Aravena polished off his beer when a stranger sidled up to the table. It happens all the time now. Drivers in passing cars stop him in the street. Shop clerks, politicians, long-lost acquaintances and schoolteachers ask for selfies with him. They all say the same thing. “Thank you,” the stranger said to Aravena, who smiled and posed arm in arm with the man for a picture. Thank you — as if the Pritzker prize...had been awarded on behalf of everybody in Chile. — nytimes.com
Michael Kimmelman, architecture critic for the New York Times, profiles Alejandro Aravena's projects in his native Chile, on the cusp of this year's Venice Biennale opening (which Aravena is also directing). The profile largely focuses on Aravena's social practice, and its attempts at...
In 2010, a sanctuary in Santiago was completed in [Hurtado's] honor — at the very site where he founded the Hogar de Cristo back in the 1940s. The building was designed by Chilean architect Cristián Undurraga, of Undurraga Devés Arquitectos, and it is elegant and serene — a true space of contemplation. It also makes the most of simple materials: rough Béton brut concrete, glass blocks and blond wood ceilings that don't overwhelm the artifacts on display... — Los Angeles Times
Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X – 197X takes stock of seventy little magazines from this period, which were published in over a dozen cities. Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals. —
This month the boundary has been finally crossed. It is because the exhibition and ongoing research project Clip/Stamp/Fold has landed in the south hemisphere by this month until July 2013. Santiago has had the chance for this first landing. The local version of the project became real due to the...
The skyline of Chile’s capital city, Santiago, has a new addition with the Gran Torre skyscraper casting a two-kilometre shadow across the historic city.
The 70-storey residential building stands more than 300 metres tall, making it the tallest building in South America. The five-ton steel structure cost an estimated one billion dollars to build and tenants are expected to move into the building next March. — DesignBuild Source
This survey is not based solely on quality of life, number of trees or the cost of a month’s rent. Instead, we examine some cities that aim to be both smart and well managed, yet have an undeniably hip vibe. Our pick of cities that are, in a phrase, both great and good... — nytimes.com
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