More than 50 leading figures from the worlds of art, film, fashion and architecture have signed a petition calling for a ban on giant cruise ships sailing through Venice. [...]

Nicholas Penny, the director of the National Gallery in London, Richard Armstrong, the director of the Guggenheim Foundation, the architect Norman Foster and his wife Elena also endorse the appeal which has been launched by the Association of the International Private Committees for the Safeguarding of Venice [...]. — theartnewspaper.com

US museums are teaming up with the Syrian Interim Government’s Heritage Task Force to help protect Syrian museum collections and stem the loss of cultural heritage amid the country’s ongoing civil war.

Late last month, experts from the Smithsonian Institution in Washington, DC, and the Pennsylvania Museum’s Penn Cultural Heritage Center quietly organised a three-day training session for curators, heritage experts and civilians in an undisclosed location outside of Syria. — theartnewspaper.com

Istanbul is the city of transformation and contradiction. As an urbanist, I am trying to keep record and make sense of this transformation and am especially interested in its winners and losers. At the moment we live in a giant construction site, where skyscrapers, mega projects and urban renewal projects are taking place all around. There is a gold rush to real-estate development. — theguardian.com

The practice of using corporate largess to finance restoration projects for public antiquities was once fairly rare here. But with the nation struggling with a stagnant economy and crushing public debt — Rome is flirting off and on with bankruptcy — politicians are now looking to private companies and international sources to help preserve Italy’s cultural heritage. — nytimes.com

[...] the Crystal Bridges acquisition reflects an increasingly popular attitude toward architecturally significant homes among private collectors. Such buyers now see that historic homes can be collected, preserved, and appreciated much like fine art. — blouinartinfo.com

“Words like ‘holocaust’ have been used in reference to the idea that our house could inspire a rash of tear-downs which could then be replaced with modern homes. I designed my house specifically within the design guidelines of this historic district and to be compatible, a good neighbor. But the term ‘modernism’ just clicks a switch in people’s brain and they can’t see the house for what it is.” — nytimes.com

As an architect, Gene Kaufman doesn’t typically save buildings; he designs them.

But when he heard of plans to change Paul Rudolph’s celebrated but shuttered government building in Goshen, N.Y., as part of a renovation plan, he decided to step in.

“To lose a building like this would be a tragedy,” said Mr. Kaufman, a partner at Gwathmey Siegel Kaufman Architects in New York City. — nytimes.com

Philip Johnson lovers rejoice! It was just announced that the city will put aside $5.8 million to restore the dilapidated crown jewel of the 1964-65 World’s Fair in Flushing Meadows Corona Park. Funding for the restoration of the “Tent of Tomorrow” came via Mayor Bill de Blasio, who contributed $4.2 million to the project, while the rest was provided by City Council and Borough President Melinda Katz... Efforts to restore the project will begin soon, but a bumpy road lies ahead… — 6sqft

Filling up the ole’ gas tank is not a glamorous job, and usually not a task that leaves one marveling at the surrounding architecture. But in 1927, Prairie-style extraordinaire Frank Lloyd Wright put together plans for a fuel filling station in Buffalo, New York that would leave even the most seasoned driver awe struck ... 90 years later, the Buffalo Transportation Pierce-Arrow Museum has realized Wright’s vision. — 6sqft

The Moscow city government is asking citizens to weigh in on the fate of the Shukhov radio tower, a rusted icon of Soviet constructivist architecture that’s threatened with demolition. [...]

The vote, which began this week and runs until July 6, is being held on Active Citizen, an iOS and Android app released by the city last month. The app polls citizens on topics such as street-tree planting and changes to daylight savings time. — qz.com

Using images provided by cultural organizations worldwide, some of which were captured with Google’s Street View camera technology, [the Google Cultural Institute's Street Art Project] includes street art from around the globe, including work that no longer exists [...]

Google is the latest organization to wade into debates about how or whether to institutionalize, let alone commercialize, art that is ephemeral and often willfully created subversively. — nytimes.com

Brutalism, a muscular and monumental architectural style known for its unsparing use of cast concrete, has grown old enough since its heyday in the fifties, sixties, and seventies to have aged badly, but not old enough to inspire much sympathy. The austere, domineering artifacts of its philosophies now face widespread enmity; a number of institutions, with varying degrees of exertion, have sought in recent years to replace their Brutalist inheritances with practically anything else. — theawl.com

Workers are digging the foundation for a twin-towered apartment building that will obscure the great flying buttresses and stained-glass windows of the Cathedral Church of St. John the Divine in Morningside Heights.

Preservationists, neighbors and architects are justly up in arms. [...] Even the developer laments how the approval process for new buildings in New York spews out too many projects that nobody really likes. — nytimes.com

Decades of socialism and military rule kept Myanmar — or Burma, as it was known — poor and isolated.

There was one upside, though. The economy was so lousy, there was no drive to demolish the big British colonial buildings in Yangon, Myanmar's largest city, and replace them with the glass and steel towers that now define much of the skylines in East Asia.

[...] remarkable architectural heritage, which has come into the cross hairs of developers trying to cash in on rising land prices. — npr.org

Montenegro's "Treasures in Disguise" exhibition for the 2014 Venice Biennale looks to the country's former Yugoslavic past to provoke discussion of bringing renewal and examining the future possibilities of Montenegran architecture. The exhibition focuses on four historic buildings constructed between 1960 and 1986 that are perceived as cultural models of late modernism architecture. Built with optimistic intentions, the buildings were neglected and have been left to decay ever since. — bustler.net