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Anya Sirota + AKOAKI, a design studio based in Michigan, has installed two monumental stars in a defunct tannery in Amilly, France. Titled POP IT UP, the installation is open to the public through September 29, 2013. — bustler.net
In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles.Today's top images (in no particular order) are from the board Art-chitecture.↑ The Cathedral by Jason... View full entry
... we have turned the Gherkin into the worlds tallest penis. A penis that is being gratified by our parliament with a sexual act. A 180m high erection for deregulation and global capitalism. We have created this art work for all those that are suffering cuts to their budgets, benefits, working hours, rights, freedoms and quality of life as Parliament perpetuates the age old practice of taxing the poor for the mistakes of the rich. — vimeo.com
Donald Judd bought 101 Spring Street, an 1870 cast-iron building, in 1968 for $68,000.
He stripped the dilapidated building down to its plaster walls and wood floors, illegally removing distractions like fire sprinklers.
Then Judd (1928-1994) spent decades turning the spaces into a showcase for his art and a place to rest his head on a bed made of wood planks. It’s carefully related to the colored tubes by Dan Flavin that march across the room, echoing the rhythm of a gorgeous row of windows.
— bloomberg.com
The exhibition at the MAK Center in West Hollywood, curated by UCLA architectural historian and critic Sylvia Lavin, is a wry study of the ways Los Angeles artists and architects worked with, leaned on, stole from and influenced one another in the 1970s.
In a larger sense, it charts the way Southern California architects threw off the influence of establishmen Modernism and helped remake the profession in that decade.
— latimes.com
Packed with mostly small-scale work by artists Judy Chicago, Billy Al Bengston, Robert Smithson, Ed Moses and architects Robert Venturi, Denise Scott Brown, Charles Moore, Cesar Pelli and Frank Gehry, among many others, it is easily the most surprising and opinionated of the exhibitions to open as... View full entry
Richard Koshalek, the director of the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden in Washington, said on Thursday that he was resigning after the board of trustees failed to reach a consensus on the future of a long-planned project to cover the museum’s interior courtyard with a temporary inflatable bubble. — artsbeat.blogs.nytimes.com
Though indebted to conventional artistic methodologies, the vibrant, playful works of Jorge Prado lack traditional notions of artistic autonomy, with multiple uses straddling sculpture, furniture and architecture. Over espresso and a cigarette in the kitchen of his Los Angeles home, Pardo shares with Oscar Tuazon his processes of transforming built environments into functionally fluid sites designed to facilitate a diversity of experience. — youtube.com
In his first solo exhibition in a New York museum since 1980, American artist James Turrell sets out to reimagine the iconic rotunda of Frank Lloyd Wright’s Guggenheim Museum in a dramatic transformation. The luminous and immersive site-specific work, Aten Reign, will be part of the upcoming exhibition James Turrell at NYC's Solomon R. Guggenheim Museum which opens on June 21, 2013. — bustler.net
The Hirshhorn Museum’s proposed Seasonal Inflatable Structure, also known as “the Bubble,” a project announced in 2009 and intended as an architecturally and culturally transformative space on the Mall, would operate at a loss in each of three scenarios examined in an assessment done by the Smithsonian. — washingtonpost.com
“We’ve said from the beginning, and the secretary [G. Wayne Clough] has said it, this is a bold project,” said Richard Kurin, the Smithsonian’s undersecretary for history, art and culture. “We’ve encouraged this, but it has to be raised by private money. In terms of doing that... View full entry
Design studio Nonotak—Noémi Schipfer and Takami Nakamoto—have created an installation, called Isotopes v.02, which is a reaction to the Fukushima nuclear meltdown that happened back in 2011.
The piece featured at Geneva's 2013 Mapping Festival and consists of projected light which entices the viewer to investigate further. But, once the unsuspecting visitor has headed towards the light like a moth to the flame, they become trapped in this beguiling maze...
— thecreatorsproject.vice.com
If you're in Berlin this May, make sure to swing by the Opernwerkstätten Berlin: Swiss artist, Zimoun, known for his "architecturally-minded platforms of sound," exhibits 318 prepared dc-motors, cork balls, cardboard boxes 100x100x100cm, one of the artist's two current European exhibitions. The piece will be on view until May 24th. — bustler.net
Before Mr. Phifer, the architect, began designing the new building, he used a stack of about 80 flash cards or “inspiration boards,” as he called them, to get a sense of the Rales’s tastes and vision. There were pictures of Shaker villages and ancient art, rock gardens and a floor sculpture by Carl Andre. — NYT
Carol Vogel visited Glenstone, home of the semi-public, art collection of Mitchell and Emily Rales in Potomac, Md. Currently housed in a sleek 25,000-square-foot museum by Charles Gwathmey, the owners have plans for a major expansion designed by Tom Phifer. As proposed the project consists of a... View full entry
The Watts Towers in South Los Angeles will be the subject of a new study conducted by experts from UCLA to determine the stability of the historic sculptures, which were completed by Simon Rodia in 1954. The study, now underway, is expected to be completed by early next year. — latimes.com
As the commercial art world in America rides a boom unlike any it has ever experienced, another kind of art world growing rapidly in its shadows is beginning to assert itself. And art institutions around the country are grappling with how to bring it within museum walls and make the case that it can be appreciated along with paintings, sculpture and other more tangible works. — nytimes.com
“Photography’s co-option by empirical systems is definitely of interest to me,” says Ryder. “I’m trying to use photography to recontextualize the built environment. The ability to reframe and give new meaning to things is photography’s best attribute as a medium.” — wired.com