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The three-story building, designed by David Adjaye, looks almost like a palace from the ancient Kingdom of Benin.
On Friday, the architect, the British Museum and the Nigerian authorities also announced a $4 million archaeology project to excavate the site of the planned museum, and other parts of Benin City, to uncover ancient remains including parts of the city walls.
— The New York Times
In October 2019, Adjaye Associates was selected to design a new museum to house historic artifacts looted by colonial powers in Benin City, modern-day Nigeria. Designs for this planned Edo Museum of West African Art were unveiled on Friday. "We are proposing an undoing of the objectification that... View full entry
[...] Kamara is mounting a quietly radical revolt against the “Western dictatorship over our space,” which still insists that African architects should only build clinics and rural schools, never addressing higher aspirations. For Kamara, that attitude is not just constraining, it’s an affront to the humanity of the place she comes from and the people for whom she builds. She prefers instead “to elevate lived experience,” to “dare to do something that would make someone dream.” — The New York Times
The New York Times in conversation with Mariam Kamara, the founder of Niger/Rhode Island-based architecture and research practice atelier masōmī. Hikma Religious and Secular Complex in Dadaji, Niger by atelier masōmī + Studio Chahar. Photo: James Wang, Mariama Kah. Among other distinctions... View full entry
The Canadian Centre for Architecture (CCA) is embarking on a new initiative aimed at understanding "architecture's historical role in decolonization, neocolonialism, globalization, and their manifestations" across the African continent, according to a recent announcement. The focus on... View full entry
Architect Francis Kéré has completed work on Xylem, a new pavilion at the Tippet Rise Art Center in Montana that is fashioned from a collection of tree trunks. The 2,100-square-foot pavilion, described as "a quiet place to contemplate nature" by the organizers, draws inspiration... View full entry
The idea of establishing the museum dates back more than 50 years, to Senegal's late poet-president, Léopold Sédar Senghor.
Along with Martinican writer Aimé Césaire, Senghor was a creative force behind the philosophy of Négritude, which opposed the imposition of French culture on colonies in Africa and the Caribbean.
— BBC News
Senegal's new Musée des Civilisations noires opens this week in the capital, Dakar. Anyone know who the architect is? Nothing I could find/Google Translate seems to indicate. Perhaps, some nameless bureaucratic office or Chinese ExtraStateCraft(er)? See also from Al Jazeera View full entry
Can you tell the difference between a Brakdak and an Afdak, a Sekwere or a Caka? Do you know your Domba hut from your Zulu one? An Inqolobane from an Indlu yezikhali?
Give yourself a pat on the back if you do. Truly, you deserve it. However, don't worry too much if you can't, as there's a new English-isiZulu architectural dictionary, just published by UKZN Press, which contains more than 1200 entries of local architectural terms.
— HuffPost
"I set out to study independent vernacular architecture in the 1970s, not realizing that a multitude of readings and meanings would emerge out of it," the book's co-author Franco Frescura, a former Professor and Chair of Architecture at the University of KwaZulu-Natal, tells HuffPost South... View full entry
