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There is a persistent risk of doing harm, dashing hopes, and eroding trust with trial and error, no matter how virtuous the objectives. It is the duty of the powerful to minimize that risk as much as possible. “It was supposed to be innovation, but now we’re being told it was experimentation,” Papa Omotayo, a Lagos-based architect and friend of Adeyemi’s, said of the floating school a few days after the collapse. “The issue is, can you experiment in a community like [Makoko] [...] ?” — magazine.atavist.com
Kunlé Adeyemi's floating school was built in 2013 and collapsed in 2016. The structured was meant to served 100 elementary students in Makoko, a heavily populated slum on Lagos' waterfront. Classes were only held for about 4 months in the 3 years it stood. Now two years later, Allyn... View full entry
Kunlé Adeyemi founded NLÉ in Amsterdam and Lagos in 2010, after over eight years at OMA. Raised in Kaduna, Nigeria, with an architect father who was constantly redesigning his childhood home, Adeyemi studied architecture in Lagos before getting an MArch II at Princeton, studying with Peter... View full entry
The school collapsed on Tuesday after a heavy rainfall that took over most part of the Lagos including Makoko, a slum and highly populated part of the state [...]
“So as far as that floating school is concerned, it was erected without the permission of the state government.
“The simple answer to the floating school is that it is an illegal structure and it shouldn’t be there.”
— naij.com
Kunlé Adeyemi's floating school was built with the help of the United Nations Development Programme (UNDP) in 2013, to serve 100 elementary school students living in the Makoko slum on Lagos' waterfront. About 300,000 people are estimated to be living in the slum, which before the floating school... View full entry
“While observing the building, we realized that the internal void was really a great quality to reveal, and so our building is really an inversion of that,” [Kunlé Adeyemi] explained.
“In a way, it’s a rotated from of the temple that highlights the interior space and also creates the fundamental purpose of what we think a summer house is: a place for shade and relaxation."
— Archinect
Kunlé Adeyemi of NLÉ's Summer House for the Serpentine Galleries is constructed in prefabricated sandstone blocks, similar to the stone used in Queen Caroline's Temple, the 18th century summer house that served as its inspiration.While known for his modernist designs, Adeyemi focused on the form... View full entry
Bjarke Ingels' unfurling wall-based pavilion joins four summer houses—designed by Asif Khan, Kunlé Adeyemi, Barkow Leibinger, and Yona Friedman—to create this year's Serpentine Architecture Program. Each of the four summer houses riffs on the adjacent Queen Caroline's Temple designed in... View full entry
The Serpentine Galleries in London announced earlier today the designer of the 2016 iteration of their annual Pavilion series: Bjarke Ingels Group, or BIG, the Copenhagen and New York-based global powerhouse.This summer marks the 16th Pavilion of the acclaimed program, which began in... View full entry
