What actions are prompted by revolution in the space of the city? Which publics take part in this struggle, and who are the agents that mobilize it? And after a revolution has subsided, how is it remembered, represented and memorialized? thresholds 41: REVOLUTION! turns to the history, design, and cultural production of the public realm as a site of dissensus... — thresholds.mit.edu
What About It? Part 2 is now available online on the digital publishing platform ISSUU. The second issue of the graphic narrative in magazine format created, designed, edited, and written by WAI Architecture Think Tank includes essays, Manifestoes, Projects, Collages and a series of... View full entry »
For an architect, in the instant that he has undivided attention of a patron with the power to realize his designs, literally nothing else matters; not a fire alarm, not even an earthquake; there is nothing else to talk about but architecture. -Dejan Sudjic, The Edifice Complex The fully... View full entry »
Urbanism is one of those malleable concepts that defy definition. A flexible subject where, by trying to lock it within a specific scope, its validity sometimes gets undermined and its potential spoiled. But when a magazine develops and maintains its own way to portray the multiple faces, forms... View full entry »
What About the Last Suprematist? When one speaks of revolutionary art, two kinds of artistic phenomena are meant: the works whose themes reflect the Revolution, and the works which are not connected with the Revolution in theme, but are thoroughly imbued with it, and are Colored by the new... View full entry »
What About It? Part 2 to be released on July 7, 2012 The second issue of the graphic narrative in magazine format by WAI Architecture Think Tank includes essays, Manifestos, Projects, Collages and a series of Conversations with: Simona Rota (Madrid) Zhang Ke / standardarchitecture (Beijing) Bernd... View full entry »
hard–core adj \-ˈkȯr\ 1: a : of, relating to, or being part of a hard core 2: of pornography : containing explicit descriptions of sex acts or scenes of actual sex acts 3: characterized by or being the purest or most basic form of something Modernism Modern Architecture was a... View full entry »
Anthony Stephens offered up his euology for Ricardo Legorreta. "Ricardo Legorreta is the reason I began to study architecture...The spaces he designed had something long gone from most architects, soul. Unlike so many of the steel, glass and white wall designs that seem so clever and popular nowadays, his buildings could convey a feeling to those that laid eyes on the spaces he designed."
In Top 10 Design Initiatives to Watch in 2012—for the public good, John Cary, offered up a "a simple meditation on initiatives poised to advance the field, and how they can be scaled up, refined, tweaked, borrowed, and leveraged." While in the latest edition of the Contours... View full entry »
What about revisiting the hardcore shapes of the avant-garde? It has been almost a century since the air was heavily saturated with the combustible gas of ideology. Almost a hundred years have passed since everything from film, through art and architecture, to urbanism was susceptible to the... View full entry »
While Scruton maybe "pleased as punch" with himself, his column in the Times have a few in Britain "cream crackered." Both the Guardian and BdOnline have prepared their own commentary to Scruton's salacious, if not shallow, reading of contemporary architecture. As reported in this Bdonline.co.uk... View full entry »
"Architecture is inherently a political act, be it in the public or private sector. As a process it begins long before actual design work, and it is difficult to do by oneself. Art can be political, but the work of art only has to be itself and can be done by oneself. Architecture is not Art." — Mary Ellen Carroll and Peter Noever, "To Locate One’s Self," Art Lies
The new issue of Art Lies is out on shelves. And its primary focus this issue is a proverbial bitch slap– "architecture is not art." "The positions maintained in and by this issue upend the seemingly quaint flaccidity of Picasso’s moral argument that “Art is not truth,” and... View full entry »
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