Russian officials have abandoned a flagship project to build of a new State Center for Contemporary Arts in Moscow.

[...] the head of the National Centre for Contemporary Arts (ROSIZO-NCCA), Sergey Perov, revealed to the Art Newspaper Russia earlier this month that the project had been officially scrapped due to a lack of funding.

He said the government had been unable to find the 16 billion rubles ($240 million) needed to back the project. — Calvert Journal

This is the era of the glass and steel airport. As if made from the same mold, shiny, glittering terminals have become a status symbol for any city with aspirations. But all of this is a world away from the remoteness of Russia's Arctic regions and the Siberian wilderness [...] built in the mid-20th century when the Soviet Union saw in air transport a way to expand the state's reach to every corner of its territory, even if that meant little more than a dirt runway and a radio shack. — cnn.com

Vladimir Putin, the president of Russia, has ordered officials to speed up the construction of a cultural centre in Sevastopol, the historic naval capital of Crimea, which will include exhibition space for the State Hermitage Museum, the State Russian Museum and the State Tretyakov Gallery.

Russia annexed the Black Sea peninsula from Ukraine in 2014. In May this year, Putin inaugurated a $7.5bn bridge to link the Crimean city of Kerch with the Russian mainland. — The Art Newspaper

As Moscow’s Zaryadye Park approaches its first birthday next month, the city’s chief architect, Sergei Kuznetsov, is defending the Diller Scofidio + Renfro-designed green space for an unexpected feature: its aphrodisiacal properties. Just a stone’s throw from the Kremlin, the firm’s carefully crafted experiment in “wild urbanism” has lived up to its billing, apparently, becoming something of a hotbed for outdoor lovemaking. — news.artnet.com

A row has broken out between former RMJM international group design director Tony Kettle and a Russian architect over who designed Europe’s new tallest building – an 87-storey skyscraper near St Petersburg. Staff at Moscow-based firm Gorproject have accused Scottish practice The Kettle Collective of trying to claim ‘authorship’ over energy giant Gazprom’s mammoth tower, currently nearing completion on the Gulf of Finland. — architectsjournal.co.uk

For a brief period from 2011 until 2012 Renzo Piano’s 309.7m London skyscraper, The Shard, was the tallest in Europe. However, it has since been dwarfed by three new buildings in Moscow, and, this summer, the title has shifted to Moscow’s second city, St Petersburg, as one of Russia’s largest companies plans its relocation. — phaidon.com

In some places, the tower block has never faded from view. The history of mass housing in eastern Europe is complex and uncomfortable. Yet what’s striking is how prominently the tower block features in the work of contemporary photographers from that territory. These artists have every reason to turn their backs on such buildings. They’re ugly and overbearing, not to say reminiscent of an authoritarian past. But the mass housing block is a recurring presence in their work. — Calvert Journal

A new Moscow apartment building has unveiled a fully-functioning facial recognition system designed to replace residents’ keys. [...]

As well as allowing homeowners to enter the building without a key, the system automatically selects each resident’s floor when they enter the lift, and keeps tabs on cars and pedestrians leaving the complex. — Calvert Journal

A new tour group fusing Soviet architecture with the latest Russian electronica is launching a series of outdoor parties amid the historic courtyards of central Moscow. 

Culture group MosKultProg will be holding two events in March, mixing historian Sergey Niktin's historical tour along Moscow's legendary Kutuzovsky Prospekt with sets from St Peterburg-based DJ Egor Holkin. — Calvert Journal

A 30m-tall Gothic cathedral built of branches and twigs that was set alight on Saturday (17 February) causing controversy in Russia. The burning took place at Nikola-Lenivets, a rural artists’ colony 200km south of Moscow, and was the culmination of pre-Lenten carnival festivities known as Maslenitsa. The event is often likened to the US Burning Man festival. — theartnewspaper.com

“Today’s state of wooden architecture can be defined as an SOS,” says Igor Shurgin, an architect and restorer who runs the Foundation for Maintenance of Wooden Architecture Monuments. “If we do nothing to support it, then nothing will be left in 20 years.” A grant from the European Union enabled the organisation to stage a series of exhibitions in Russia and Europe between 2010 and 2012 that highlighted the problem. — The Art Newspaper