A teetering stack of fibreglass blocks has landed in Kensington Gardens, rising above the Serpentine Gallery in a stepped wall, before billowing out to form a cave-like space within...

From one side, it looks like a wall that has enjoyed a good lunch. The blocks stretch outwards in a swollen bulge, like a snake devouring its gallery-going prey. From the other, it looks caught in a stiff breeze, a pixelated curtain rippling in the wind. — the Guardian

Contrary to many, maybe including himself, I do not consider Bjarke Ingels the reincarnation of this or that architect from the past. On the contrary, he is the embodiment of a fully fledged new typology, which responds perfectly to the current zeitgeist. Bjarke is the first major architect who disconnected the profession completely from angst. He threw out the ballast and soared. — TIME

Caruso St John, Stanton Williams with Asif Khan, and BIG in a team with Hawkins\Brown have been shortlisted to design the Museum of London’s new home in Smithfields.

The shortlisted teams saw off 80 entries from more than 140 practices and were chosen based on their relevant skills and experience, in particular of significant cultural projects.

The competition will create a £150 million new base for the Museum of London in the historic West Smithfield market. — architectsjournal.co.uk

“The one thing that everybody's sort of excited about is this idea that the stadium is designed as much for the tailgating, the pre-game, as for the game itself,” Ingels says in the 60 Minutes promo. — CityLab.com

The culture at BIG is intense but in off-hours, blowing off steam dressed as your favorite comic book hero isn't uncommon. That's the boss armed with a gun full of tequila.

Bjarke Ingels: The way we work is maybe unlike certain architects that have a very particular style where it is the auteur. It has to be the design principal who makes the strokes of genius. I don't have to come up with the best idea. It is my job to make sure that it is always the best idea that wins. — cbsnews.com

It’s tempting to see this as celebrity’s flourish, but consider all that the shape achieves: It maximizes river views and covered balconies, obstructs its neighbors as little as possible, fills a deep narrow block without resorting to an ungainly slab, protects even low apartments from the noise of the West Side Highway, pierces the skyline with a jaunty top, and leaves room for a courtyard that even in winter basks in sunlight most of the day. — nymag.com

The Albright-Knox Art Gallery wants to create a public space that could rival Canalside while expanding and remaking one of the city’s most recognizable institutions.

And gallery officials are looking to some of the most respected architects in the world to make it happen.

They have narrowed the list of potential architects for the gallery’s upcoming expansion project to five firms with experience building in challenging urban environments. — the Buffalo News

The sentiment is warm and fuzzy. The design, however, is radical: BIG has imagined a complex that would be unlike any other building in the city – or, indeed, North America. The scheme blends an unusual stack-of-blocks form, and adds a complex weave of public and private spaces underneath and within the heart of the building itself...the effect [Bjarke Ingels] is going for is akin to 'a Mediterranean mountain town.' — The Globe and Mail

When asked why the company chose not to commission Rem Koolhaas' OMA, who are already involved with designing the department store’s art foundation, Costa says that the decision to select BIG was based on the firm’s disruptive thinking and that OMA was already working with German department store KaDeWe in Berlin. “We were confident to work with new architects,” he says. — Business of Fashion

To understand how strange this pairing of client and architect is, you have to contemplate two things: the deeply embedded social progressivism that has become the standard worldview of international architectural firms such as BIG; and organizations such as the NFL, a private club for 1 percenters that bullies municipalities and treats its own players’ health with indifference. Can this marriage last? Is BIG motivated by naivete or cynicism? — The Washington Post

Rupert Murdoch has dropped his plans to relocate 21st Century Fox and News Corp. to 2 World Trade Center.

In a statement issued Friday afternoon, World Trade Center developer Larry Silverstein declared himself “disappointed” by the news. [...]

In June, the two media companies signed a letter of intent with Silverstein to occupy 1.5 million square feet for 30 years at a 2 World Trade Center designed by architect Bjarke Ingels. — capitalnewyork.com