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The North American layman tends to consider the Eastern bloc as a homogenous chunk of misery. It falls to the curators then to differentiate the USSR from Yugoslavia, and they are not off to a good start. Simultaneously, they are obliged to titillate concrete-loving Instagrammers with images of Brutalist hulks. Only once these two aims are achieved can they pose the salient question: does Yugoslav architecture merit more study than a social media scroll? — The Guardian
In his piece for The Observer, George Grylls reviews MoMA's highly publicized exhibition, Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, which recently came to a close in New York. Miodrag Živković, Monument to the Battle of Sutjeska, 1965-71, Tjentište, Bosnia and... View full entry
As the Museum of Modern Art begins the final stage of its $400 million overhaul, it will close for four months to reconfigure its galleries, rehang the entire collection and rethink the way that the story of modern and contemporary art is presented to the public.
The Picassos and van Goghs will still be there, but the 40,000 square feet of additional space will allow MoMA to focus new attention on works by women, Latinos, Asians, African-Americans and other overlooked artists...
— NY Times
Over the span of its 89 year history, The Museum of Modern Art has been the subject of both praise and disappointment among cultural elites. In particular, its Diller Scofidio + Renfro-designed plan to expand into the adjacent American Folk Art Museum, by Tod Williams Billie Tsien Architects... View full entry
The Museum of Modern Art has received a major donation courtesy of Herzog & de Meuron, whom have gifted the New York institution with materials relating to nine of their most influential built and unbuilt works. The contribution—which holds sketches, models, and architectural fragments as... View full entry
In the construction of the new Yugoslavia, modernist thinking and design were deployed to guide the country’s rapid urbanization and industrialization as well as to unify the ethnically, religiously, and culturally diverse population. — Places Journal
In columnist Belmont Freeman's latest article for Places, he examines the exhibition “Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980,” now on view at the Museum of Modern Art in New York, and finds a rigorous and revealing survey of Yugoslavia’s extraordinary built... View full entry
In its first-ever solo show of a Black African artist, New York's Museum of Modern Art will put the work of visionary Congolese artist Bodys Isek Kingelez on full display. On view from May 26, 2018 through January 1, 2019, City Dreams will span the sculptor's three-decade career from his early... View full entry
NEW YORK’S MUSEUM of Modern Art is under siege. Well, a virtual siege, at least. A group of renegade artists has co-opted the brightly-lit Jackson Pollock gallery on the museum’s fifth floor, turning it into their personal augmented reality playground. [...] those that have downloaded the MoMAR Gallery app on their smartphones, the impressionist's iconic paintings are merely markers—points of reference telling the app where to display the guerilla artists’ works. — Wired
MoMAR's augmented reality app and the unauthorized accompanying group show Hello, we're from the internet explore the intersection of private physical space and the public digital realm. "MoMAR is an unauthorized gallery concept aimed at democratizing physical exhibition spaces, museums, and the... View full entry
As the brand-new rendering above shows, the luxury condo tower designed by Jean Nouvel will boast an unusual amenity: floors 2, 4 and 5 of 53W53 will serve as new gallery levels for the Museum of Modern Art when construction is completed. Additionally, according to a fact sheet, "benefactor W... View full entry
Gregory Ain, a midcentury champion of modern architecture whose students included Frank Gehry, is virtually unknown outside Los Angeles today. His left-leaning politics made him the object of decades-long F.B.I. surveillance [...]
Even the fate of his most important commission — an exhibition house in the garden of the Museum of Modern Art — is a mystery. That house is now the subject of “This Future Has a Past,” an installation at the Center for Architecture in Greenwich Village.
— The New York Times
This Future Has a Past opened in July at the Center for Architecture in New York and still runs through September 12. The accompanying event Who Was Gregory Ain? on September 7 will feature the installation's producers, Katherine Lambert and Christiane Robbins, as well as other speakers. View full entry
The majority of the models were far from pristine. Architectural maquettes are often only used to quickly communicate an idea; longevity of materials such as chipboard or Plexiglas is rarely a concern. So, when Moody set out to restore the 14 models in MoMA’s archive (the museum holds the three-dimensional works of Wright’s massive archive), she was faced with missing elements, acidified paper, warping, and discoloration, among other issues. — Metropolis
Exploring lesser-known parts of Wright’s 70-year-long career, MoMA's new exhibition, Frank Lloyd Wright at 150: Unpacking the Archive (on view through October 1, 2017) presents projects for an experimental farm and a series of rural school buildings in the segregated South. Besides that, the... View full entry
Jenny Sabin's Lumen installation, made up of over a thousand digitally knitted photo luminescent cells that change color in the presence of sunlight, is raised over MoMA's PS1 courtyard and will open today, on June 27. In the recently published videos, the architect explains the development of... View full entry
If you've ever wanted to see the original physical model of the Guggenheim Museum in New York City in person, you're in the luck: starting June 12th (with a live-streamed press preview on June 8th, which you can watch here), the Museum of Modern Art will display its Frank Lloyd Wright archive to... View full entry
“Our curators and the architectural team have spent more
than two years in conversations about the nature of our collection, the history of our
installations, the continually changing nature of art, and our opportunities and responsibilities
for engaging our audiences. The outcome of these discussions is a design that accommodates
a global view and new perspectives on modern and contemporary art, and that embodies the
metabolic and self-renewing nature of our institution.
— Glenn D. Lowry, Director of The Museum of Modern Art
Glenn D. Lowry, Director of The Museum of Modern Art, today revealed the completed renovation of the east end of the Museum’s campus and unveiled the full design of a multi-year expansion project, developed by MoMA with architects Diller Scofidio + Renfro in collaboration with Gensler.The goals... View full entry
The Ithaca-based design practice Jenny Sabin Studio has been named the winner of the 2017 Young Architect's Program at MoMA PS1. The annual competition awards an emerging architecture firm the opportunity to design a site-specific installation in the courtyard of the Long Island City art... View full entry
Who would have thought that emoji would be revered within the same museum walls that display the paintings of Van Gogh and Picasso? [MoMA] recently added NTT DoCoMo's original set of 176 emoji to their permanent collection as a gift...In early December, MoMA will debut an installation detailing the evolution of emoji and “will present them in a new light (and no doubt inspire a few selfies)”, says Paul Galloway, MoMA Collection Specialist in the Department of Architecture and Design. — Bustler
Thanks to a licensing agreement between MoMA and NTT DoCoMo, the museum's permanent collection now includes the original 176 emoji that altered digital communication as we know it today. Read more on Bustler.More on Archinect:"Never Built New York" catalogues alternative visions of the CityShow... View full entry
In an alternate reality, a half-mile-diameter dome would enclose much of Manhattan. The dome would regulate the city’s temperature and reduce energy consumption, according to the man behind the plan, R. Buckminster Fuller. Titled “Noah’s Ark #2”, the fantastical idea actually found a... View full entry
