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The historic center of the Ukrainian port city of Odesa and sites in Yemen and Lebanon were added to the World Heritage List Wednesday by the United Nations Educational, Scientific and Cultural Organization (UNESCO). All three sites were simultaneously added to UNESCO’s List of World Heritage in Danger.
The statement said that the decision would give Ukraine access to “technical and financial international assistance” to protect and rehabilitate the city center.
— CNN
Both the Yemeni site and, of course, Odesa were placed under the category in response to the ongoing conflicts afflicting both countries. The latter being of constant "grave concern” to the UN’s cultural body since its inception 11 months ago. The third site, Rachid Karami International... View full entry
Attitudes towards Soviet-era architectural heritage are divided in Ukraine. Some value the country’s modernist, post-modernist and brutalist buildings for their sharpness and conciseness of form, for their functionality and concrete simplicity. But for others they stand as an unwanted reminder of Ukraine’s Soviet past, and much of this built heritage has come under threat in recent years. — Al Jazeera
Ukraine’s pre-WWII cultural infrastructure has been a focus of the press and comprises the vast majority of listed buildings in Ukraine’s state database. Examples of Soviet-era architecture are, however, systemically less protected. Their plight is being well-documented by social media... View full entry
Vladimir Putin, the president of Russia, has ordered officials to speed up the construction of a cultural centre in Sevastopol, the historic naval capital of Crimea, which will include exhibition space for the State Hermitage Museum, the State Russian Museum and the State Tretyakov Gallery.
Russia annexed the Black Sea peninsula from Ukraine in 2014. In May this year, Putin inaugurated a $7.5bn bridge to link the Crimean city of Kerch with the Russian mainland.
— The Art Newspaper
Outside a few rare examples such as Ronchamp, I sense that Modernism has failed to deliver an architecture that connects with most Catholics and other traditional Christians. Much of this has to do with fact that Modernism as a cultural movement is inherently atheistic as it is based on a secular materialist philosophy. — newgeography.com
