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Neal Curtis, Samuel Lemley and Madeline Zehnder conducted some keen literary sleuthing to discover Thomas Jefferson’s original intentions for the Dome Room, and then harnessed modern digital technology to bring the planetarium to life in a way that the University’s founder could not have imagined. “The concave ceiling of the Rotunda,” Jefferson wrote in 1819, “is proposed to be painted sky-blue and spangled with gilt stars in their position and magnitude copied exactly.” — University of Virginia
While planning the early stages of the University of Virginia, Thomas Jefferson envisioned a fantastical planetarium for the school's historic Rotunda. In 2019, that vision has been achieved as the Rotunda Planetarium, thanks to three Ph.D students from the school's English department, and a grant... View full entry
Making a building is such a big thing. They impact people for generations and act as massive transfers of information. It’s very profound. You can’t think enough about what the responsibility is. — The Guardian
Writing in The Guardian, architect David Adjaye of Adjaye Associates shares his personal thoughts on architecture as it relates to the creation, maintenance, and longevity of memory by highlighting his firm's recently completed Linda Pace Foundation building in San Antonio, Texas. View... View full entry
As a response to the race against time to preserve the world's ancient cultural heritage, The Getty recently announced an ambitious, $100 million initiative called “Ancient Worlds Now: A Future for the Past” that aims to promote a stronger understanding of global cultural heritage and its... View full entry
Watching the way children used his equipment, often in ways he could never have anticipated, made him more and more certain: play wasn’t a frivolous distraction from learning, but something essential to childhood and indeed humanity. [...] According to his design philosophy, each park wasn’t just a place to jump on a shockingly large air mattress. It was “a place where a child can ask questions of what it means to be human.” — The Local
Journalist Nicholas Hune-Brown profiles Canadian designer Eric McMillan, who started out his career as an exhibition designer and was then thrown into the spotlight after he designed the Ontario Place Children's Village in Toronto. Suddenly becoming the expert on children's design, McMillan... View full entry
This all makes what is happening now all the more remarkable. Last summer, Ford Motor Company announced it had bought the building, with plans to invest $740million to transform it into a world-leading research centre for ‘future mobility’. The very industry that signed the station’s death warrant in the first place is now set on resuscitating it as a beacon of sustainable transport. — The RIBA Journal
Oliver Wainwright pens a piece on the upcoming renovation of the Michigan Central Station, which was a celebrated icon of Detroit when it first opened in 1913. After the station closed in 1988 and was abandoned, it became the epitome of the city's ruin porn. After buying the building last summer... View full entry
Since 1983, Iraq has lobbied to have Babylon, the "Mesopotamian metropolis," recognized as an official World Heritage Site. For three decades, Iraq persisted until finally, on July 5th, a committee met in Azerbaijan to vote for the city to be recognized by UNESCO. According to a piece in Al... View full entry
Who and what comes to mind when thinking of American architecture? In practice, academia, and culture, America's influence on the built environment has undergone moments of triumph as well as moments of reflection. In celebration of the nation's independence from British monarchy in... View full entry
Technically, the sand wasn’t intended for public use. But Manhattan is not your usual island, and beaches are whatever Manhattanites say they are: sidewalks, tar-paper roofs, the hoods of cars or, in this case, acres and acres of landfill. — The New York TImes
Though Manhattan skyline has been the focus of countless photographs, movies and television shows, there are still images out there that can defy expectations. For a brief period, between the late 1960's and the 1980's, the lower West end of Manhattan (known as Battery Park City) was an "ersatz... View full entry
The Stonewall Riots in June 1969 set forth the fight for LGBTQ rights that continues today. To honor the last five decades of its lasting impact, the LGBT Community Center of NYC teamed up with the National Park Service, with support from Google, to create an interactive, augmented reality... View full entry
Clean lines, white surfaces and indoor-outdoor living epitomise early modern architecture. Contrary to received wisdom, to Colomina this is less a machine aesthetic than a hospital aesthetic. Through the lens of disease, nervous disorders, sexuality and self-expression, Colomina’s fascinating interpretation of modern architecture suggests the motivating factors behind the architectural revolution were the need for health and cleanliness, hygiene and smooth, calming surfaces. — The Sydney Morning Herald
In light of her recently published book X-Ray Architecture, architectural historian Beatriz Colomina talks about the history of how illnesses shaped the clean aesthetics of 20th-century modern architecture. ‘‘In the 20th century architects from Le Corbusier to Mies van der Rohe to Alvar... View full entry
These setbacks toughened her demeanour. [...] Her toughness soon gave her a reputation for being a “difficult woman”. Following an intense period of building in the 1950s, De Silva’s contracts dried up, while [Geoffrey] Bawa’s rocketed. Ismeth Raheem, an architect who worked closely with Bawa in the early years, recalls De Silva telling him on several occasions: “I was dismissed because I am a woman. I was never taken seriously for my work.” — The Guardian
While Minnette de Silva's influence can be seen in the more progressive architecture in Colombo in her native Sri Lanka, “her contribution to architecture has been only belatedly – and sometimes begrudgingly – acknowledged,” writes Shiromi Pinto in The Guardian. Throughout her career... View full entry
Shade is often understood as a luxury amenity, lending calm to courtyards and tree-lined boulevards, cooling and obscuring jewel boxes and glass cubes. But as deadly, hundred-degree heatwaves become commonplace, we have to learn to see shade as a civic resource that is shared by all. In the shade, overheated bodies return to equilibrium. [...] Shade is thus an index of inequality, a requirement for public health, and a mandate for urban planners and designers. — Places Journal
In this longform piece, writer Sam Bloch delves into the history of how shade has served as an index of inequality in the urban design of Los Angeles, and how the city (and perhaps other locations) should learn to consider shade as an important public health requirement. “People living in poor... View full entry
In light of the recent Notre Dame Cathedral fire, many have posted photos and stories remembering the historic landmark across social media. As news of the fire's progression airs around the world, we can not help but stay optimistic for the cathedral's recovery. Although the public eye may be... View full entry
Many imitators have missed the element of Bauhaus that breathed life into what might have become sterile functionalist designs; the surreal, sensual, irrational, and instinctual spirit of the Bauhaus. [...] If one seeks to emulate the Bauhaus today, it is vital to remember the elements of weirdness, pleasure, and even organized chaos that made it what it was. And, also, the moments where it failed to rise to fulfill its own ambitions and principles. — CityLab
Many people today recognize the Bauhaus — which is celebrating its 100th anniversary this year — for its clean lines and minimalist aesthetic. In this piece, writer Darran Anderson delves into the history of the “other, weirder, irrational” side of the infamous art school. View full entry
The loss of this charming pavilion would be a double blow for Philadelphia history. Not only is Columbus Square’s little stone tower a fine example of mid-century modern design, it is also one of a handful of surviving buildings by Elizabeth Hirsh Fleisher, the first woman in Philadelphia to receive a license to practice architecture. — Inga Saffron, philly.com
The crown-roofed cylindrical pavilion designed by Elizabeth Hirsh Fleisher in 1960 is a landmark in South Philadelphia's Columbus Square. Now, the building is slated for demolition as part of a renovation of the park. “Because this is women’s history month, it’s also worth pointing out... View full entry
