Stephanie K Clark builds homes from swatches of cloth and spools of thread, embroidering tiny dwellings which appear to absorb the sun and moonlight from her small-scale scenes. The structures and their surrounding landscaping appear in vibrant colors while supporting and environment-specific trees, cacti, flamingos, and dogs lay nearby in faint black outlines. — thisiscolossal.com

Colonialism found in the Modernist project a powerful and willing partner for the shaping of conquered territories in the southern hemisphere. Today, amid a new wave of colonial activity based on subtler and less easily identifiable strategies, little is done to understand its effects on the way people live and give form to their shelters. Neo-colonialism is an urgent issue but one which most of the profession is ill-prepared to interrogate. — Architectural Review

We need to talk! We at MONU think that the time has come to talk with you about "participation" in architecture and urbanism and re-evaluate and re-examine developments around this topic in recent years and what the future might hold.

(Bernd Upmeyer, Editor-in-Chief, May 2015) — http://www.monu-magazine.com/news.htm

The exhibition recalls an earlier era when architects there believed that social challenges should be tackled by design, that humane societies deserved beautiful new forms, and progressive development put faith in art, nature and the resilience of ordinary people. — Michael Kimmelman, New York Times

Richard Serra’s new sculpture, 'East-West/West-East,' is a set of four standing steel plates rolled in Germany, shipped via Antwerp, and offloaded, trucked, and craned into place in the middle of the western Qatari desert...the steel is the same that he’s used in his other pieces, and it will oxidize in the same way, albeit more quickly in the hot, salty conditions of the Brouq Nature Reserve. The plates will [ultimately] turn a dark amber—approximately the same color...as the Seagram Building. — The New Yorker

But supplementing that aesthetic of “the future” sketched in imaginary edifice, the full SF vision of the future city is a mosaic, constructed from fragments of the cities that we recognize, including symbols that are decidedly from the past. [...]

If SF functions by taking the world we know and altering it with a constructed future fantasy, the Statue of Liberty serves as the junction point, the axis where the speculative fantasy begins and ends. — motherboard.vice.com

Self-driving cars will certainly change our habits on the road. But truly autonomous vehicles will also affect how we work, says Tim Brown, chief executive officer and president of design consultancy IDEO...Without having to navigate city streets, people will be more productive during their commute. IDEO also envisions self-driving trucks...delivering everything from new jeans to grilled cheese. Most radical of all: Your workplace could be set on wheels to travel to you, rather than you to it.   — Bloomberg

After past run-ins with the city, the nomadic Nickelsville has shifted from temporary place to temporary place. Most recently, the group struggled with a location, after Seattle decided to authorize and regulate three homeless encampments in the city.

“There’s a need for a transportable, insulated, tiny house that provides privacy and isn’t going to be a huge burden for them when they move,” — nextcity.org

Norman Foster may lose out on yet another major project in Manhattan. The Journal writes that if News Corporation and 21st Century Fox decide to move into 2 World Trade Center, as previously reported, developer Larry Silverstein may drop Foster’s design in favor of a new one by none other than starchitect of the moment, Bjarke Ingels of BIG. — 6sqft.com

May 1st will mark a new era for the Whitney when its brand new home along the High Line swings its doors open to the public for the first time. A project that has been decades in the making, the $422 million structure designed by Renzo Piano is a game changer for a museum that had long outgrown its Upper East Side space. — 6sqft.com