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Despite widespread opposition, the Indian prime minister Narendra Modi has begun a £2bn overhaul of Delhi's grand complex of government buildings in a bid to sever the nation from its colonial past.
At a ceremony held last week, Modi laid the foundation stone for a new building to replace Parliament House, designed by English architects Edward Lutyens and Herbert Baker, which upon its completion in 1927 became the seat of power for British-ruled India.
— The Art Newspaper
The ambitious plan by Indian Prime Minister Narendra Modi to overhaul the sprawling complex of historic, colonial-era government buildings in Delhi is off to a rocky start: despite ceremonially laying the foundation stone for a new parliament building on December 10, further spending on the... View full entry
The three-story building, designed by David Adjaye, looks almost like a palace from the ancient Kingdom of Benin.
On Friday, the architect, the British Museum and the Nigerian authorities also announced a $4 million archaeology project to excavate the site of the planned museum, and other parts of Benin City, to uncover ancient remains including parts of the city walls.
— The New York Times
In October 2019, Adjaye Associates was selected to design a new museum to house historic artifacts looted by colonial powers in Benin City, modern-day Nigeria. Designs for this planned Edo Museum of West African Art were unveiled on Friday. "We are proposing an undoing of the objectification that... View full entry
Alongside a wider effort to uncover and rediscover the lost and forgotten histories of historically marginalized groups and populations, Colonial Williamsburg in Virginia has recently taken steps to uncover the 18th century living-history museum's queer legacies. In a recent... View full entry
Architect David Adjaye has been selected to design a new museum in Nigeria that may one day hold cultural and artistic works that were previously looted from the region by colonial powers. Adjaye Associates, who helped design the National Museum of African American History and Culture in... View full entry
All architects must be fully responsible for the political conditions and consequences of the projects they accept; any position that would make them only an executant constitutes an insult to their function and their ability to act. — The Funambulist Magazine
"This Monday, we were many in Algeria, in France, and elsewhere to be shocked when we learned that the Wilaya (prefecture) of Algiers had signed a convention with the region of Île-de-France (Paris’ region) whose President is a conservative Republican politician, and French architect Jean... View full entry
But what is the repertoire of concepts, ideas and visions that inform the work of urban planners in the Global South — in Asia, Latin America and Africa? Are they still under the spell of their colonial and postcolonial masters? Or have they developed their own ideas and their own yardsticks, commensurate with the respective culture of their country and region? — citiscope.org
"This insight leads to the most important quality of sustainable urban planning in countries of the Global South," urban planning expert Einhard Schmidt-Kallert writes in his commentary piece on Citiscope, arguing that "Planners need to develop urban planning visions that take into consideration... View full entry
Classical revival is perhaps the architectural style most identified with colonization. This building, which references Washington architecture, is a building of formal rooms, offices, and hierarchies, echoing structures of European authority. — Royal Architectural Institute of Canada
This June the federal government announced that the US' former embassy building in Ottawa will become a space dedicated to Inuit, Métis and First Nations communities which the task force of the RAIC finds to be a deeply inappropriate space for an Indigenous Centre. "Canada's Indigenous... View full entry
Others are concerned the demolition of its famed French architectural gems will render Ho Chi Minh City indistinguishable from other Asian megacities. "In the 1960s and 1970s it was very much French, but now it's very Americanized, McDonald's on every corner," said Hiep Nguyen, born in Ho City Minh City and author of several books on its architectural history. "A streetscape without a story has no value," he added. — dw.com
"City officials are now writing a nine-point plan to classify buildings and mark some for protection," DW writes, "but admit such a huge task could take years to be implemented." View full entry
“What I realized is that they have very little power,” Mr. Viet, 28, said of his fellow urban planners. “The fates of the buildings were being decided by someone else.”
[...] when Ho Chi Minh City’s property market perked up after a slump that followed the 2008 financial crisis, dozens of prewar buildings — spanning the colonial to modernist eras — were razed to make room for new ones. As the city’s modest skyline grows, residents are watching with a mixture of awe and trepidation.
— nytimes.com
Related stories in the Archinect news:Hanoi's alleys struggle to accommodate their new neighbors: high-rise developmentsAs Myanmar Modernizes, Architectural Gems Are EndangeredInside the famous Phnom Penh cinema that has become a living nightmare View full entry
Colonialism found in the Modernist project a powerful and willing partner for the shaping of conquered territories in the southern hemisphere. Today, amid a new wave of colonial activity based on subtler and less easily identifiable strategies, little is done to understand its effects on the way people live and give form to their shelters. Neo-colonialism is an urgent issue but one which most of the profession is ill-prepared to interrogate. — Architectural Review
Colonialism found in the Modernist project a powerful and willing partner for the shaping of conquered territories in the southern hemisphere. Today, amid a new wave of colonial activity based on subtler and less easily identifiable strategies, little is done to understand its effects on the... View full entry
They would never discuss issues of repression or land grab directly. There is a certain pact of silence around the political dimension of architecture there. Schools of architecture depoliticise the profession, they put it very much within the domain of aesthetic experimentation — MIDDLE EAST MONITOR
Eyal Weizman - architect, writer, activist and professor of visual cultures at Goldsmiths, University of London - is explaining how architecture and power are inextricably linked, even within structures that appear largely to serve an aesthetic purpose. Buildings or cityscapes that a tourist... View full entry
