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vado retro summed up the design "a box within a box and one box the one inside, the inside box is at an angle. oh and there are trees" but Alex Gomez added "Although the facade is superficial, I feel it will succeed in attracting ‘qualitative and quantitative tourist flows in the area,’
News Over at Bustler.net, Bernard Tschumi Architects unveiled the schematic design for the firm's first work in Italy: ANIMA, a new cultural center in the city of Grottammare. The project has been commissioned by the Fondazione Cassa di Risparmio di Ascoli Piceno and the Municipality of... View full entry
For the latest edition of the ShowCase feature, Archinect published the first fire station designed by Pritzker Prize winner Álvaro Siza Veira. The project, Santo Tirso Fire Station is located in Quinta de Geão, Portugal "comprises a total gross area of 1173 m2 and lodges the... View full entry
Hyuntek Yoon and Soobum You, who go by atelier WHY, has sent us their 1st place entry for the Detroit Design 2102: Detroit Riverfront competition. THE FOREST: Fairy tale between the City and the Forest Many things fill the city and continue to do so. The act of “filling” is the virtue... View full entry
McLain Clutter, Assistant Professor at the University of Michigan Taubman College of Architecture and Kyle Reynolds, Assistant Professor at the University of Wisconsin at Milwaukee School of Architecture and Urban Planning, along with a team of students from the University of Michigan, have... View full entry
Ruins don’t encourage you to dwell on what they were like in their heyday,before they were ruins. The Colosseum in Rome or the amphitheater at Leptis Magna have never been anything but ruins. They’re eternal ruins. It’s the same here. This building could never have looked more magnificent than it does now, surrounded by its own silence. Ruins don’t make you think of the past, they direct you toward the future. The effect is almost prophetic. This is what the future will end up like... — nytimes.com
You may recall Marcos Zotes from his Rafmögnuð Náttúra light installation in Iceland that we previously featured here on Archinect. He has just shared with us his latest project, "YOUR TEXT HERE"... The city is constantly telling us what to do, what to think, and how to... View full entry
The ability to observe the private lives of strangers from the windows of my home is one reason why I’ve chosen to reside within a dense urban fabric. I am not a voyeur: I do not receive sexual satisfaction from watching the daily lives of others. But I do like to imagine the many meaningful “relationships” I have created with people that I will never meet or even recognize on the street. — Places Journal
When architect Melissa Dittmer moved from New York City to Detroit, her reaction was a "year-long panic attack." Where, she wondered, were the people? "Where was the density, the sense of connection with strangers?" But then Dittmer and her family bought a townhouse in Lafayette Park, the... View full entry
... the buyer will be contractually obligated to shell out over $10 million to execute a detailed, 80-page list of renovations, ranging from a handful of new peepholes to a sweeping overhaul of the buildings’ bathtubs. On top of that, the buyer must deposit just over $2.5 million into an escrow account that HUD can access in the event that repairs are not on schedule, as evidenced in the illustrated quarterly progress reports the buyer will be required to send. — artinfo.com
The city is deep in debt; it's got a state-appointed board managing its finances, so it's gotta cut services it can't afford. Services that it can't afford in part because it's a city built for two million people that's now home to just over 713,000.
So street lights could be a luxury Detroit can't completely afford.
— marketplace.org
The story of the automobile — like the story of the city of Detroit — is a tale of unwitting eternal returns. At every turn the inventors of modern life — of its machines, its aspirations — seemed unable or unwilling to grasp the meaning of what they were in the process of creating and unleashing, and what they were thus undoing and destroying. — Places Journal
On Places, historian Jerry Herron traces the intersecting lives of architect Albert Kahn, industrialist Edsel Ford, and artist Diego Rivera and examines their roles in shaping the mythology of Detroit as an industrial powerhouse. View full entry
In 2009 and 2010, we visited residents of Lafayette Park with photographer Corine Vermeulen while researching our forthcoming book Thanks for the View, Mr. Mies. Vermeulen’s portraits of townhouse owners in their homes appeared in the New York Times. Here we present the corollary to that series: tenants of the Pavilion and the Lafayette Towers in their apartments. Vermeulen’s portraits are accompanied by Lana Cavar’s photos of the views from each apartment window and by excerpts from interviews — places.designobserver.com
The truth I’m trying to present is one about site-specific forgetting. If our history is a history of forgetting how to remember the past, as I am arguing, then the city of Detroit is the engine of our conflicted deliverance. It’s the machinery we’ve used for particular acts of forgetting, each connected to the place and time where the forgetting got done. — Places Journal
This week on Places, two features by Detroit residents contextualize the city's ruins. In "The Forgetting Machine: Notes Toward a History of Detroit," Jerry Herron reflects on the decline of Hudson's and the improbable hopefulness of the retrofitted car park in the Michigan theater. He critiques... View full entry
Bing's citywide plan calls for dividing Detroit into three categories based on a neighborhood's health — steady, transitional and distressed — and then concentrating certain services in those areas. — The Detroit News
Bing's citywide plan calls for dividing Detroit into three categories based on a neighborhood's health — steady, transitional and distressed — and then concentrating certain services in those areas. For example, building demolitions would be more common in "distressed" and... View full entry
A few blocks east of Detroit’s downtown, just across Interstate 375, sits Lafayette Park, an enclave of single- and two-story modernist townhouses set amid a forest of locust trees. Like hundreds of developments nationwide, they were the result of postwar urban renewal; unlike almost all of them, it had a trio of world-class designers behind it: Ludwig Hilbersheimer as urban planner, Alfred Caldwell as landscape designer and Mies van der Rohe as architect. — opinionator.blogs.nytimes.com