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Titled La Ferita, Italian for “The Wound,” the work creates an optical illusion of a great gash running through the institution’s external walls. Through the cracks, those on the outside can once again peer into a black-and-white vision of the interior of the shuttered building, with some of Florence’s famous artworks and cultural heritage on view. — Artnet
The new site-specific trompe-l'œil installation — measuring 28 meters/92 feet tall and 33 meters/108 feet wide — by prolific French artist JR opened on March 19, shortly after many major Italian cities were ordered back under another COVID-19 lockdown. View this post on Instagram... View full entry
Following the now famous Black Lives Matter street mural in Washington D.C., activists later painted one in Oakland, California. This urban activism has garnered the attention of another city as well, Berkeley, who plans to paint a new street mural on Martin Luther King Jr. Way, in front of Old... View full entry
A Portuguese graffiti artist who goes by Vile has been painting since he was a teenager, a depth of experience that, when combined with his skills in animation and illustration, allows him to "create stunning optical illusions whereby his name appears as a window cut into the side of a wall,"... View full entry
Out in the deserts of Lime, Oregon, an unexpected site of boulder-sized luxury handbags has taken over the arid landscape. The gigantic purses, which sport the designs of Louis Vuitton, Givenchy, Prada, Gucci, Chanel and McQueen, are part of Thrashbird's latest project titled 'Valley of Secret... View full entry
Last week, a piece by the anonymous graffiti artist was stenciled onto a building at the northwest corner of 14th street and sixth avenue in New York City. The structure—a former bank building—was tagged with one of Banksy's trademark rats running around a clock that is native to the... View full entry
[...] a judge has ruled that a New York developer must pay $6.7 million to a group of graffiti artists to compensate for painting over their work without warning in 2013. The decision represents a decisive victory for street artists in a case that pitted their rights against those of a real estate executive.
The artists sued the developer, Gerald Wolkoff, for violating their rights after he whitewashed their work at the famous 5Pointz art mecca in Long Island City to make way for condos.
— artnet
Citing protection of the artists'—historically significant but ultimately destroyed—works at 5Pointz under the Visual Artists Rights Act (VARA), Judge Frederic Block ruled in favor of the plaintiffs in this closely watched landmark case: "Since 5Pointz was a prominent tourist attraction... View full entry
Was the street art covering 5Pointz, a largely empty warehouse in Long Island City, Queens, significant enough to preserve under US federal law? A federal judge in Brooklyn in currently considering the arguments in a case that tests the limits of the Visual Artists Rights Act (Vara), and could soon decide whether a developer Gerald Wolkoff and his companies violated the act when he tore down the graffiti-covered building to construct residential towers and what, if any, damages they will pay. — The Art Newspaper
Australia-based artist Joshua Smith expresses his love of decrepit urban spaces by recreating them in 1:20 scale. Building all of his miniatures from scratch, Smith designs every element himself. The artist's work is built on his past experiences as a stencil artist and gallery director. Inspired... View full entry
Street art is the ultimate form of democracy according to the curators of the new Museum for Urban Contemporary Art that has just opened in Berlin. But does street art belong in exhibition halls? [...]
Construction for the Urban Nation Museum of Urban Contemporary Art began in May 2016. A late-19th century house in the Berlin district of Schöneberg was redesigned by German architecture studio Graft.
— Deutsche Welle
Image: Graft, via dw.com. In Deutsche Welle's interview with Yasha Young, the artistic director of the new Museum for Urban Contemporary Art, Young defends the need for a permanent home for street art: "Yes, street art belongs to the street and should stay there. The label "Museum for Street Art,"... View full entry
If I was a poet, I would speak of Istanbul
If I were a musician, my music would belong to Istanbul
If I was a painter, I would paint Istanbul -Mihail
Prolific French artist JR continues to produce impactful work, following up his latest public exhibition with a special installation of his “Wrinkles of the City” series. First launched in 2008, the series is meant to visually portray the faces affected by gentrification and rapid... View full entry
Whether it be the Middle East, the favelas of Rio, slums of Kenya, New York, Le Havre or Shanghai, JR’s works leave no one indifferent, because they return our gaze and cut to the very heart of our innermost selves. [...]
Invited by the “biggest museum in the world”—which also generates the most selfies—JR has set his sights on one of the Louvre’s symbols, the Pyramid, which he intends to transform with a surprising anamorphic image.
— the Louvre
The artist JR, best known for his series of giant portraits wheat-pasted in cities around the world, has been commissioned to create a piece for the Louvre. Documenting the progress on his Instagram account, JR has been covering I.M. Pei's iconic glass Pyramid with an anamorphic image of the... View full entry
Borderlife is a street art intervention by Biancoshock in which three abandoned manholes in Milan’s Lodi district have been transformed into miniature dwellings. [...]
With Borderlife the street artist wants to make us aware about the distressing living conditions of many fellow humans who are forced to live in confined spaces, especially manholes. He got his inspiration from the reportedly hundreds of people that are occupying manholes and sewer systems in the Romanian capital Bucharest.
— popupcity.net
Images of the BORDERLIFE street art intervention via Biancoshock's website.Related stories in the Archinect news:Giant "calligraffiti" mural unites community in Cairo slumSubterranean theme park: photographer Richard John Seymour captures the new life inside an ancient Transylvanian salt mineWith... View full entry
Who the fuck cares what Banksy’s real name is. You should care about his art instead, what he’s given you, and stop trying to take more than what’s to be had. Don’t deny yourself great artistic creativity simply to satisfy the curiosity of some blip of an itch that will deny him his anonymity to create. Doing that will make you less than the worst, you wouldn’t even be a super villain scientist, but a spectator searching for a sport to watch that you’re too inept to participate in. — davidchoe.com
Related stories in the Archinect news:Banksy about to open "Dismaland" pop-up exhibition in British seaside resortAfter Banksy: the parkour guide to GazaAn interview with man behind the “Stealing Banksy?” auctionBanksy's unpublished NYT op-ed declares new WTC is the biggest eyesore in New York View full entry
Amid Cairo's brick buildings and heaping piles of trash is a sprawling work of art, which, at first, looks messy and incoherent.
But when you stand on the nearby hillside and read the spray-painted Arabic "calligraffiti," as its creator Tunisian-French artist eL Seed calls it, the message reads loud and clear: "If one wants to see the light of the sun, he must wipe his eyes."
[...] in total secrecy from the Egyptian government due to the country's strict laws forbidding artistic expression.
— techinsider.io
All images by the artist, eL Seed. For more images click here.More Cairo-related stories in the Archinect news:Does Foster + Partner's Maspero District masterplan neglect the local residents?Egypt's challenges to build its new capital cityEgypt’s street artists now risk even more View full entry
Earlier this week, the online street art community was abuzz about an article by Rafael Schacter for The Conversation, From dissident to decorative: why street art sold out and gentrified our cities. [...]
Basically, Schacter argues that street art isn’t rebellious anymore. Rather, that it’s most notable form is as a tool used by corporations to spur gentrification. Agree or disagree, the article is a must-read.
— Vandalog
Vandalog author RJ Rushmore reached out to some of the influential figures in street art and muralism to get their reactions to Schacter's claim that street art has sold out and become complicit in the corporate gentrification of our cities. He received responses from Buff Monster, Living Walls... View full entry
