For Katherine Craig, the mural is more than a marker of North End’s rising status. The so-called “bleeding rainbow” mural is a cornerstone of her career. And now, since the building’s owner aims to sell or redevelop the property, the artist is taking legal action to protect her work. [...]

The federal suit seeks an injunction that would bar the developer from destroying or otherwise altering The Illuminated Mural [...]. — citylab.com

The Chinese artist and activist Ai Weiwei is visiting Lesbos to document the plight of thousands of refugees who arrive daily on the Greek island by boat from Turkey. For the past two days, Ai has been photographing orange rubber dinghies coming into shore, families huddled around fires, people queuing to register at the Moria refugee camp and piles of discarded lifejackets, among other scenes [...]

It is understood Ai will be creating a work in response to the refugee crisis. — theartnewspaper.com

Built in 1962, the People’s Bank has distinct glossy, off-teal bricks and a sawtooth, vaulted rooftop. The building is not only one of the finest remaining examples of Googie commercial architecture in Kentucky — it is one of the finest examples in the nation. However, after years of neglect, locals are working to ensure that the building isn’t leveled into a movie theater parking lot. — hyperallergic.com

Pedestrian crossings made up of fragments of famous works of avant-garde art have appeared in a residential area in the Russian city of Khimki, located just northwest of Moscow.

Fragments of the work of Piet Mondrian, Kazimir Malevich and Vasily Kandinsky feature on five pedestrian crossings in the “Gorod Naberezhniy” complex, chosen for their frequent use. Together with the zebra stripes, there are signs which provide information about the artwork and artist. — calvertjournal.com

The Milwaukee Art Museum is due to reopen on 24 November after a 14-month, $34m renovation that brings the institution back from the brink. When the museum made the unorthodox decision to begin planning an expansion at the height of the recession in 2009, mould flourished, floors buckled and ceilings leaked in the two buildings that housed the permanent collection. [...]

Roberts says: “People who know our museum will not believe that this is the same museum.” — theartnewspaper.com

Earlier this week, the online street art community was abuzz about an article by Rafael Schacter for The Conversation, From dissident to decorative: why street art sold out and gentrified our cities. [...]

Basically, Schacter argues that street art isn’t rebellious anymore. Rather, that it’s most notable form is as a tool used by corporations to spur gentrification. Agree or disagree, the article is a must-read. — Vandalog

Selldorf and the curators were forced to strategically navigate the strict installation stipulations attached to each piece — and still create a dynamic space for viewing. [...]

“We wanted a very calm background,” Selldorf says. “It is the quality of the work that makes the show exciting, so rather than creating additional noise, we really focused on making spaces that were quiet and measured in such a way that the focus of attention was on the paintings.” — nytimes.com

For an artist who used to chop up cows and ambush people with his foreskin, his new south London HQ is notably subdued. The facade is not encrusted with dead butterflies nor diamond skulls, nor is there the clinical air that his eerie white production facility in Gloucestershire exudes. In fact, it looks a bit like a block of luxury docklands apartments – a couple of old brick warehouses with a polite in-keeping brick extension. Has the 50-year-old prankster finally grown up? — theguardian.com

While Burning Man really is a one-of-a-kind, temporary event, there are communities full of similarly minded radical folk across the globe. — ajc.com

Of course, San Francisco has much to offer. The clothing stores, the cable cars, the botanical gardens. My neighbor the conveyor operator, Alan. The libraries, the sports bars, the bus stations. Sigh. — Leaving Everywhere

“I helped change one neighbourhood into a hipster place, and then we got priced out of there.” Artist Jim Walker is describing the shift in fortunes of the Fountain Square district of Indianapolis, where his Big Car arts collective was born a decade ago – and of the artists and residents who have been forced to move on by the neighbourhood’s gentrification. [...]

Is there a more equitable way? That’s just what Walker is trying to find out with his latest arts-led Indianapolis project. — theguardian.com

Rumors have been circulating around the internet for a few days, but later this week Banksy is now set to open a new pop-up exhibition entitled "Dismaland" at in Weston-Super-Mare, UK.

The venue is called "Tropicana", a 10,200-square-foot site to be transformed into "Dismaland", a probable attack on American entertainment giant Disney. [...]

As usual with Banksy, the details are very scarce, but earlier this morning Iain Brimecome and Jon Goff were able to fly their drone above the site [...]. — streetartnews.net

...What [Gehry's Guggenheim Bilbao] showed, [is that] if you picked a remote part of the world and put a world-class museum in it, the world would beat a path to your door. That's the so-called "Bilbao Effect," but you'll notice that doesn't mention art; it mentions tourism, travel and finance.

I feel we're in a strange time where we're building furious Potemkin villages of seeming life, behind which, if you looked with the right eyes, you would see cobwebs and skeletons. — NPR

A court in Venice has refused to fast-track a legal claim filed by the Icelandic Art Center (IAC) seeking the reopening of artist Christoph Büchel’s mosque, which launched earlier this year in a disused church in Venice as part of the Biennale.

The IAC is the commissioner of the controversial project, which was housed in the former Catholic church [...]. The mosque closed at the end of May after only two weeks when city officials claimed that it breached health and safety regulations. — theartnewspaper.com