[Shigeru] Ban in Aspen represents a high-culture culmination of this goodwashing force. His museum, a beautiful structure faced with a woven screen and featuring a timber truss, uses his signature paper tubes non-structurally, as decoration in the corporate board room and the gift shop—all the style of his humanitarian work with none of the substance. -Dana Goodyear — The New Yorker
Cities that are growing and cities that are shrinking, climate change, environmental health and equity, resource scarcity, technological change — all demand that we rethink how we plan, design, construct, and maintain the built environment. These challenges also demand that serious design journalism and scholarship move from the margins to the center of the larger cultural discussion. — Places Journal
Last week The New Yorker opened up part of its archive, setting off a mad dash through the corridors in search of great summer reading.The editors at Places Journal have rounded up some of the best articles on architecture and urbanism, including profiles of David Adjaye and Bjarke Ingels...
But like so many landmarks, from the Parthenon to Penn Station, few endure. Starting today, Mr. Goldberger will board the notorious Condé Nast elevator, but instead of getting off on the 20th floor, he will report to work two floors up, where Graydon Carter has finally poached Mr. Goldberger for Vanity Fair. — New York Observer
Paul Goldberger leaves The New Yorker, partly to have more time to work on a biography of Frank Gehry, partly because he was not given enough chances to write for the magazine anymore. At Vanity Fair, he won't just be writing on architecture, but also "design-related" stories, too.
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