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Construction is underway in Warsaw on a new complex for the Polish History Museum and Polish Army Museum, designed by the Warsaw-based architectural design studio WXCA. Located at the Warsaw Citadel, on the site of former 19th-century fortifications, the museum and an associated park are intended... View full entry
The National Endowment for the Humanities has announced the awarding of $35.63 million in grants for 258 humanities projects across the United States. As with previous years, the 2023 edition of the grants includes funding for several architecture-related projects, including buildings and... View full entry
Samuel Anderson Architects has completed a 65,000-square-foot addition to the DeWitt Wallace Decorative Arts Museum and the Abby Aldrich Rockefeller Folk Art Museum (AARFAM) complex located at Colonial Williamsburg in Virginia. The updated art museum experience includes a new... View full entry
The idea of establishing the museum dates back more than 50 years, to Senegal's late poet-president, Léopold Sédar Senghor.
Along with Martinican writer Aimé Césaire, Senghor was a creative force behind the philosophy of Négritude, which opposed the imposition of French culture on colonies in Africa and the Caribbean.
— BBC News
Senegal's new Musée des Civilisations noires opens this week in the capital, Dakar. Anyone know who the architect is? Nothing I could find/Google Translate seems to indicate. Perhaps, some nameless bureaucratic office or Chinese ExtraStateCraft(er)? See also from Al Jazeera View full entry
The New Museum Board of Trustees announced Wednesday that OMA’s Rem Koolhaas and Shoehei Shigematsu will design the museum’s new building at 231 Bowery as part of the institution’s expansion. The new structure, purchased by the contemporary art museum in 2008, will link the museum’s... View full entry
“They were conventional renderings, which I personally don't like so much," Peter Zumthor states in an interview with CLADnews, referring to the widely-criticized renderings of his proposed building for LACMA that were released in August. Relating that the renderings were created strictly for... View full entry
Between now and next fall, Mr. Holl’s office will dedicate five major arts projects in the United States. In the same period, dozens of new cultural commissions will open around the world, many by the biggest names in the architectural business, including David Adjaye, Herzog & de Meuron, Rem Koolhaas/OMA, Thomas Heatherwick, Fumihiko Maki, Mecanoo, and Robert A. M. Stern. — NYT
Despite earlier predictions and rumors to the contrary, Reed Kroloff reports on the Millions of Square Feet, Billions of Dollars: (from the new Tate Modern and Elbphilharmonie, to The National Kaohsiung Arts Center in Taiwan) of new cultural commissions. View full entry
Imagine visiting a museum while playing a video game. DiMoDA is essentially that: the museum in the machine, the shell in the ghost. Whoever has played Super Mario 64 will be right at home. With “wings” that you visit through portals housed within the museum’s “walls,” DiMoDA is a gateway station to art. With that in mind, Salazar-Caro took an iconic approach to the design of DiMoDA, making it recognizable and striking amid what will be a mutable, shifting cosmos of wings... — Hyperallergic.com
"You can visit DiMoDA on your Mac or PC, or with the superior Oculus Rift experience that is available to visitors at TRANSFER. The gallery also has a 3D printed model of DiMoDA by Salazar-Caro on display, along with a non–Oculus Rift DiMoDA station. Somewhat ironically, it turns out that the... View full entry
The new museum won’t be defined by architectural glamour or by a market-vetted collection, though it may have these. Structurally porous and perpetually in progress...where walls are dissolvable, access is open, and art is invited to tell us who we are as an arrogant, exclusionary but possibly teachable culture — is still awaited — NYT
15 years into the new millennium, Holland Cotter outlines the need for a new version, for the 21st century, museum. She begins by criticizing the Bilbao era, and the entities resulting from a "love of gigantism in architecture and art". Then goes on to outline the possibilities of... View full entry
But Bickels’s lasting legacy was more technical...For those who care about spaces — like Hultén, Piano and countless other international visitors over the decades — the combination of intimate, varied rooms and light sources make for a kind of ur-museum, not grand but perfectly executed. — NYT
James McAuley explains how Mishkan Le’Omanut (designed by Samuel Bickels) in Ein Harod, has inspired some of the 20th century’s most iconic buildings. Especially, with regards to the use of natural light within museum architecture. View full entry
...What [Gehry's Guggenheim Bilbao] showed, [is that] if you picked a remote part of the world and put a world-class museum in it, the world would beat a path to your door. That's the so-called "Bilbao Effect," but you'll notice that doesn't mention art; it mentions tourism, travel and finance.
I feel we're in a strange time where we're building furious Potemkin villages of seeming life, behind which, if you looked with the right eyes, you would see cobwebs and skeletons.
— NPR
NPR has curated a list of noteworthy-quotes from Michael Lewis, an art history professor at Williams College, who's interviewed in the recent issue of Commentary Magazine.Never before has art sold better or museums drawn larger crowds. Yet, according to Lewis at least, most Americans have become... View full entry