — John Pawson, phaidon.com
Ruth Price, president and artistic director of the Jazz Bakery since it debuted in 1992, said Tuesday that she didn’t know Gehry, or even ask for his help, before he called about six months ago to volunteer his services.
“He said, 'I’m doing this for two people: Sydney Pollack, and my wife, Berta.’ ” Film director Pollack, a close friend of the architect, died in 2008..." — latimesblogs.latimes.com
The Recording Academy has announced its selection of world-famous architect and multitalented artist Frank Gehry to create the official artwork for the 54th Annual GRAMMY Awards. The work integrates traditional GRAMMY iconography with Gehry's unique architectural style in a piece that mirrors The Recording Academy's commitment to celebrating excellence and diversity in art and culture year-round. — grammy.com
It will be used as the official artwork for the world's premier music event and will grace the cover of the GRAMMY Awards program book, telecast tickets and promotional poster. "We are thrilled to announce our collaboration with world-renowned architect Frank Gehry on our official artwork for the...
UT students and Austin residents gathered to explore the relationship between music and architecture through artistic performances Wednesday afternoon.
Participants in the Music in Architecture competition created performances to explore how music can be inspired by architecture. — dailytexanonline.com
Two years after holding an international architectural competition that saw world-renowned designers face off in a public presentation, the National Music Centre revealed the extraordinary final design by Allied Works Architecture, the winner of the competition. — canadianarchitect.com
3D distribution of musical elements introduces a whole new way to experience music. The moving musical elements will redefine the relationship between music and dance allowing the two elements to share the same physical space and communicate with its architecture in the language of movement. The choreography is going to be based on delivering music through the dancers. We're changing the function of moving bodies from executing choreography only, to executing choreography and music. — Ariel Blumenthal
From June 23rd – June 26th, PTERO Dance Theatre (Los Angeles) will be presenting a unique dance show, H2Eau, enhanced with live music, photography and film. Award-winning composer Ariel Blumenthal will create a 3D sonic score – treating music as an immersive, three-dimensional element...
Works for music lovers and html5 addicts! — surfstation.com
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