A Berlin-based artist who put up billboards advertising fake real estate projects in protest against runaway property development received more than 200 calls from would-be investors who didn’t get the joke. [...]

At a distance, the adverts look plausible but closer inspection of the images visualising what the new properties would look like reveals odd details. — The Guardian

Enter the Illuminator, a New York-based art activist collective, whose shifting membership has mastered the legal grey zone that regulates projection in public.

[...] the Illuminator takes the normally stationary technology out of the classroom and onto the streets, affixing a high-powered, 12,000-lumens projector atop a van — or, when special nimbleness is required, a trolley — to ignite urban façades with political statements that are as bold as they are temporary. — Urban Omnibus

In looking to the past at professionals in the design and architecture professions, they found that alliances, networks, groups and affiliations were the mechanisms through which architects could become the activists they yearned to be. “[...] we want to show that architects are important allies to activists,” Rafson says.

“Those alliances where architects are working as a critical part of the team is what we emphasize.” — Los Angeles Times

Chinese authorities are razing one of the Beijing studios of dissident artist Ai Weiwei. He said that demolition crews showed up without advance warning, and have begun the process of tearing down the studio.

Ai has been a longtime critic of the government, and on Saturday, he began posting videos to his Instagram feed of the studio's destruction. "Farewell," Ai wrote. "They started to demolish my studio 'Zuoyuo' in Beijing with no precaution." — NPR

Block a highway, and you upend the economic life of a city, as well as the spatial logic that has long allowed people to pass through them without encountering their poverty or problems. Block a highway, and you command a lot more attention than would a rally outside a church or city hall — from traffic helicopters, immobile commuters, alarmed officials. — the Washington Post

The Chinese artist and activist Ai Weiwei is visiting Lesbos to document the plight of thousands of refugees who arrive daily on the Greek island by boat from Turkey. For the past two days, Ai has been photographing orange rubber dinghies coming into shore, families huddled around fires, people queuing to register at the Moria refugee camp and piles of discarded lifejackets, among other scenes [...]

It is understood Ai will be creating a work in response to the refugee crisis. — theartnewspaper.com

"'Are you going to do beautiful architecture or do-gooder architecture?' I want to do neither and both." [...]

"It's not like you're going to design some single product that revolutionizes the way people shape the world around them," Surface said. "You have to change fundamentally how your organization is structured, how your resources are allocated, stop thinking of yourself as a gatekeeper. It's about redistributing how power and decision making and resources are divided between people." — thestranger.com

Open data, and the interactive mapping and data visualization that can come of it, has become a de facto engagement and storytelling tool among contemporary journalists, social justice activists, and civic-minded technologists. But despite its allure, open data’s potential for fostering civic engagement and creating transparency and dialogue is plagued by issues of usability, access, and quality control. — urbanomnibus.net

We call it “destructoporn” (since 2007, according to Urban Dictionary) and it comes, unbidden, via digital media. Where did I see that Tod Williams and Billie Tsien’s Folk Art Museum, just thirteen years old, was down to steel and rubble? The art critic Jerry Saltz’s Instagram. [...]

The dailiness, even hourliness, of social media makes it a perfect vehicle for documenting each thump of the wrecking ball, each crunch of the backhoe. Its visual slant is ideal for activism wrapped up in pictures. — newyorker.com

It's the urban planning equivalent of Rinaldo. Except instead of the siege of Jerusalem, it's the battle for Greenwich Village.

The legendary 1960s struggle pitted planning czar Robert Moses against neighborhood activist Jane Jacobs. Moses wanted to make the city easily navigable by car [...]

But the powerful planner met his match when he proposed an expressway through Lower Manhattan. Though she had little institutional support, Jacobs built a citizen coalition that ultimately defeated Moses. — theatlanticcities.com

Thursday, MoMA director Glenn D. Lowry sent a memo to MoMA's trustees and staff announcing the museum had retained Diller Scofidio + Renfro to "work with us to design a plan that will integrate the Museum's current building with the property of the American Folk Art Museum. . . . We readily agreed to consider a range of options, and look forward to seeing their results." — AM New York