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And just as prisons in the U.S. are now designed to look not just secure and largely windowless but so nondescript that they practically disappear, architecture firms often coat their prison-design work in several layers of euphemism.
Prisons and jails become "correctional facilities." On the website of the large corporate firm HOK Architects, which designed the 1997 Twin Towers Correctional Facility in downtown L.A., they are tucked into a broader portfolio of "justice buildings."
— latimes.com
“Louvers won’t work, they reflect light too,” he wrote in June in a blog comment on dallasnews, “and retrofitting on a 42 story building has never been tried and the makers say they would rip off in high winds prevalent in Dallas.”
An honest opinion, except that there is no such Barry Schwarz.
This post and others proved to be the work of Mike Snyder, long a fixture in the city and now a public relations executive who had been hired by the tower’s outside law firm.
— nytimes.com
Previously: The Nasher and The Ant BullyRenzo Piano's Nasher Sculpture Center controversy continues View full entry
The vote came after Gehry presented the latest changes in the design, which included the restoration of bas-relief sculptures that had been eliminated in an earlier design and alterations in the statues of a young Dwight D. Eisenhower and of Eisenhower as president and World War II general. Excerpts from Eisenhower’s Guildhall Address, delivered after the allied victory in Europe and considered his most important speech, were also approved for the memorial. — articles.washingtonpost.com
"There are certainly critical voices that doubt the building’s value. These begin with that of MoMA itself . . . While others claim the AFAM should be preserved because it’s a great Modernist building, and therefore part of the MoMA collection, rather than its campus, no one has unequivocally answered the question of why it is so. The discourse as yet remains one of opinions asserted as imperatives: I love it / I never liked it / it must be saved / tear it down." — Design Observer (Places)
David Heymann in his critical article explores the deeper issues at play in the American Folk Art Museum controversy. As he mentions, the stances taken for or against the AFAM are clear, however; too much attention has been paid to the object itself and not to reality that it sits empty as a... View full entry
“Insofar as you have in mind a retroactive award of the prize to Ms. Scott Brown, the present jury cannot do so” -Peter Palumbo, the Pritzker chairman — NYT
No Pritzker Prize for Denise Scott Brown and no more pretzels for you guys! Boooooooo! View full entry
The Hirshhorn Museum and Sculpture Garden on Wednesday finally abandoned its long-planned project to cover the museum’s interior courtyard in Washington D.C. with a distinctive, temporary inflatable bubble.
Citing financial uncertainties, Richard Kurin, the Smithsonian Institution’s under secretary for history, art and culture, made the announcement. He said outgoing director Richard Koshalek, who resigned last month after failing to receive full support for the bubble...
— artsbeat.blogs.nytimes.com
The unbending axis of architectural apologetics made for Speer is a double one...This defense, of course, is exculpatory only if it fails to make any distinction within the field of this expression or to consider any integral relationship between form and function. The more outré defense of Speer insists that he is not simply tarred with modernism’s anti-classical brush but that he was an excellent architect, full stop. — The Nation
In the June 10-17, 2013 edition of The Nation, Michael Sorkin asks Why is Léon Krier defending anew the work of the Third Reich’s master builder? View full entry
Richard Koshalek, the director of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden in Washington, said on Thursday that he was resigning after the board of trustees failed to reach a consensus on the future of a long-planned project to cover the museum’s interior courtyard with a temporary inflatable bubble. — artsbeat.blogs.nytimes.com
Lootah said the project is a complete glass, transparent structure resembling a huge window frame intended to highlight the attractions of the city so visitors can view the skyscrapers on Shaikh Zayed Road from one side — symbolising modern Dubai — while the other side of the frame will show the old Dubai landmarks of Deira, Umm Hurair and Karama.
“The electrical panoramic elevators will help visitors move through its facilities as if they are moving in the sky inside the glass frame,”
— khaleejtimes.com
As some of you may remember, when the winner of the ThyssenKrupp Elevator Award was announced 3 years ago, there was quite a bit of controversy surrounding the selected winner. The winning entry, "Dubai Frame" by Fernando Donis of the Netherlands, was a 150m tall structure designed as a literal... View full entry
The specially appointed Holocaust Memorial Artist Selection Committee overwhelmingly favored Daniel Libeskind’s design for an 18-foot tall brushed stainless-steel memorial accompanied by a 40-foot walkway and memorial words etched in limestone. — dispatch.com
After a daylong meeting in which the panel heard extensive presentations from all three artists, Richard H. Finan, chairman of the Capitol Square Review and Advisory Board, which will make the final decision on the design, strongly opposed Libeskind’s proposal. He said a memorial with a Jewish... View full entry
Design contests are considered a springboard to personal success, but they are nevertheless an inexhaustible source of friction and entanglement, with recurrent complaints over defects and shortcomings, and even corruption. — haaretz.com
Creators of an online petition opposed to the change say the new logo "loses the prestige and elegance of the current seal." They want the 10-campus system to use the traditional circular medallion that shows an open book, the motto “Let There Be Light” and the 1868 date of UC’s founding. Or find a dignified alternative. The petition had more than 39,000 supporters so far. — latimesblogs.latimes.com
UC's brand guidelines can be found here. View full entry
Maltzan and his firm were sent back to the drawing board to revise plans for a pier renovation in St. Petersburg, Florida after scientists disputed the feasibility of the proposal’s main appeal: its underwater reef garden. Today, the firm released details of its revisions – the redesign will add shaded balconies, vehicular transit, and another restaurant — features suggested by the local community — while taking away the quasi-aquarium that helped christen the project “The Lens.” — blogs.artinfo.com
This year both parties met to begin working toward some sort of solution. Negotiations soon turned sour; squabbles ensued. The tower people wanted the museum to modify its roof. The museum replied by saying, essentially, "we were here first." Tom Luce, a local lawyer and civic leader, agreed to act as a mediator. Late last month he stepped aside in frustration.
Only 15 of the 126 apartments (priced at $1.3 million to $4.5 million, not including the $20 million penthouse) have sold.
— online.wsj.com
Previously: The Nasher and The Ant Bully View full entry
“I would hate to stop the process and lose the momentum, especially since a lot of time, money, and effort has been expended on this memorial,” he wrote. “However, given the continued opposition with the Eisenhower family, I question whether we can ever resolve the differences ... and whether it would be in our best interest to continue to move forward.” — washingtonpost.com
