Contrary to what you may have read lately, the Museum of Modern Art is intent on carefully preserving the former American Folk Art Museum next door.

At least, the part of it that is most recognizable to the public: an 82-foot-high sculptural ensemble of 63 panels, cast in a gorgeous copper-bronze alloy [...]

“We will take the facade down, piece by piece, and we will store it,” Glenn D. Lowry, the director of the Museum of Modern Art, said in an interview last week. — nytimes.com

The Paris Métro, opened in 1900, extends over more than 200 kilometers of track, serving more than 300 individual stops. But there are 11 more stations that, though once built, now stand nearly abandoned. Many of these "ghost" or "phantom" stations shuttered after the occupation during WWII. [...]

Parisian mayoral candidate Nathalie Kosciusko-Morizet has a bold plan for these phantom stations ... these abandoned spaces should be reclaimed for the city's residents. — The Atlantic Cities

In 2011, the Howard Hughes Corporation offered to collaborate with Mr. LaValva. He turned them down. “Hughes suggested we be part of the Pier 17 renovation,” Mr. LaValva said. “But we wanted to preserve the market.” — NYT

What a National Register [of Historic Places] listing really means is a 20% federal tax credit for structural investing, along with any state tax incentives, but that's often not enough to make preservation a more appealing option over razing and starting over. [...]

Listing on the National Register certainly gives something of an economic incentive for preservation, as well as a national profile for these sites [...]

However, what historic sites ultimately need is sustainable funding. — Atlas Obscura

Vandals have smashed an ‘irreplaceable’ stained-glass window after breaking into Le Corbusier’s Ronchamp Chapel in eastern France.

The hand-painted, coloured glass window designed by the Swiss architect in the early 1950s was destroyed, it is understood, as the intruders forced entry into the famous Chapel of Notre Dame du Haut.

Once inside the vandals lifted a concrete collection box and threw it outside. — Architect's Journal

Despite a city planning report advocating its preservation, Oklahoma City’s Downtown Design Review Committee voted 3-2 last week to green light the destruction of the Stage Center, a futuristic landmark of modern architecture designed by the late John M. Johansen. — artsblog.dallasnews.com

Sixteen years after the city spent $9 million to fix the 1982 postmodernist icon’s sagging 14th and 15th floor, it’s now facing a $95-million top-to-bottom overhaul because virtually every joint in the building is leaking. But as haters of the building call for its demolition and preservationists wail to save it, I’d like to pose a simple question that ought to be asked before spending millions of dollars to save any historic building: is the real thing better than the pictures? — portlandmonthlymag.com

The mural project is part of a renewed attention to the Central Library in Grosse Pointe Farms, which received approval from the Grosse Pointe Library Board in October for more than $241,000 in outside masonry repairs, according to Library Director Vickey Bloom. — Eric D. Lawrence, Detroit Free Press

[Diller] had great respect for the Folk Art Museum, calling it a “bespoke” design tailored to the needs of the museum. She went through several scenarios on how to integrate the museum in the expanded footprint. [...]

Adapting the Folk Art Museum building, however, would basically compromise the building’s interior beyond recognition. [...]

The architects would have had to destroy the Folk Art Museum building in order to save it. — Architect Magazing

Conceived as low-cost, mass-produced shelters that could comfortably accommodate a family of four, the units, known as D.D.U.s, were manufactured in the early 1940s and distributed to military bases around the world. [...]

Several institutions and individuals have expressed interest in acquiring Camp Evans D.D.U.s. “They’re important artifacts,” said Marc Greuther, chief curator of the Henry Ford Museum in Dearborn, Mich., who hopes to exhibit one of the units with Fuller’s Wichita House. — New York Times

Although superlative residential architectural works are elegant mirrors of their times and an important aspect of the city’s cultural heritage, the pressures of property values, changed styles of living (the craze for open kitchens and great rooms have doomed many period homes), and property owners’ rights often outweigh the glories of the past. The demolition of amazing, one-of-a-kind architectural homes is an all too frequent occurrence in LA, despite epic efforts by preservationists. — la-confidential-magazine.com

Many of the contested demolitions in 2013 involved structures that were once considered innovative, but just a few decades later, have been labeled "obsolete." This fact heats up some food for thought: Just how future-proof are the "futuristic" buildings that are being proposed and built now? — theatlanticcities.com

In the summer of 2011, photographer Victoria Cohen heard that the Chelsea Hotel would undergo drastic renovations to the structure, which was built in 1884. She spent three weeks documenting every nook and cranny of the building and the result is Hotel Chelsea, a collection of photographs of the interior in its authentic, untouched state, as so many knew and loved it. — Fast Company