Daniel Libeskind is making his mark — in all its signature jagged, geometric wonder — throughout the Lithuanian capital of Vilnius. In addition to the Modern Art Centre of Vilnius and the Vilnius Beacon sports and wellness center at the Liepkalnis ski resort, Studio Libeskind won the competition to design a new mixed-use building complex on Konstitucijos Avenue 18B. Libeskind's winning scheme is a progression of glassy volumes — with the tallest tower reaching 18-stories — Bustler

Preparations are still running for various events around Daniel Libeskind's 70th birthday, among them the concert project "One Day in Life." Libeskind has designed the project for Frankfurt's Old Opera. A total of 75 concerts are to be given on May 21 and 22 at 18 different locations spread over the city of Frankfurt.

Libeskind's idea was to bring music to places where hitherto no music had been played, for example hospitals, public baths or hidden bunkers. — dw.com

From the Sagrada Familia in Barcelona to the Sydney Opera House, the world's most recognizable landmarks display the character of the people who created them, but can individuality in architecture stand up to increasing pressure from developers to deliver universally popular designs?

...Daniel Libeskind warns that his profession is currently battling against commoditization and a "design by committee" approach that devalues the architect's role. — CNN

A new high-rise building called the Freedom Pyramid will change the face of Jerusalem’s downtown area. The project, conceived by architects Daniel Libeskind and Yigal Levi, will see a multi-purpose tower comprising commercial shopping and residential units atop the old Eden theater.

The idea for a high-rise at this location, adjacent to Mahaneh Yehuda market, first hit headlines in 2011. But a Jerusalem municipal committee only now approved the construction. — israel21c.org

Today sees the launch of CNN Style, a new online destination for intelligent, stylish content spanning the worlds of fashion, design, architecture, art, autos and luxury.

Throughout July, CNN Style welcomes renowned Polish-American architect Daniel Libeskind [...]. As guest editor, Libeskind has commissioned a series of pieces about architecture to be published through July, given an exclusive video interview to CNN Style and written about the interplay of architecture and emotion. — CNN

Seventy years after the end of the war, Berlin is finally filling the last gaps left by Allied bombs, which destroyed more than two-thirds of the buildings in the city center. Architects say the construction boom offers Berlin a chance to make up for decades of bad planning and mediocre architecture. “This is a new time in Berlin,” says Libeskind [...]. “It’s one of the great cities of the world, and we expect it to compete. We don’t expect it to be some backwater.” — bloomberg.com

For six months starting on May 1st, Milan is hosting the World Expo, which has been held every five years since 1851 as a showcase for human progress. [...]

Of the 53 countries constructing pavilions, China is building not one, but five. [...]

Like many pavilions in the Expo, the designs of the Chinese-sponsored buildings are nothing if not adventurous—even though president Xi Jinping has called for an end to “weird architecture” [...]. — qz.com

Only one of the new buildings is ready, its centrepiece artwork had to be dismantled after bits fell off – and people are more excited about getting their first Ikea. [...]

A €155m new station, designed by Santiago Calatrava as a swooping sci-fi bird, is so far no more than a concrete foundation slab. It replaces a much-loved 1950s station by a local architect, and it’s now optimistically scheduled to open in 2018, having escalated to four times its original budget. — theguardian.com

In 2015, Libeskind’s brand of Deconstructivism (and all varieties of Deconstructivism, one might argue) amounts to a familiar, dull architecture; a calcified formal language whose shock-factor and novelty has worn away. One would hope that Libeskind, as a leading architectural practitioner, could at least try to articulate a new agenda in the experimental vein of his earlier work. Alas — as the Mons International Conference Xperience shows — that’s not the case.  — blouinartinfo.com