Follow this tag to curate your own personalized Activity Stream and email alerts.
The Gagosian Gallery’s Madison Avenue location has recently opened an exhibition of Frank Gehry artworks titled Ruminations. On view until April 6th, the gallery will be showing recent works Gehry’s team says are in dialog with the architect’s engagements with fluid aquatic animal... View full entry
“I think the fish form is architectural, that’s my take. I like the expression of movement. I wondered if we could recreate that in some way, could get in a building,” Frank Gehry reflected in a new video released by the Gagosian Gallery in conjunction with his Spinning Tales exhibition on... View full entry
A new examination of Frank Gehry’s sculptural work is swimming into Los Angeles this summer. Spinning Tales will showcase new and old pieces from the architect at the Gagosian Gallery. Gehry has been very active in the art world recently, using this latest show to piggyback off of the... View full entry
Following the abrupt closure of the Marciano Art Foundation complex in Los Angeles last year, international art house Gagosian Gallery has inked a plan to take over 13,000 square feet of the former museum building. Situated within a gargantuan former Scottish Rite Temple designed by... View full entry
Larry Gagosian’s new 4500 square foot space, designed by Kulapat Yantrasast, is set to open up on May 18, 2016, on 657 Howard Street, right across the street from SFMoMA. The inaugural exhibition there will focus on the relationships between modern and contemporary sculpture and drawing, featuring work from Picasso and Joe Bradley, among others. — Art Forum
Interested in other content from the intersections of architecture and the art world? Check out these recent posts:Albright-Knox Gallery announces short list of firms for $80m expansion: Snøhetta, BIG, OMA, wHY, Allied WorksAs the Met moves into the old Whitney, can it shrug off the iconic... View full entry
Selldorf and the curators were forced to strategically navigate the strict installation stipulations attached to each piece — and still create a dynamic space for viewing. [...]
“We wanted a very calm background,” Selldorf says. “It is the quality of the work that makes the show exciting, so rather than creating additional noise, we really focused on making spaces that were quiet and measured in such a way that the focus of attention was on the paintings.”
— nytimes.com
More on Annabelle Selldorf:Give and Take: Michael Kimmelman and Annabelle Selldorf discuss architectural ethics in urban environmentsNYC Landmarks Commission Debates New Annabelle Selldorf BuildingQ&A: Annabelle Selldorf On the New Clark Art Institute View full entry
