Portman was a pioneer of the devices with which somber modernism was given glitz: mirror-glass, wall-climbing glass lifts, sky bridges, swooping curves. He described some gaudy candelabra he put around a piano stage in the Atlanta Marriott Marquis as a “homage to Liberace”. His buildings became known for their “Jesus moments”, those times when, emerging from a deliberately understated entry into some architectural emulation of the Grand Canyon, a visitor would reliably exclaim, “Jesus!” — The Guardian
Rowan Moore pens a piece on the lasting impact of the late John Portman's other-worldly buildings in Atlanta, which were known for eliciting “Jesus moments” from surprised visitors and also described as “Disneyland for adults” by less-impressed critics.
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