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The Marcus Center for the Performing Arts was designed by architect Harry Weese, with the surrounding landscape by Dan Kiley, and was completed in 1969. [...]
In December 2018, the Center announced an overhaul of the cultural venue, the culmination of a months-long strategic planning process. However, the proposal drew backlash for its insensitve treatment of the Dan Kiley-designed landscape.
— Docomomo US
At the center of the historic designation discussion is the planned replacement of the 36 horse chestnut trees in front of the Marcus Center with a lawn bordered by 18 honey locust trees. "Preservationists said removing the trees would harm the legacy of grove designer Dan Kiley, whose other... View full entry
Kiley was among the most important, influential, and idiosyncratic landscape architects of the 20th century and the designer of more than 1,100 projects. Yet today his work is not well known outside of the field of landscape architecture and, to a lesser extent, the architecture profession. Despite his renown and importance, his legacy remains fragile. — Metropolis
There are many amazing architects and designers whose work sadly remains unnoticed due to the lack of exposure and presence outside of certain circles. With Modernism Week well underway the traveling exhibition "The Landscape Architecture Legacy of Dan Kiley" makes its debut in California's... View full entry
Astonishingly, the feel of the original emerged largely intact. [Darren] Walker, an aficionado of mid-century design with an eye for detail, spent serious money to salvage whatever was salvageable. Hanging brass lighting fixtures, door handles, granite-topped credenzas (some with embedded hot plates), Platner tables and chairs, black walnut bookshelves, bronze trim — 1,500 items in all — were given back their mid-century gleam. The Ford Foundation Building has become a museum of itself. — New York Magazine
After many years of detailed renovation, the Ford Foundation has been successfully renovated and is ready to house 2,000 occupants. According to New York Magazine, "[the Ford Foundation] has withdrawn into a fraction of its previous space, halving the size of the president’s once imperial, now... View full entry
The Miller House and Garden, now owned by the Indianapolis Museum of Art, is acknowledged as one of the greatest Modernist collaborations. This thirteen-acre property was developed between 1953 and 1957 as a unified design through the close teamwork of Kiley, architects Eero Saarinen and Kevin Roche, interior designer Alexander Girard (who is acknowledged in the film), and clients J. Irwin and Xenia Miller. — Huffington Post
The recent film Columbus is centered around a love story of a son of a renowned architecture critic stuck in a small Midwestern town and a 'young architecture enthusiast' who works at the local library. Taking place in mid-century Modernism mecca, Columbus, IN, the motion picture spares plenty... View full entry
“The Landscape Architecture Legacy of Dan Kiley,” an exhibition at the Center for Architecture, shows how modern landscapes often make a better case for modernism than the architecture itself.
Over a span of 60 years, Kiley (1912-2004), a founding father of modern landscape design, worked for the best architects around, among them Eero Saarinen, I.M. Pei and Skidmore, Owings & Merrill. He was fully versed in architecture’s modernist strategies and overriding focus on form and abstraction.
— wsj.com