In particular, La Brea to Fairfax, which parallels Miracle Mile on Wilshire, was a hotbed of dispensaries with some areas having up to 3 on the same block, making it “the Green Mile.” [...]
I began noticing how the dispensaries branded themselves through signage and typography, and what these choices might convey to their prospective clientele. Second, the fleeting nature of these businesses was such that the green paint hardly dried before a “For Lease” sign would appear — lataco.com
In this video that blends time lapse and slow-motion techniques to fully showcase the visual splendor of the building, director Heidi Zuckerman of the The Aspen Art Museum speaks about how the "modesty" of Shigeru Ban's signature preferred materials perfectly suited the Colorado-based institution...
With the working title Utzon, The Man Behind the Opera House, the film will tell the story of Danish architect Jørn Utzon, who was just 38 years old and relatively unknown when he won the international competition to design an opera house on Sydney’s Bennelong Point in 1957...
The Sydney Opera House was completed by Australian architect Peter Hall – a handover which ostracised Hall from the architectural community, and which his family believe led to his ruin. — The Guardian
When a couple sets out to build their dream house, they enlist the services of a visionary modernist architect, whose soaring ideas are matched by only his ego. The woman is swept away by the uncompromising creative artist whose personality provides a stark contrast to her practical husband's. She is so taken she hardly notices the Architect is building HIS dream house. — the Architect
With the new mayor focusing our attention on smart development and social equality, 2016 will be a banner year for the London Festival of Architecture. Election watchers will be familiar with many of this year’s hot topics: community spaces, social housing, docklands renewal. But considering the theme this year is ‘community’, there will be something for every tribe of Londoner. Out of 300 events, we’ve picked the 10 must-sees. — thespaces.com
In any city, space is a commodity. In South African cities space is historical and emotional. A new photo series by an American living in Cape Town captures the dramatic inequality of South Africa’s most beloved city. From an aerial view, Cape Town’s scenic beauty gives way to a stark reminder of the country’s past and the continued racial segregation. [...]
“Looking straight down from a height of several hundred meters, incredible scenes of inequality emerge,” he writes on his website. — qz.com
“I set about programming algorithms to generate an imaginary city...One that I could populate with buildings and structures without having to draw or 3-D model.”
[Daniel] Brown begins by plugging random numbers into the program, which uses fractal mathematics to create unique shapes that resemble a 3-D graph. He spends several hours “exploring” the terrain until he finds an interesting form. Brown isolates the shape, and tweaks it until he arrives at something he likes. — wired.com
It's not exactly a staircase to heaven (more of a "symbolic arising of the city after World War II"), but the intimate rooftop views provided by MVRDV's "The Stairs" of Rotterdam are spectacular. Plus, the gleeful discussion of temporariness by architectural video duo #donotsettle's Wahyu Pratomo...
Hyper-Reality is a concept film by Keiichi Matsuda. It presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. — hyper-reality.co
Whether it be the Middle East, the favelas of Rio, slums of Kenya, New York, Le Havre or Shanghai, JR’s works leave no one indifferent, because they return our gaze and cut to the very heart of our innermost selves. [...]
Invited by the “biggest museum in the world”—which also generates the most selfies—JR has set his sights on one of the Louvre’s symbols, the Pyramid, which he intends to transform with a surprising anamorphic image. — the Louvre
Set to open on 17 June, the Tate Modern Switch House – named after the part of the power station that the new galleries occupy – expands the museum by 60% to accommodate the surging numbers of visitors, which reached 5.7 million last year, well over double the number the building was designed to cope with when it opened in 2000. But the arresting brick ziggurat is also a physical symbol of the effect the Tate has had on its surroundings. — theguardian.com
The museum is planning to move from its present landlocked home within the Barbican with no entrance at street level, into a cathedral-sized space, using the abandoned Victorian general market at Smithfield, next door to the famous meat market.
“Our job is to make this the best museum in the world,” Ament said, carefully stepping around pigeon droppings and pools of water in the old market, which has been empty for the last 30 years while developers and conservationists fought over its fate. — theguardian.com
SUBMIT NEWS: submit in 60 seconds!