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For many architects, much of one's work depends upon the visual possibilities where space can transform. Often overlooked, many designers forget what it is like to design buildings and structures for the blind or hearing impaired. Universal accessibility and inclusive design methods are being... View full entry
Space remains a vast, untamed place, penned in only by the limits of our own imaginations.
So why the hell are there so many staircases in space? [...]
Once you start realizing how many stairs there are stopping you in real life, it becomes impossible not to notice them existing in the sci-fi you adore. Turns out they’re everywhere [...] our sci-fi imitates a real-world reliance on steps and stairs in our architecture.
— io9/Gizmodo
With Staircases in Space: Why Are Places in Science Fiction Not Wheelchair-Accessible?, Ace Ratcliff pens an excellent analysis of the pervasive presence of staircases in sci-fi that appear to foreshadow a future where universal accessibility for wheelchair-bound people like herself—and beyond... View full entry
Most planners and architects can speak volumes about accessibility requirements [...].
Tamara Petrovic and Garner Oh, partners of the architecture and design firm 0 to 1, are intimately aware of such needs. To address their son’s difficulty with balance and motor skills, the pair developed a range of products for the home that transform his living environment into a safe and appealing space for all members of the family and resist the institutional aesthetic often seen in special needs products.
— urbanomnibus.net
Enter Cities Unlocked, a project intended to help people with sight loss navigate cities. The brainchild of a blind Microsoft employee, it uses GPS, a 3D audio headset, and Bluetooth beacons, among other technologies. [...]
“I’m a blind person, I need to keep my ears open,” she says. The headset uses bone-conducting technology, in which vibrations create a “3D soundscape” around the user.
— nextcity.org
Related: Parsons and the Met team up to increase accessibility for disabled View full entry
In a recent opinion piece in The New York Times, geriatrician Louise Aronson advocated for a new type of building, one designed with an aging population in mind, which, she suggests, might be dubbed “silver” architecture. [...]
It being Veterans Day, this article got me thinking about architect Michael Graves, who recently designed a pair of houses for returning soldiers that follow through on many of Aronson’s suggested parameters for silver design.
— smithsonianmag.com
Downey needed something tactile to work with, and he found it in a kids' toy. Spread out before him on the table are stacks of embossed plans ... marked up with brightly colored wax sticks. [...]
The sticks warm to the touch and bend easily; they can make precise angles, and—crucially for Downey—their tackiness makes them stick to paper. "Once I realized that, I thought, 'Oh, I could use that to draw on top of an embossed drawing.'" Suddenly, he had a way not just to read, but to make.
— sf.curbed.com
Previously, the LA Times profiled Downey and his firm: Blind architect sports an upbeat vision View full entry
Blind architect Chris Downey says that city planners and property owners should view future construction projects through a different set of eyes. [...]
Downey, 51, of Piedmont, Calif., lost his eyesight six years ago after undergoing surgery for a non-cancerous brain tumor. Since then, he has maintained his San Francisco architectural practice.
"I have a career without sight. But as an architect, I still have vision," he said with a grin. "The creative process is a mental process."
— latimes.com
The NYT reported that Pedro E. Guerrero, a former art school dropout , died on Thursday at his home in Florence, Ariz. w. wynne A.I.A. offered up the following "Pedro has a wonderful book about his photographic work, and I am sadden to hear of his death. Mr. Wright called him ‘Peter’, but the story of his life with FLW is very nice and interesting account of the middle career of Mr. Wright."
News The NYT reported that Pedro E. Guerrero, a former art school dropout who showed up in the dusty Arizona driveway of Frank Lloyd Wright in 1939, boldly declared himself a photographer and then spent the next half-century working closely with him, capturing his modernist architecture on... View full entry
