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With full theatrical trappings—nu-age Philip Glass music, smoke machines, mood lighting--the Eisenman team unveiled to the crowd a scale model of the building, which produced a light show to rival a Laser Floyd spectacular.
These dozen red-hued Death Star beams [...] were to be placed on the building and neighboring structures, flashing, blinking, sweeping across downtown like some insane city-scale laser security system.
Three years later, it was opened.
Sans lasers.
— Docomomo US
Nathan Eddy, architecture documentary director and most recently a driving force to save Philip Johnson and John Burgee’s AT&T Building in New York, pens a delightful review of Peter Eisenman's 1990 competition-winning proposal for the Greater Columbus Convention Center in Columbus... View full entry
Can Helmut Jahn's Thompson Center be saved? A newly released short documentary, Starship Chicago, delves into the struggle and controversy around preserving the state of Illinois building. Some see the building as a unique representation of transparent government and Chicago's architectural... View full entry
Modern architecture, and the fight for its value in the world, is brought into sharp focus in this documentary examining the battle over the preservation of former Prentice Women’s Hospital in downtown Chicago, designed by master modern architect Betrand Goldberg.
The owner of the building is Chicago institution Northwestern University, which intends to demolish the unique brutalist building, composed of a nine-story concrete cloverleaf tower cantilevered over a rectangular five-story podium. The stage is set for what some preservationists believe will be... View full entry
