The Los Angeles Conservancy, which spearheaded the landmarking efforts, canceled plans to name the property a Historic-Cultural Monument after agreeing to a deal with owners Paul and Gigi Shepherd to “take demolition off the table.” That means buyers must be willing to relocate the home if they plan to build on the stunning hillside vista where it sits. — Curbed LA

Astonishingly, the feel of the original emerged largely intact. [Darren] Walker, an aficionado of mid-century design with an eye for detail, spent serious money to salvage whatever was salvageable. Hanging brass lighting fixtures, door handles, granite-topped credenzas (some with embedded hot plates), Platner tables and chairs, black walnut bookshelves, bronze trim — 1,500 items in all — were given back their mid-century gleam. The Ford Foundation Building has become a museum of itself. — New York Magazine

Heading into their fourth and fifth decades, deep into midlife architectural crises, needing face-lifts, they’re now vulnerable and back again in the public eye, eliciting concern and attracting a second look — and sympathy — even from people who never liked them. But will these loved-hated structures be saved, and should they? — The New York Times

“I was like, ‘Yeah, sure it is,’ ” Eckley said. In his 35 years of reclaiming architectural antiques, he said, he’s had several homeowners who mistakenly claimed they lived in a Wright house. And anyway, who would want to gut one? — Star Tribune

While 2018 wasn’t quite the banner year for historic preservation like 2017—NYC got three rare, new interior landmarks last year—several beloved structures finally got the recognition (and protection) they deserve. Those include the Riegelmann Boardwalk along the Coney Island waterfront, and 550 Madison Avenue, Philip Johnson’s 37-story Postmdodern icon. — Curbed NY

A year after Snøhetta’s first attempt at renovating Olayan America and Chelsfield’s office tower at 550 Madison Avenue ended in controversy and eventual landmarking, the architects are hoping their second attempt will be smoother. — The Real Deal

On Monday, the giant claw of a large piece of machinery tore away at one of the walls of Parker Center, the former headquarters of the Los Angeles Police Department. Vacant since 2013, [Parker Center Tower] will be cleared out and a 27-story high-rise will take its place, holding offices for city employees and services that are now spread across multiple buildings. — LA Curbed

In Tonantzintla the smart cities proposal became a lightning rod for those concerned about a development that seemed to favour outsiders rather than residents...“They are ashamed of their roots,” [local resident Mercedes] Tecuapetla Quechol says. “They saw something they liked in the United States or in Europe, so they want to put it here.” — The Guardian

Yet now, in our era of elegantly restrained and frequently dour minimalism, when architecture is almost always the province of the rich, it may be that Goff, with his aesthetic idiosyncrasies and affinity for middle-class Midwestern clients (schoolteachers, farmers, salesmen, small-town newspaper publishers), still has lessons to teach us, 36 years after his death. — The New York Times

Phoenix, Arizona–based developer Zach Rawling bought a Frank Lloyd Wright–designed house for $2.3 million in 2012, when its previous owner wanted to demolish the landmark. In 2017, Rawlings donated the David and Gladys Wright House to the Taliesin West School of Architecture, but in June of this year, Rawlings and Aaron Betsky, the architecture school dean, announced in a joint statement that the donation was being revoked due to fundraising concerns. — artforum.com

On August 24, 2018, the Atlanta Fulton Central Library was unanimously nominated to the National Register of Historic Places and listed on the Georgia Register of Historic Places by the Georgia National Register Review Board. It will now be sent to the National Park Service for listing on the National Register. Fulton County spoke in opposition to the nomination. [...]

Atlanta’s Central Library is currently closed for extensive renovations. — Docomomo US

Depending on who you ask, brutalist buildings like the FBI's J. Edgar Hoover Building in Washington, D.C., are little more than misshapen mounds of concrete. But architecture professor Mark Pasnik says the structures were built with a much deeper meaning in mind.

"People think of them as communistic or as alienating," says Pasnik, who came to brutalism's defense in a recent Boston Globe op-ed. — wbur.org