With full theatrical trappings—nu-age Philip Glass music, smoke machines, mood lighting--the Eisenman team unveiled to the crowd a scale model of the building, which produced a light show to rival a Laser Floyd spectacular.

These dozen red-hued Death Star beams [...] were to be placed on the building and neighboring structures, flashing, blinking, sweeping across downtown like some insane city-scale laser security system. 

Three years later, it was opened. 

Sans lasers.  — Docomomo US

The mystery of how, exactly, the pyramids were built may have come a step closer to being unravelled after a team of archaeologists made a chance discovery in an ancient Egyptian quarry.

Scientists researching ancient inscriptions happened upon a ramp with stairways and a series of what they believe to be postholes, which suggest that the job of hauling into place the huge blocks of stone used to build the monuments may have been completed more quickly than previously thought. — The Guardian

Portman was a pioneer of the devices with which somber modernism was given glitz: mirror-glass, wall-climbing glass lifts, sky bridges, swooping curves. He described some gaudy candelabra he put around a piano stage in the Atlanta Marriott Marquis as a “homage to Liberace”. His buildings became known for their “Jesus moments”, those times when, emerging from a deliberately understated entry into some architectural emulation of the Grand Canyon, a visitor would reliably exclaim, “Jesus!” — The Guardian

For nearly two years, [Janna Ireland has] searched out buildings to photograph — mansions and housing projects, churches and banks designed by the Angeleno architect who died in 1980. [...] “I’m interested in stories about black people, and I’m interested in stories about Los Angeles. There’s an intersection there,” says Ireland, who grew up in Philadelphia. — Los Angeles Times

The city will eventually demolish the building to put a 27-story office tower on the site, [costing over] $700 million. Last month, the AIDS Healthcare Foundation and the Coalition to Preserve LA teamed up to file a petition...that could have forced the city to halt demolition while the case was being decided...But Garcetti has said the building is contaminated with asbestos and unsound seismically. It is also tarnished by its association with dark LAPD history. — Curbed LA

Vladimir Putin, the president of Russia, has ordered officials to speed up the construction of a cultural centre in Sevastopol, the historic naval capital of Crimea, which will include exhibition space for the State Hermitage Museum, the State Russian Museum and the State Tretyakov Gallery.

Russia annexed the Black Sea peninsula from Ukraine in 2014. In May this year, Putin inaugurated a $7.5bn bridge to link the Crimean city of Kerch with the Russian mainland. — The Art Newspaper

In looking to the past at professionals in the design and architecture professions, they found that alliances, networks, groups and affiliations were the mechanisms through which architects could become the activists they yearned to be. “[...] we want to show that architects are important allies to activists,” Rafson says.

“Those alliances where architects are working as a critical part of the team is what we emphasize.” — Los Angeles Times

Before the advent of AutoCAD and other drafting softwares, the engineering drawings were made on sheet of papers using drawing boards. Many equipments were required to complete a given drawing such as drawing board, different grade pencils, Erasers T-squares, Set square etc. — vintag.es

For now, the austere structure—and everything it symbolizes about the African American experience—awaits for a buyer while it sits quietly in Guernsey’s storage facility in upstate New York. As of this writing, the home’s destiny looks promising if uncertain. “There are 1,500 monuments to the Confederacy, which is absurd,” Mendoza says. “There are 76 monuments to the civil rights movement. Let this be the 77th.” — Artnet

The name change, however, also reflects two facts that have long bedeviled the arch and its role within the National Park Service. Saarinen’s soaring arc of steel is an icon of the automobile age, an attraction that has always been more about playing to the passing audience of the interstates than any particular relevance to the idea of national expansion. It also honors historical events that are now understood as deeply problematic within the larger trajectory of American history. — The Washington Post