A three-storey chunk of an east London council estate that is venerated and despised in almost equal measures has been acquired by the V&A.

The museum announced it had made one of the most unusual property deals in its history: rescuing an enormous chunk of the Robin Hood Gardens estate, complete with walkway and maisonette interiors. — The Guardian

Brand Barcelona’s comeback begins with a contribution from its heaviest hitter: Antoni Gaudí. Almost a century after his death, the architect of La Sagrada Familia is still synonymous with the city. On 16 November, Gaudí’s first house, Casa Vicens, begun in 1883, will open permanently to the public for the first time. — The Guardian

The unpolished, naturalistic quality of burnt wood also appeals to architects seeking to evoke a rough organic feel in tune with the surrounding landscape. It’s bituminous-black and scaly, like alligator skin that’s been singed. But such dark, reptilian wood is also startling and gorgeously eerie...like it floated out of a dream — T Magazine - NYT

Detroit was the first North American city to obtain such a designation, which joined it to UNESCO's Creative Cities Network — a group 22 international cities whose aim is "to promote cooperation with and among cities that have identified creativity as a strategic factor for sustainable urban development. — Detroit Metro Times

Fifteen years after IKEA demolished part of it for a parking lot, a Marcel Breuer-designed office building in New Haven has become a stage for art. [...]

Now, Burr is building on those explorations in his current show, Body/Building. Spread out over the first floor of Breuer’s gutted local icon, the show uses objects that weave together a story about himself, the site, and his city. — citylab.com

Broken gargoyles and fallen balustrades replaced by plastic pipes and wooden planks. Flying buttresses darkened by pollution and eroded by rainwater. Pinnacles propped up by beams and held together with straps. — New York Times

“We’re like surgeons around a body,” said David Chipperfield as he looked at Berlin’s New National Gallery. The building, designed by Ludwig Mies van der Rohe, one of the 20th century’s greatest architects, was almost as bare as it had been at its topping-out ceremony, in April 1967. The British architect and his lieutenant, Martin Reichert [...] surveyed the dirty steel frame and exposed concrete walls atop weed-strewn sand. “We’ve opened him up and now we’re looking at him.’” — The New York Times

In a way, heritage preservation is the least of Vancouver’s worries. Without more funding and stronger policy protections from the push-pull of global capital, Vancouver and cities like it will struggle to sustain urban life in all its social and economic diversity – the thing that makes them vibrant – let alone guarantee their architectural heritage. — The Guardian

The restoration aims not only to clean and maintain the structure, but also to offer an insight into what the cathedral would have looked like in the 13th century. Its interior was designed to be a radiant vision, as close to heaven on earth as a pilgrim might come, although many modern visitors have responded more with shock than with awe. The architecture critic Martin Filler has described the project as a “scandalous desecration of a cultural holy place.” — The New York Times

The boat belongs in Washington, a city both blessed and socially determined by its rivers....Many of the most dramatic and some of the most exciting changes in Washington today are clustered along its rivers. The most visible transformation is the District Wharf development,...but projects like the 11th Street Bridge Park....transcend mere commercial development, and underscore the myriad possibilities of using the river as a means of connection, social equity and public discourse. — The Washington Post

Gregory Ain, a midcentury champion of modern architecture whose students included Frank Gehry, is virtually unknown outside Los Angeles today. His left-leaning politics made him the object of decades-long F.B.I. surveillance [...]

Even the fate of his most important commission — an exhibition house in the garden of the Museum of Modern Art — is a mystery. That house is now the subject of “This Future Has a Past,” an installation at the Center for Architecture in Greenwich Village. — The New York Times

"Over the last 20 years, the [Nanjing] government has made real efforts to establish national laws, local laws and regulations so we can pursue this work," [architect Zhou Qi] said, of his optimism for the city's heritage preservation efforts. "It has just become common sense." — CNN